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Panasonic LUMIX LX10 4K Digital Camera, 20.1 Megapixel 1-Inch Sensor, 3X LEICA DC VARIO-SUMMILUX Lens, F1.4-2.8 Aperture, POWER O.I.S. Stabilization, 3-Inch LCD, DMC-LX10K (Black)

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Condition: Used - Very Good
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Availability: Only 1 left in stock, order soon!
Fulfilled by CoJack407
Arrives Saturday, Dec 28
Order within 16 hours and 48 minutes
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Style: LX10K


Features

  • POINT-AND-SHOOT CAMERA: Large, 1-inch 20.1-megapixel MOS sensor plus 3X zoom LEICA DC VARIO-SU millimeter ILUX lens (24-72 millimeter) and POWER O.I.S. (Optical Image Stabilizer) delivers brighter, more colorful photos with fewer image artifacts
  • TILTING SELFIE DISPLAY: Rear touch-enabled 3-inch LCD display (1040K dots) tilts upward 180 degree for easy selfie photos
  • 4K VIDEO CAPTURE: 4K QFHD video recording (3840 x 2160), plus exclusive LUMIX 4K photo and 4K Post Focus with internal Focus Stacking allows you to record photos up to 30fps and set your desired focus points after the photo has been taken
  • LENS-MOUNTED CONTROL RING: Manual lens-mounted control ring brings DSLR-like exposure control to a compact point-and-shoot camera body
  • USB CHARGING AND WI-FI CONNECTIVITY: Enjoy travel ready technologies like USB charging and Wi-Fi connectivity to your mobile device; micro-HDMI type D (3) and USB 2.0 micro-B provide additional connectivity to your favorite devices

Description

Perfect for the photographic enthusiast, the Panasonic LUMIX Digital Camera DMC-LX10K brings the legendary optical performance of a 3X (24-72mm) LEICA DC VARIO-SUMMILUX lens with amazingly stable O.I.S. (Optical Image Stabilizer) to a highly portable point-and-shoot travel camera. With a powerful, 1-inch 20.1-megapixel MOS sensor, the LEICA DC VARIO-SUMMILUX camera lens features a super bright F1.4-2.8 aperture range that is optically stabilized with Panasonic’s POWER O.I.S. technology to add striking depth of field dimension to your photographs even in low-light conditions. The high-resolution power of 4K video technology captures up to 4X the resolution (3840 x 2160) of standard Full HD, enabling you to create printable photos with 4K photo’s blistering 30 frames per second burst feature. Post Focus and Focus Stacking provide for additional creative freedom by allowing you to change depth of field or focus points after you take the picture. The LUMIX LX10 also features the hands-on manual feel of a lens-mounted control ring and thumbwheel, and rear touch- enabled 3-inch LCD display that tilts upward 180 degrees for easy selfie photos. Convenient travel-ready technologies like USB charging and Wi-Fi connectivity to your mobile device make the LUMIX DMC-ZS100K a digital camera that everyone can enjoy.

Compatible Mountings: Micro Four Thirds


Aspect Ratio: 169


Photo Sensor Technology: CMOS


Supported File Format: AVCHD


Image Stabilization: Optical


Maximum Focal Length: 72 Millimeters


Optical Zoom: 3 x


Maximum Aperture: 1.4 f


Metering Description: Center-Weighted Average, Multi, Spot


Brand: Panasonic


Touch Screen Type: Capacitive


Display Fixture Type: Fixed


Has Color Screen: Yes


Display Resolution Maximum: 1040


Display Type: LCD


Dots Per Screen: 1040


Screen Size: 3 Inches


Focal Length Description: 8.8 to 26.4mm (35mm Equivalent Focal Length 24 to 72mm)


Digital Zoom: 4 x


Lens Construction: 11 Elements in 9 Groups


Zoom: Depth From Defocus


Camera Lens: A crystal-clear F1.4-2.8 24-72mm LEICA DC VARIO-SUMMILUX optical zoom lens


