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Panasonic

Panasonic LUMIX S5 Full Frame Mirrorless Camera, 4K 60P Video Recording with Flip Screen & WiFi, L-Mount, 5-Axis Dual I.S., DC-S5BODY (Black)

    • Based on 269 reviews
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Availability: In Stock.
Fulfilled by PROCAM
Arrives Saturday, Nov 23
Order within 9 hours and 8 minutes
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Style: Body only


Set: Base


Features

  • A LIGHTWEIGHT, POWERFUL HYBRID CAMERA FOR VIBRANT STILL PHOTOGRAPHY AND CINEMATIC VIDEO: Realize your creative vision with extraordinary 4K 60p, 10-bit video, FHD 180fps Slow Motion option as well as 4:3 Anamorphic support.
  • DETAILED PHOTO AND VIDEO THAT WILL DELIGHT ENTHUSIASTS AND EXPERTS ALIKE: Capture content in impressive high quality with 96MP High Resolution mode, Dual Native ISO to minimize noise in high sensitivity and V-Log/V-Gamut with 14 plus stop dynamic range.
  • IMPROVED, HIGH-PRECISION AUTOFOCUS AND POWERFUL IMAGE STABILIZATION: Improved autofocus includes detection of the head as well as eyes, face and body, to capture subjects with ease and precision. 5-axis Dual I.S. 2 enables 6.5-stop slower shutter speed.
  • EXPANDED FEATURES OFFER NEW LEVELS OF CREATIVITY: Use Live View Composite mode to instantly create a stunning image out of several live shots to capture fireworks or a starry sky

Description

LUMIX S5 is a hybrid full-frame mirrorless camera that achieves both excellent performance in photo/video in a compact body designed for aspirational content creators. At the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance made possible by sufficient light condensation. The LUMIX S5 further realizes recording maximum ISO51200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology. The LUMIX S5 is capable of 4K 60p/50p 4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. For 4K 30p/25p 4:2:0 8-bit internal recording, there is no time limit. Panasonic’s exceptional heat dispersion technology realizes stable, long time video recording. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called “VariCam Look”. A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided. The LUMIX S5 boasts high-speed, high- precision AF in both photo shooting and video recording that are made possible with advanced deep-learning technology featuring real-time detection of the subject’s type and parts such as human eye, face, head and body. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S.2 compensates for blurring even powerfully, allowing the use of a 6.5-stop3 slower shutter speed. The splash/dust-resistant rugged design provides professional photographers with high reliability. To enhance the photographic experience, the 96-megapixel High Resolution Mode (JPEG/RAW), Live View Composite function and HLG Photo mode are available.

Compatible Mountings: Leica L


Aspect Ratio: 1.501, 169, 43


Photo Sensor Technology: CMOS


Supported File Format: JPEG, Raw


Image Stabilization: Sensor-shift


Maximum Focal Length: 35 Millimeters


Optical Zoom: 3 x


Maximum Aperture: 1.8 f


Expanded ISO Minimum: 50


Metering Description: Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot


Touch Screen Type: Capacitive


Display Fixture Type: Articulating


Display Resolution Maximum: 1840000 Dots


Display Type: LCD


Dots Per Screen: 1,840,000 Dot


Screen Size: 3 Inches


Focal Length Description: 50mm


Digital Zoom: 2 x


Number of Diaphragm Blades: 9


Photo Filter Thread Size: 67 Millimeters


Lens Construction: 9 Elements in 8 Groups


Photo Filter Size: 67 Millimeters


Camera Lens: 10


Minimum Focal Length: 35 Millimeters


Real Angle Of View: 47 Degrees


Maximum Focal Length: 35 Millimeters


Optical Zoom: 3 x


Lens Type: Zoom


Model Series: LUMIX


Global Trade Identification Number: 90


UPC: 885170426290


Are Batteries Included: Yes


Model Number: DC-S5BODY


Brand: Panasonic


Model Name: Panasonic LUMIX S5|4K Mirrorless | Full-Frame| L-Mount Camera – (DC-S5BODY)


Built-In Media: Camera Body Only


Self Timer: 2 seconds, 10 seconds


White Balance Settings: Auto, Daylight, Cloudy, Flash torch, Shade


Crop Mode: Full-Frame


Exposure Control: Manual


Metering Methods: Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot


Mount Type: 1 x Hot Shoe Mount


Item Dimensions D x W x H: 3.22"D x 5.22"W x 3.82"H


Viewfinder Coverage Percentage: 1


Eye Relief: 20 Millimeters


MicrophoneTechnology: Stereo


Minimum Aperture: 22 f


Shutter Type: Focal Plane Shutter, Electronic


Mounting Thread Type: 1/4-20


Audio Recording: Yes


Number of Batteries: 1 Lithium Ion batteries required. (included)


