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Sony

Sony a7S II ILCE7SM2/B 12.2 MP E-mount Camera with Full-Frame Sensor, Black

    • Based on 132 reviews
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Availability: Only 2 left in stock, order soon!
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Arrives Dec 31 – Jan 2
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Style: Base


Features

  • full-frame camera with 5-axis image stabilization
  • fast and effective, enhanced fast hybrid af
  • 12.2 megapixels 10 35mm full-frame exmor cmos sensor lens compatibility - sony e-mount lenses
  • bionz x image processing engine ; clear image zoom :still/movie: approx. 2x
  • in the box: rechargeable battery np-fw50; cable protector; ac adaptor ac-uud11; battery charger bc-vw1; shoulder strap; body cap; accessory shoe cap; eyepiece cup; micro usb cable
  • Mounting type: Bayonet

Description

The α7S II has evolved in both Stills and Movies adding internal 4K video recording, 5-axis image stabilization and High-speed AF with enhanced accuracy - while maintaining its legendary low-light/ low noise capability for extraordinary high sensitivity of up to ISO 409,6002. Additional updates include; S-Gamut. Cine/S-Log Picture Profiles and 120P Full HD 1920x1080 high- frame rate video for 5x slow motion. An evolution of a low-light legend is here!

Compatible Mountings: Sony Mirrorless


Aspect Ratio: 169, 11, 32, 43


Photo Sensor Technology: CMOS


Supported File Format: JPEG, Raw


Image Stabilization: Sensor-shift


Maximum Focal Length: 35 Millimeters


Optical Zoom: 1 x


Maximum Aperture: 3.5 Millimeters


Metering Description: Center-Weighted Average, Multiple, Spot


Brand: Sony


Display Fixture Type: Articulating


Has Color Screen: No


Display Resolution Maximum: 1,228,800 dots resolution


Display Type: LCD


Screen Size: 3 Inches


Focal Length Description: 35 millimeters


Digital Zoom: 4 x


Lens Construction: 9 elements in 8 groups (or similar)


Zoom: optical


Camera Lens: Fisheye Lens


Minimum Focal Length: 3.5 Millimeters


Maximum Focal Length: 35 Millimeters


Optical Zoom: 1 x


Lens Type: Fisheye


Image Capture Type: Video


Movie Mode: Yes


Night vision: No


Digital Scene Transition: zoom


Digital-Still: No


Shooting Modes: Portrait, sports action, macro, landscape and more


Self Timer: 2 seconds, 10 seconds, 5 seconds


White Balance Settings: Auto, Incandescent, Daylight, Underwater, Fluorescent, Custom, Cloudy, Shade, Flash torch


Crop Mode: APS-C


Exposure Control: Aperture Priority, Auto, Manual, Program, Shutter Priority


Metering Methods: Center-Weighted Average, Multiple, Spot


Mount Type: Bayonet


Item Dimensions D x W x H: 1.5"D x 4.6"W x 2.7"H


Viewfinder Coverage Percentage: 1


Eye Relief: 25 Millimeters


MicrophoneTechnology: Stereo


Warranty Type: 12


Shutter Type: Focal Plane Shutter, Electronic


Number of Channels: 1


Mounting Thread Type: 1/4-20


Audio Recording: Yes


Is Electric: Yes


Number of Batteries: 1 Lithium Ion batteries required. (included)


Enclosure Material: Metal


Has Image Stabilization: Yes


Analog Video Format: NTSC/PAL


Viewfinder Resolution: 9437184 Dots


Lens Mount: Sony E


Shutter Speed Description: Adjustable shutter speeds


Compatible Devices: Sony Mirrorless


Continuous Shooting: 5


Aperture modes: 3.5


Viewfinder Magnification: 0.78x


Audio Input: Microphone


Flash Sync Speed: 1/250 Second


Video Capture Format: 4K


Expanded ISO Maximum: 51200


Battery Weight: 22 Grams


Delay between shots: 0.2 seconds


Audio Output Type: Internal


Battery Cell Type: Lithium Ion


Maximum Image Size: 3.84E+3 Pixels


Bit Depth: 14 Bit


Effective Still Resolution: 12.2 MP


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG, RAW


Aspect Ratio: 169, 11, 32, 43


File Format: JPEG, Raw


Flash Memory Speed Class: UHS Speed Class 3 (U3)