Minimum Focal Length: 24 Millimeters


Real Angle Of View: 180 Degrees


Maximum Focal Length: 72 Millimeters


Optical Zoom: 3 x


Lens Type: Fisheye


Model Series: LX10


Global Trade Identification Number: 43


UPC: 885170291843


Are Batteries Included: Yes


Model Number: DMC-LX10K


Remote Included: No


Brand: Panasonic


Model Name: Panasonic Lumix LX10


Built-In Media: Battery Pack, Hand Strap, camera, AC Adaptor, USB Cable


Self Timer: 10 seconds


White Balance Settings: Auto, Incandescent, Daylight, Color Temperature, Cloudy, Flash torch, Shade


Exposure Control: Manual


Metering Methods: Center-Weighted Average, Multi, Spot


Mount Type: Bayonet


Item Dimensions D x W x H: 1.7"D x 4.2"W x 2.4"H


MicrophoneTechnology: Stereo


Minimum Aperture: 11 f


Shutter Type: Rolling Shutter


Mounting Thread Type: MFT


Long Exposure Shutter Mode: Time


Viewfinder Display Size: 3 Inches


Number of Batteries: 1 Lithium Ion batteries required. (included)


Has Image Stabilization: Yes


Analog Video Format: NTSC


Shutter Speed Description: Mechanical Shutter1/4000 to 60 Seconds 120 Seconds in Time Mode Electronic Shutter1/16000 to 1 Second


Continuous Shooting: 10 fps


Aperture modes: F1.4-F2.8


Flash Sync Speed: 1/250


Video Capture Format: 4K


Expanded ISO Maximum: 25600


Battery Weight: 1 Grams


Battery Cell Type: Lithium Ion


Guide Number: ISO Auto1.6 to 39.7' / 0.5 to 12.1 m (Wide)1 to 19.7' / 0.3 to 6 m (Telephoto)


Battery Type: Lithium Ion


Frame Rate: 50


Compatible Mountings: Micro Four Thirds


Sensor Type: CMOS


Image stabilization: Optical


Maximum Aperture: 1.4 f


Photo Sensor Resolution: 20.1 MP


Photo Sensor Size: 1-inch


Maximum Shutter Speed: 1/4000 seconds


Minimum Shutter Speed: 1/16000 seconds


Total Still Resolution: 20.1 MP


Effective Still Resolution: 20.1 MP


JPEG Quality Level: Basic, Fine, Normal


Supported Image Format: JPEG, RAW


Aspect Ratio: 169


File Format: AVCHD


Flash Memory UHS Speed Class: U3


Flash Memory Video Speed Class: U3


Flash Memory Bus Interface Type: UHS-I


Recording Capacity: 30 minutes


Flash Memory Type: SDXC


Memory Slots Available: 1


Memory Storage Capacity: 64 GB


Image Capture Type: Video


Movie Mode: Yes


Digital Scene Transition: zoom


Digital-Still: No


Shooting Modes: Time Mode,Aperture Priority, Manual, Program, Shutter Priority


Total USB 2.0 Ports: 1


Total USB Ports: 1


Number of Component Outputs: 1


Video Output: Micro-HDMI


Connectivity Technology: USB, HDMI


Wireless Technology: Wi-Fi


Focus Mode: Continuous-Servo AF (AF-C)


Autofocus: Yes


Focus Type: Depth From Defocus


Auto Focus Technology: Face/Eye Detection / Tracking / 49-area / Custom Multi / 1-area / Pinpoint


Focus Features: Depth From Defocus, Face/Eye Detection / Tracking / 49-area / Custom Multi / 1-area / Pinpoint