Enclosure Material: Magnesium Alloy


Has Image Stabilization: Yes


Analog Video Format: NTSC/PAL


Viewfinder Resolution: 2360000 Dots


Lens Mount: Leica L


Shutter Speed Description: Electronic Front Curtain Shutter1/2000 to 60 Seconds Up to 30 Minutes, Mechanical Shutter1/8000 to 60 Seconds Up to 30 Minutes in Bulb Mode, Electronic Shutter1/8000 to 60 Seconds Up to 60 Seconds in Bulb Mode 1/16000 to 1/25 Second in Movie Mode


Compatible Devices: [Leica L]


Continuous Shooting: 7 fps


Aperture modes: F3.5–F5.6


Viewfinder Magnification: 0.74x


Audio Input: 3.5mm microphone input


Flash Sync Speed: 1/250 sec


Video Capture Format: MP4


Expanded ISO Maximum: 204800


Battery Weight: 1 Grams


Audio Output Type: Headphones


Battery Cell Type: Lithium Ion


Battery Type: Lithium Ion


Processor Description: Panasonic [Unknown Series/Generation]


Water Resistance Level: Water Resistant


Bit Depth: 14 Bit


Effective Still Resolution: 24.2 MP


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG, Raw


Aspect Ratio: 1.501, 169, 43


File Format: JPEG, Raw


Recording Capacity: 30 minutes


Media Speed: Up to 300 MB/s


Flash Memory Type: Slot 1 SD/SDHC/SDXC (UHS-II)Slot 2 SD/SDHC/SDXC (UHS-I)


Memory Slots Available: 2


Image Capture Type: Stills & Video


Movie Mode: Yes


Digital Scene Transition: False


Digital-Still: Yes


Shooting Modes: Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority


Total USB Ports: 1


Number of Component Outputs: 1


Video Output: Micro-HDMI


Connectivity Technology: Bluetooth, Wi-Fi


Wireless Technology: Bluetooth, Wi-Fi


Focus Mode: Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S)