Flash Memory Bus Interface Type: UHS-I


Media Speed: up to 90-95 MB/s


Flash Memory Type: SDXC


Global Trade Identification Number: 73


UPC: 027242894273


Are Batteries Included: Yes


Model Number: ILCE-7SM2/BQ


Remote Included: No


Brand: Sony


Model Name: Sony a7S II


Age Range Description: Adult


Built-In Media: Micro USB cable, Rechargeable Battery NP-FW50, Accessory shoe cap, Shoulder strap, Cable Protector, Camera, Body cap, AC Adapter AC-UUD1, Battery Charger BC-VW1, Eyepiece cup


Total USB 2.0 Ports: 1


Total USB Ports: 1


Video Output: HDMI


Connectivity Technology: USB, HDMI, NFC


Wireless Technology: nfcWi-Fi


Focus Mode: Direct Manual Focus (DMF), Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S)


Autofocus: Yes


Focus Type: automatic_only


Auto Focus Technology: Contrast Detection


Focus Features: Hybrid


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Dec 31 – Jan 2

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Great camera for an indie filmmaker/cat blogger!
Style: Base
Review Image by Scott Danzig Scott Danzig
Review Image by Scott Danzig Scott Danzig
Review Image by Scott Danzig Scott Danzig
This is my first interchangeable lens camera, after a year and a half of heavy experience with an RX100M3. I was pleasantly surprised to feel like a fish in water when swimming through the familiar menus and features, also found in its smaller cousin. I'm getting used to the new features, such as uncompressed RAW, more video settings, and the instructions actually couldn't tell me what "AEL" meant. This camera is still barely out of preorder, so I'll start seeing support from Sony, but right now, Sony's website gives a collective shrug when you check for available firmware upgrades/software. It's just not set up. One thing that I'm still getting used to with this camera... the controls change based on the lens you attach. I went for Sony E-mount Full Frame lenses. I figured out that's what "FE" means. E-mount is the type of lenses that this camera can natively support, but if you want to use the full sensor, rather than just a part of it, you need "full frame" ones. There are not many options. I wanted a fast 35mm prime and an 85mm prime. The 35mm prime...NO PROBLEM. There's a $1600 f/1.4 beast that is available. I robbed a jewelry store to pay for that one. But the 85mm options aren't so obvious. The closest FE lens currently available is a 90mm Macro f/2.8 lens. Not as fast as I wanted, but still pretty good, and... it's got rave reviews about it's sharpness. That plus opening up a pathway into macro photography while still giving me the bokeh I'm looking for... I piped down and bought it (for $1000... only had to rob a small jewelry store for that one). I saw a few rumors of more lenses coming out, but you should figure out what lenses you want BEFORE buying this camera. If you're not sure, well, I took the option of renting a camera from a rental website (I used lensrentals.com) with lenses I wanted, and, if you like em, you can apply the rental price toward the price of "keeping it". Or just return it and..now you know what the lens is like. One motivation for buying this camera... the main motivation... is my filmmaking. I like low-light cinematography, and I want it available to me. I had the confidence that this would open up that avenue for me, with 4K footage. I've used RED cameras for short films before, and although I don't think this is going to approach that quality, it lets me still compete in film festivals keeping to the same genre. I decided to go ahead and use the very fast 35mm f/1.4 lens to test the low light video, recorded at the highest quality 24p 100Mbps, with panning over my cat on a bed, with varying levels of light. (testing in a 10x10 room with a small lighting kit, 200/500/750, plus a lamp with a small CFL bulb... I think 40-60W) I left the aperture open all the way at f/1.4. The results? The small bulb was certainly not going to sufficiently light anything. You can still see everything once you start to crank the ISO into the thousands, but there's banding/noise galore. However, the 200W light was actually plenty enough to see everything at 100 ISO (min for video). I attached a screenshot from that test. It's still a bit dark, but it's clean. I didn't see any noise on my 27 inch computer monitor as I panned over the cat. Increasing ISO levels only got brighter, with no hint of noise. At about 1000 ISO, Luna started getting overexposed. So this certainly gives me the creative freedom to work wonders, film festival-wise. You see the sleepy cat there? My other motivation for upgrading my camera, you'll be disappointed to know, is cat pictures. I run my blog at littlechomper.com, and I want more action pics. If you haven't tried, taking fast-shutter pics of a cat jumping around while indoors... it's a tall order. I've had to be very creative with my RX100M3, hanging out near windows during the hours with the strongest light. Well, I'm sad to report that the