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Dec 28

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Fantastic camera
Style: LX7
Love this camera. It is very small: I put it in a small pouch on my belt and it goes everywhere with me. Not as small as a smart phone, but close enough and much higher quality. The fast f1.4 lens allows me to shoot indoor pictures without flash. Love that. The rear screen is so clear that I find myself not wishing for a viewfinder. The camera is very simple to operate. I have been leaving it in "IA" mode (intelligent auto) for all of my shooting, treating it almost like a point & shoot camera, even though a professional photographer friend urges me to explore using some of the other modes (aperture priority, in particular). I will get around to doing that eventually. Meanwhile, I get great results already. The video is stunning, and I am not even using anywhere near the highest quality settings. I have the camera set to shoot 720p video, producing mp4 files. My old computer can play and edit these files easily. Note that the manual says that if you do use the highest quality video settings (HD, 1920x1080, 60p), and you want to view or edit the video on a computer, you will need a fast computer, specifically, an i7 machine. Friends of mine who edit video concur that such a fast computer is, indeed necessary. I don't have such a fast computer, and when I try to view HD, 1920x1080, 60p video on my computer, it plays in little short bursts. But this is not a problem of the camera; it is just a fact about the data rate required to play HD video. But again, even with the camera set to shoot lower resolution video, the results are great. In conclusion, this is a fantastic camera, at a great price. Some notes about the lens cap follow below: The original Panasonic lens cap, when attached to the camera, does not have enough room underneath for an adaptor ring and protective filter. But the original lens cap has the advantage that it locks into the outer, fixed barrel around the lens. It does not stick out very far. And it completely covers the air gap between the inner, telescoping barrel and the outer fixed barrel. And if the lens cap takes a hit, the impact is transmitted to the outer, fixed barrel and not to the telescoping inner barrel. The risk to using the original lens cap is, of course, that without a protective filter, the lens could get scratched. For that reason, I tried an EzFoto adapter ring, protective filter, and lens cap (available on Amazon). Unlike some other reviewers, I did not have any trouble removing the thread protector from my Panasonic LX7. The EzFoto adapter ring threads on easily enough, and the EzFoto adapter ring goes on easily and fills up some of the air gap between the inner, telescoping lens barrel and the outer, fixed barrel. But the EzFoto adapter ring and filter protrude from the front of the camera a few millimeters. When the EzFoto lens cap is attached, the resulting assembly is fairly thick, much thicker than the original lens cap. Also note that the EzFoto lens cap is attached to the EzFoto filter and adapter ring, which are threaded onto the inner, telescoping lens barrel. That means that if the camera takes a hit on the front, the impact is transmitted to the inner, telescoping lens barrel. (And the EzFoto lens cap comes with a small tether, but it is not at all clear how the tether is to be attached to the lens cap: the hole in the lens cap is much too small.) But in my last 25 years of using various kinds of cameras, I have never scratched a lens. My wife is very careful with the camera. When our 6-year-old son takes a picture with the LX7, even he is very careful to not touch the lens. The lens has gotten dirty, because we use the camera in a lot of fun situations, like at the beach on a windy day. But I have usually been able to simply blow off the dust with a squeeze bulb. The one time that the lens needed more than that, I used FormulaMC cleaner and a microfiber cloth to clean it very carefully. It came out looking like new. Our LX7 is a family camera, and we have fun with it and do not obsess over it, and yet the lens remains in perfect condition. So I don't think a protective filter is necessary. If one wants to attach some other kind of filter for special effects, then the EzFoto kit would be essential. ... show more
Reviewed in the United States on July 10, 2013 by Mark H. Barsamian
    • Leica and Panasonic finally got it right, but buy the EVF too!
Style: LX7
