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SONICAKE

SONICAKE Chorus Pedal Chorus Guitar Pedal Guitar Effects Pedal Classic BBD Analog True Bypass

    • Based on 1,576 reviews
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Availability: In Stock.
Fulfilled by Amazon
Arrives Thursday, Nov 21
Order within 12 hours and 41 minutes
Available payment plans shown during checkout

Color: Chorus


Features

  • 100% Analog Natural Warm Chorus Pedal with LEVEL, SPEED, and DEPTH control On Guitar Chorus Pedal
  • BBD Technology brings a Crystal Bucket-Brigade Style Chorus Soundcon the guitar effects pedal
  • Great Tweakability and Wider Tonal Variation For the Chorus Guitar effects Pedal
  • True Bypass Footswitch keeps a clean Signal Path on the chorus guitar pedal
  • Working with 9V Center Negative Regular Pedal Power Supply(not included) for the guitar chorus pedal

Brand: SONICAKE


Style: Chorus


Color: Chorus


Item Dimensions LxWxH: 3.68 x 1.65 x 2.05 inches


Item Weight: 228.7 Grams


Item Weight: 8.1 ounces


Product Dimensions: 3.68 x 1.65 x 2.05 inches


Country of Origin: China


Item model number: QSS2-10


Is Discontinued By Manufacturer: No


Date First Available: July 12, 2017


Color Name: Chorus


Hardware Interface: 1/4-inch Audio


Signal Format: Analog


Power Source: Corded Electric


Voltage: 9 Volts


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Nov 21

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Not to bad
Color: Octave
Sounds pretty good when dialed in right One octave below. Can’t get the two octave to sound right on my bass though. Didn’t spend enough money on it to be butt hurt though.
Reviewed in the United States on August 1, 2023 by Kimberly Johnson
    • Best Auto Wah pedal I have owned! Extremely versatile! Amazingly quality and an unbelievable price!
Color: Auto Wah
I am a musician that has been performing for 30 years on the stage, in the studio and stage on a a professional. I have a degree in guitar performance and I play everything from classical, jazz, bluegrass, rock, pop, etc...I have owned approximately 75 pedals currently and have owned twice as many through the years. Yes, I am addicted to shopping for guitars, pedals, amps....you get the point. I am going to first talk about the build of the pedal. It is in a small 3.5" x 1.5" x 1.5". It is built like a tank in a durable metal casing. It does have 3 plastic knobs that have rubber rings around them. I am guessing this is used for both gripping and turining the knobs comfortably and to protect them. It also has a regular size knob in the center that is common on many pedals on the market. That being said, the hardware is great quality and I believe this pedal could withstand the day to day abuse from a professional performer for years if not a life time. The build is simply very high quality for the price. I first decided to try this pedal using a clean sound. It has the following 4 adjustable functions: 1. "Sense" knob - The large knob in the middle. It acts as a tone filter/sentativity for the sound. Turn the knob all the way to the left and you get a really throaty wah sound and as you turn the knob to the Right the tone brightens. As you pick softer you get more of that "Cry" sound. I found a good sweet spot for a wah sound was this knob between 10 to 11 o'clock. This could be different depending on the guitar and amp etc...you are using. 2. "Freq" controls the frequency. I like this knob a little before 12 0' clock 3. "Decay" I found this knob sounds best turned all the way to the right for a more intense wah sound. 4. "Pres" Presence knob - acts just like a presence knob on an amp. Fine tunes and smooths out the sound. I liked this best at 2 o'clock. The above settings for each knob was what worked for me as far as getting a professional wah sound. Now, as I experimented with turning the knobs, I found I could get synth like swelling sounds to actually using the pedal as an equalizer to get more of a muted sound for jazz tones or get more of a "Fuzz" sound running it through disortion. I also found I could use the pedal to "melow" the sound and make my bridge pickup on a Les Paul sound like the neck pickup on a tell or a neck pickup on a Les Paul itself. I could get a lot of different cool tones just from this tiny pedal. The sensativity of each of the knobs used to change each setting are very sensitive and usable unlike other higher end auto wahs or filter pedals I have used in the past where I could not tell whether turning the knobs did anything. This pedal is especially great for funk and syncapated rifts where dynamics are needed to help accent certain notes or making different percussive sounds in between notes or chords. This pedal I will be using for live performances and studio. When I purchased it, I did not plan on using it except as a toy to play with per say and wasn't expecting how professional, clean, and sturdy this pedal is. This pedel is true bypass and there is no drop in the volume when engaged. No popping, no fizzle, and the sound does not manipulate the original signal that can cause the intergrity of your sound to change. Summary: This pedal is as sturdy as it gets. Super versatile as it can be used as a auto wah, equalizer/filter, synth tones, etc... Professional sound quality and sounds better than pedals I spent 4 plus times for. I have owned auto wahs from the popular cock fight pedal (which I returned), to all the major brands and have refused to use any of them for live or studio use. Most I have returned and have just stuck to a wah pedal. This pedal can really free you up to move around on stage and will use it for live and studio performances. I will buy another one so I can have two different settings I can utilize while performing live without adjusting the knobs and since it is so small it does not take up a lot of space on my people board. Note: I will update this with a video when I get a chance to video and record the different uses I found intriging about this pedal. ... show more
Reviewed in the United States on September 15, 2018 by Michael Cole
    • Needs truly isolated power on larger pedal boards
Color: Modulation
I have this pedal running into Sonicake's ambience reverb / delay pedal, and the pair is a heck of a lot of fun. The tremolos and chorus on the modulation pedal I really like, and in my peddle board this pedal is almost always on optotremolo. This is almost a five-star pedal, except it really does need truly isolated power or it will inject high frequency clocking noise into your signal. Not so much that I have bothered to upgrade my power supply, but enough to be irritating. The tap tempo on this is good for slow-moving effects like flange or phaser, it's a little difficult to tap quickly enough for faster moving effects like tremolo. This is a buffered pedal, so there is no switching noise, which is nice, though there are some volume jumps and dips depending on which modulation algorithm you are using. Nothing too extreme, but worth noting. If the whine and volume irregularities were corrected, this would be a five-star pedal. ... show more
Reviewed in the United States on May 11, 2023 by Ronald G.
    • Mutron III - Almost
Color: Auto Wah
I purchased this item because I am looking to get close to Jerry Garcia's tone for some recording...well, I am quite pleased at the tone I get out of the Crybot! It runs a bit more , just a bit , tiny then the Mutron but costs , you know,$650 less...I'll take it. My one complaint would be that it does give a slight kick to my volume...I'll live with it. I am so pleased with it that I intend on checking out a few more sonicake pedals. ... show more
Reviewed in the United States on March 14, 2023 by DooDahMan
    • This pedal Kills
Color: Octave
Ok so let me just start by saying , I am a musician who plays on my own original band that has sold over 500,000 albums. I have had many pedal setups and boards. I mostly play nylon and steel string acoustic and some electric . Started doing some small local bar gigs for extra cash and use a loop pedal (boomerang) i will loop guitar beats , taps , w swells and anything that sounds like a full band . The Boss OC2 was in my opinion the best pedal to give me the "bass guitar " for my loops. I ordered this to put on a small fly board. THIS SOUNDS LIKE THE OC2! I made the mustake of buying the mxr vintage octave, that thing sounds terrible... so I thought , 37 bucks lets give it a shot ! SO WORTH IT! its not a cool hip square wave or insane sub synth octave. But for plain analog octave , it is round and warm . Try it . Again this is to play bass lines on my steel string so keep that in mind. ... show more
Reviewed in the United States on February 23, 2023 by Ksenia

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