A7s2 is no magic cure for my woes. While I definitely don't have to stay so close to windows, an interchangeable lens camera is a lot heavier, and I'm finding it's a pain in the ass to try to aim the camera and throw the cat treat. I take the precaution of always wearing my neck strap, and... I insured the camera too. But still, I'll have to get more creative with strategies to overcome this. I'm going to try to leverage the 4K slow motion video. With 4K resolution, the stills should be high quality enough, and I shouldn't have to worry so much about keeping my figure near the shutter. Focus will be the main concern. But I'm sure the camera is capable of getting the shots I want once I figure out the right strategy. On a relevant note, I think the 5-axis stabilization is working for me. The 90mm lens I have has built-in stabilization, and the 35mm doesn't, but I don't think it matters. The a7s2 has it built in, and supposedly leverages the stabilization in the lens, if available, to improve even more. I certainly can't do macro photography very well without the camera being mounted or resting on a surface, but I certainly feel more at ease exhaling slowly with arms in and trusting my own steadiness at 1/60 shutter speed. Speaking of macro, is it relevant to this review to say I added my 58mm Canon 250D close-up lens to my 90mm macro and got a pretty nice close-up of a penny? I'll add that picture. When you zoom in, you see some strange colors in there... reds and greens... I figure this is related to taking pictures of scratched up metal, or maybe it's just not enough light yet... I'm relying on exposure time instead. I'll include the penny picture. What other things can I comment on? I definitely like the shooting mode being locked into place, unlike on cheaper cameras (like the RX100M3 and most point n' shoots). Although sometimes you wish you can change it with one hand. There's lots of configurability. I see a "C1, C2, C3, and C4"... all user-customizable. I'll deal with that when I have time. And lastly, I use Capture One, rather than Lightroom for my images. Capture One provides custom profiles for each camera based on hands-on testing of each camera through the different ISO levels, so I think that helps improve its handling of RAW images. There's a super-cheap version for Sony only, so it let me stick with that. Originally, the RAW images coming out of the A7S2 wasn't supported by Capture One, but they've already released an upgrade... version 8.3.4 I believe, which supports the RAW images seamlessly. I'm back to my old workflow, only a couple days after receiving my camera from pre-order. ... show more
Reviewed in the United States on November 1, 2015 by Scott Danzig Scott Danzig
    • Most versatile stills and video camera ever created!
Style: Base
Pros: The a7s ii can do anything! It shoots great stills and has crazy features such as silent shooting that is actually silent. The ridiculously sensitive sensor enables you to shoot at high shutter speeds or in low light. Software-wise it feels like the camera is unlocked because you can change every setting and customize everything to your liking. You can even install apps on it to allow more capabilities! The small size and durable construction are an engineering marvel. Surprisingly good internal microphone. Suberbly ergonomic design to get 3 physical dials for aperture, shutter, and ISO onto this small body. Ability to shoot high frame rate video is super nice at this price point. The 5-axis sensor stabilization really does work very well. Even though the video is only 8 bit 4:2:0 color, it still holds up surprisingly well to grading. I shoot a lot on the FS7 and you can push it almost just as far even though the FS7 is 10 bit 4:2:2. Cons: Would be unstoppable if it output 4:2:2 10 bit color from HDMI. Battery life is decent given the small physical size of the battery but it rejects non Sony brand batteries so you have to buy the $50 Sony ones. HDMI sucks so it would be amazing if it had SDI but I understand that it's a DSLR. S-log is great but they need to fix the green color cast issue with all s-log. When using the Play Memories app to monitor wirelessly, it sucks that you can't shoot s-log. The monitor could have better pixel density. When shooting high frame rate the footage is slightly softer, especially at 120fps. It should have the option to shoot 60fps 1080p at 100Mbps but for some reason it's only 50Mbps. The h264 XAVC-S codec is a monster to decode so even with a beastly powerful computer, scrubbing through the footage in Adobe Premiere can be laggy. Overall, the a7s ii is the Swiss army knife of cameras because it's small and it shoots great stills and video. It's certainly no one-trick pony! If you're someone who enjoys freedom and complexity then it's a good fit. If you like simple and user-friendly then you might be overwhelmed a bit. ... show more
Reviewed in the United States on June 7, 2016 by BP40

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