The LX7 was an upgrade from my Leica D-Lux 4 (Lumix LX3). The LX7 is identical in function to the Leica D-Lux 6 in glass, sensor and overall function, has a nice built-in grip - the Leica does not, and there are only slight differences in menu user interface. The Leica will appeal to those who want to pay double or more for the name and little red dot, but there is no technical justification. Same camera. So the rest of this review is about the Lumix LX-7. Lumix got this so exactly right, on a camera that has seen gentle evolutionary changes previously. First of all, don't be bamboozled by pixel count. Although it is billed as 10MP, those are fat sensitive pixels on a large sensor area (1:1.7). They also evolved from a CCD to a richer, more sensitive CMOS sensor, as many manufacturers have done over the years. The picture quality is superb, even in very low light, and up to about ISO 1600. Shot at ISO 80-200, the resulting JPEGs are grainless up to 8x10 magnification, and will make a fine 16x20 uncropped. It seems folks are selling cameras with huge MP specs and teeny sensors these days; just so much marketing vaporware. This one makes no such nonsensical lie. I can this a Leica-Sonic, because, make no mistake, Leica did profoundly influence the lens design. It's not that disingenuous to call it a Vario-Summilux; Summilux is Leica branding for their f1.4 lenses costing many thousands of dollars when made in Germany for the M-Series cameras, and this is a true f1.4 lens at 24mm equivalent. At the 90mm equivalent end of the range, it's still f2.3. Couple that with excellent anti-shake, and you have a discrete digicam for wideangle, normal and macro use which can shoot hand-held in near zero light at a half-second. It is not for telephoto-lovers, the 20x zoom cameras have more reach but nowhere near this image quality. But at the 24mm end, very little barrel distortion, sharp out to the corners, and you can focus in macro mode objects which nearly touch the lens! Some unique features which no one else offers: (1) The f1.4 lens. Are you kidding me? They are not. Go find it anywhere else, except on your fixed focal length prime lens for the DSLR. It not only allows extreme low light shooting, but even lets you create shallow depth-of field for close portraits, which no other digicams can. And if you want to do this in bright light, where the 1/4000 sec fastest shutter and ISO 80 would otherwise not allow you to use the f1.4 max aperture, it even has a built-in neutral density filter with a dedicated button, so you can still shoot wide open. Extraordinary lens. Okay, so maybe Ernst Leitz would turn over in the casket if he ever saw the Summilux name applied to a Japanese-manufactured lens on a pocket camera, but it's a fantastic lens. (2) The variable aspect ratio switch - you can shoot 3:2 like traditional 35mm, 4:3 like an iPad, 16:9 if you know you are going to view on a widescreen monitor or TV, and - new for this version - even 1:1. All those crops come out of an oversized 12MP circular image sensor, so you can crop before you shoot, not after, and maintain far more image detail. At the flip of a switch just above the lens. (3) The manual controls are extensive and well placed. You can certainly shoot in iA (intelligent auto) and be hard-pressed to screw up anything, or control everything. But for manual shooters, at least use P, so that you can override white balance, focus or aperture when needed. And the manual focus mode and metering mode controls are excellent. Any time you use A or M, or override the P setting with a well-placed multi-control dial, you see the resulting aperture/shutter speed pairings instantly. (4) It has an aperture ring!! - While most digicams have only an f4-f8 aperture range, making manual control of aperture and shutter almost useless, this f1.4 lens has a manual aperture ring from f1.4 to f8 right on the lens barrel, so you can shoot in A mode like it was a traditional SLR. Even most modern DSLR lenses don't have one anymore. That is a priceless feature for aperture priority shooters. (5) Exposure compensation. Any serious pro camera has a bias dial, the +/- exposure control that lets you bias the auto exposure up or down in 1-stop or partial stop increments. Go find it on an iPhone, nope. Go find it on most prosumer digicams; it is often buried in menus. But on the Lumix LX7, the multi-control ring lets you change it instantly, while the display shows you the plus/minus bias and and resulting aperture/shutter speed pairings, either on screen or in the viewfinder. No camera's meter is smart enough to correctly expose every shot without exposure bias. I use this feature with nearly every picture I take, on every camera I use. I even use it on my Pantech Discover cell phone (sorry, Apple). But on the Lumix, it is utterly convenient and professional, an indispensable tool. (6) The mode dial was stiffened up over earlier versions; it will no longer move by itself in the pocket or case. And when you change it, a spinning dial on the display easily shows you the set mode (iA, A, P, M, etc) in BIG letters, so you know the mode set without removing eyes from the screen or finder. (7) Did I say "finder"? I am a 56-year old eyeglass wearer who grew up on pro Nikons with great optical viewfinders. While I loved my previous Leica-Sonic (the f2 lensed LX3 / D-Lux 4) for image quality and portability, I could not use it at arms length without the eyeglasses on and off like a yo-yo. So candid and action shots were nearly impossible, just like most arm's length digicams. So I never replaced my Nikon's normal lens or considered the Leica D-Lux 4 a true alternative. And after shooting, in bright light you couldn't see