Autofocus: Yes


Autofocus Points: 225


Focus Type: manual-and-auto


Auto Focus Technology: Eye Detection


Focus Features: Continuous-Servo AF, Manual Focus, Single-Servo AF


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Nov 23

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Excellent video, with minor issues
Style: Body only Set: Base
I have been using this for at least two years. The stand out features of this is the video quality, and IBIS. I primarily use this for video in 10 bit. The good I do not have overheating issues when shooting in 10 bit mode, though in 90F heat I do feel it get noticeably warm after an hour. I have not had it shut down on me. The battery is typically safe for 1:30 of 10 bit footage (1:45 or 1:50 total possibly) when using the LCD. Using 3rd party batteries there is at least 15% less run time on average. When comparing against the Sony A7, there is the light weight construction (sony is no different) control ergonomics (something sony lacks) and control options (way better than sony). The video quality is better than my D850. I have at least four video profiles set up on my camera depending on the situation, but you can have more under C3 by going through the menu. I have shot it in (almost) complete darkness and was able to get usable footage after some light cleaning (flat profile). For sound, the auto limit works and keeps things from clipping. The 20-60mm lens is pretty good as a kit video lens for most things. It has a sharpness falloff after 35mm or so, but most of my use is at 20mm. The LCD screen can be customized to your liking with multiple options. There are several profiles to choose from, and you can additionally tweak most of them. I use Cine-D for outside, Natural for indoors, Flat for low light and the last one is the 8 bit mode in 709 for long shooting. Lots of control here. No issues with Auto-focus when shooting pictures. Having the options to choose either e-shutter or mechanical is an advantage when you want to shoot silently. Fun with manual focus lenses with focus peaking enabled along with IBIS. The not so great Battery life indicator does not have % indication. This makes it difficult to tell if you have 5 more minites of video life left or 30 seconds, when running thr battery down. Though normally getting the battery that low to begin with is bad practice. The supplied charger is no good. It takes too long, costs too much and takes up more space than needed. I use the XTAR 4 bay charger to charge multiple batteries. So the auto focus can hunt some times, which typically happens when there is low light (when you're at iso 12800). This can happen with rapid subject changes too. This isn't news. It's typically not an issue most of the time in normal light with subject tracking enabled. The built in sound pre-amps are good enough, but external recorders will be cleaner. I never use the built-in microphones. When taking pictures, the D850 is clearly better. The Nikon has a better grip, even if bigger and heavier, for my hands. The grip on the S5 hurts my hand after extensive shooting. Buffer depth is not high enough on the S5 for my liking, though it's fine once you put a V90 card in. My biggest annoyance is that the Nikon gives me all of the options that I need to tune the Jpeg output where it's perfect out of the camera, but this isn't the case with the Panasonic. What the Panasonic is missing is a separate brightness option, that allows me to pull down shadows in a specific way while boosting highlights without clipping everything. In Raw, I more or less can get there - obviously slightly different due to being different brands. Exposure drift on static objects. When using auto-iso in video on a static scene the camera will sometimes start to overexpose by two stops for some reason. Switching to manual iso drops you all the way to the base, which ruins the footage. Dialing in exposure compensation while this starts to happen is an experience of chasing your own tail. This is with the latest firmware. The USB-C port on my camera does not work off external power when recording. I verified this with a USB power meter. I use a dummy battery with a USB-C connector in to a battery. This runs without issue except when the battery gets depleted, which causes an abrupt end to the video corrupting it - Panasonic provides a software tool to rescue your footage and it does work. Battery grip tax. Some brands charge obscene amounts of money for battery grips, which is mainly plastic and some wires, and Panasonic is no different. Other The electronic image stabilization can introduce artifacts in to your footage, but this is expected behavior. While the IBIS does work, it's not magic and shaky footage will still be ruined. I like controls to be lockable against accidental changes, this is a feature of typically expensive DSLRs for pro's. One thing that can happen is that the switches might move. The focus switch might get changed, or your burst mode selector type (leftmost dial) might switch to a different burst mode without realizing it. This is typically a risk when you have the camera hanging off while you walk around - from repeated brushing up against clothes. Versus the S5 II and X Looking at the specifications, the main stand out feature for me is the ability to record 10 bit without a time limit. I have lost some moments because I was not paying enough attention, granted that is ultimately my fault. The second attractive feature is the larger buffer for taking images. With this I would not need to keep V90 cards just for pictures and keep the large capacity V30 cards for video in the camera. The better auto focus comes with a cost, mainly reduced ability to pull up shadows due to banding. This S5 does not have banding. But I suspect for most this will be the main desired feature. ... show more
Reviewed in the United States on September 18, 2023 by Ecolometrics
    • Pro camera, consumer price
Style: Body only Set: Base
Review Image by Matthew Zilic Matthew Zilic
Review Image by Matthew Zilic Matthew Zilic
I used an S5 for a published shoot a couple years ago. And while my main workhorse camera for pro photo and video gigs has become my Fuji XH2, this camera was always a great camera to use. Great results etc. so when prime had a deal (I think it was one day) to get an s5 body for under $1,000 new… I jumped on the deal. I was looking for a basic, less expensive travel camera so I could leave my Fuji for work. If you’re a photographer/videographer that relies on the best auto focus or ai tools… this isn’t the camera for you. But for anyone who has used DSLRs and wants an updated camera for a very good price… this is great. It beats the z5 in lowlight and autofocus (based on my experience). And the video capabilities are fantastic. If you rely on the most advanced autofocus and ai tools, the Sony a7iv and a6700 are fantastic for those, and offer great video capabilities. If your looking for an 8k output from internal recording that from my experience outclasses the a7iv, and want amazing color and overall performance… grab an XH2 from Fuji. But if you’re looking for a great travel camera, or even pro camera and want to save a bit of money… the S5 is a great option. While Sony and Fuji beat it in continuous tracking autofocus, I’ve never had an issue get tack sharp focus on subjects at weddings, studio work, or just basic travel or vacation shots. In fact I have found it on par with Nikon z6ii and noticeably better than the Nikon z5. ... show more
Reviewed in the United States on July 27, 2024 by Matthew Zilic Matthew Zilic
    • Incredibly powerful camera, inexpensive lens selection
Style: w/ S5 Lens Kit Set: Base
Review Image by Brian Brian
Review Image by Brian Brian
Review Image by Brian Brian
Review Image by Brian Brian
If you want a mirrorless camera, I think the lens selection makes this the one to buy. I know the complaint with l-mount cameras has been that the lenses aren't there. In 2021, that's no longer a factor. On top of that, the fact that this has first party support from Sigma means that there are fantastic, fully supported lenses for this camera at half the price of what you get from Canon, Nikon, Sony, and Fuji. The only other mirrorless system that has extensive third-party lenses is Sony and I considered the A7III. The Lumix won out because of its better menu system, jpeg colors, build quality, ergonomics, IBIS, and hi-res shot mode. I'm primarily a stills photographer and I've found the autofocus to be fantastic. It's great at grabbing onto eyes and faces. When subjects turn, it's still able to track their head movements. I've experimented with old manual focus Canon FD lenses and it has a great interface for focusing accurately with those as well. I highly recommend this camera. It makes photography fun and a broad lens selection affordable. ... show more
Reviewed in the United States on March 23, 2021 by Brian Brian
    • super image and video quality!!!!
Style: w/ S5 Lens Kit Set: Base
This is a very cool gadget for sure! I love the images and videos captured with this camera. The kit lens 20-60 is perfectly fine for everyday use. If you want, you can get more expensive lenses but kit lens works well. Very pleased with the purchase. Compared to some other full frame cameras, this is very reasonably priced for features and technology included. Highly recommended. ... show more
Reviewed in the United States on May 1, 2024 by anonymous coward

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