or edit what you shot, unless you hid inside someplace dark (same problem with DSLRs). Enter the new Leica-Sonic (Lumix LX7) with the LVF2 viewfinder. The finder, made by Olympus but marketed for Leica (EVF) and Lumix (LVF), slides into the shoe, and transforms this little digicam into a near DSLR, in some ways better. It's bright, contrasty, shows you the accurate framing, focus and exposure and all settings - everything you can see on the 3" rear LCD. Or not. Flip back and forth between finder and screen with a button. Switch on and off the extra finder info with a button. Then review your just-shot picture in the finder as well. Not even my Nikons let me do this, so when you simply must verify exposure, focus or anything else outdoors, the EVF is transformative for photography. Yes, it does create some bulk, but as a tool, it is the single biggest advance in small cameras since we did away with film. Buying this accessory is essential, even if you have to carry it in a separate pocket. (8) Framing. My Nikons and previous Leica-Sonic had an electronic grid you could overlay on the screen when you needed to line up composition, like the lines on a large-format camera's ground glass. It was too busy and distracting on a small screen. So this time around, Lumix replaced it with a live 'gyro', a horizon line and vertical line which move to help you keep the camera level while shooting, without getting in the way. As with all the other display features, it is easily turned off and on with a button. (9) Frame Rate. I thought I had died and gone upstairs when I learned how to trick my Nikon D300 into shooting nine frames per second (fps) instead of the advertised six. It has allowed me to capture instants in time otherwise impossible. Anyone not trying out this feature is missing out on capturing something really spectacular; I've taught several students to capture sports action like pros by using high frame rate. Well, this Lumix LX7 shoots ELEVEN fps. Sorry Nikon, but the little mirror-less camera has you beat here. And with a class 10 SD card installed, it will keep up, even at full resolution. Wow. Nitpick 1: I've read many reviews panning this camera because it does not have a retractable lens cover. Rather, it has a traditional cap which you manually remove and replace, just like on a real camera, and it attaches with a small string tether to the strap lug so you don't lose it while shooting. My response is "Bee-Eff-Dee". I have to uncap my Nikons to shoot them, and since their lenses interchange, the cap goes in my case or pocket while shooting. With the Lumix, at least you always know where the cap is. Let's face it; this is not a toy, it is a serious photographer's small camera (I will not call it a point-and-shoot, out of respect). So if you want a retractable lens cover, go get a toy camera. Else, deal with it. Nitpick2: Panasonic markets this as having a 7.5x Intelligent Zoom. Please do not insult MY intelligence. This is a 3.8x OPTICAL zoom lens, a 24-90mm equivalent in 35mm film parlance. The fact that you can crop in from that by 'zooming' past the optical limits has little practical value. By now, most digicam buyers get that, so Panasonic is attempting to rebrand digital zoom as something more than digital in-camera crop. But it is not a 7.5x lens, and the product title should not feature than number. It cheapens an otherwise excellent product aimed at the prosumer market, not the K-Market. Nitpick3: Ken Rockwell, who has authored many fine camera reviews, has routinely panned this Leica / Lumix camera series. In his words, "it's not a real Leica". Well, no kidding, Ken. It also does not cost ten thousands bucks, body alone, plus lenses at several thousand per. But for most ordinary humans wanting professional image quality and features without a mortgage, it is all the Leica we will ever need. And for me, I can ski with it at 50mph in my pocket, ride my bike with it in my saddle bag, and always have it handy. I don't know anyone who would treat a Leica M9 this way. Most of them sit locked behind glass display cabinets. Mine makes photos. Bottom line: I still keep my Nikon's 50mm f1.4 lens for fine portraiture and product photography, and to keep at least one mid-range lens for the D300. But I recently sold my Nikon's ten-year-old massive 28-70mm f2.8 pro lens, for $900, once I bought the Lumix). Why? Because the LX7 obsoleted the Nikkor. The LX7 cost me far less in total with viewfinder, spare battery, cards, EVF, leather half-case and leather wrist strap than I sold the well-used Nikkor lens for. And because it is far more versatile and pocketable, it takes more and better pictures. All I use the Nikon D300 now for is for ultrawide (the 16mm fisheye and 12-24mm lenses) and telephoto (the 70-210mm f2.8) shooting. For everything else, the LX7 with the EVF is now this professional photographer's primary camera. Just don't call it a point-and-shoot. You will insult it. Bob Reed / Alpine Images ... show more
Reviewed in the United States on September 25, 2013 by alpineimages

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