Search  for anything...

Universal Audio Volt 176 USB Audio Interface

  • Based on 1,709 reviews
Condition: New
Checking for product changes
$199.00 Why this price?

Buy Now, Pay Later


As low as $33.17 / mo
  • – 6-month term
  • – No impact on credit
  • – Instant approval decision
  • – Secure and straightforward checkout

Ready to go? Add this product to your cart and select a plan during checkout. Payment plans are offered through our trusted finance partners Klarna, PayTomorrow, Affirm, Afterpay, Apple Pay, and PayPal. No-credit-needed leasing options through Acima may also be available at checkout.

Learn more about financing & leasing here.

Selected Option

Free shipping on this product

Eligible for Return, Refund or Replacement within 30 days of receipt

To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.

To initiate a return, please visit our Returns Center.

View our full returns policy here.


Availability: In Stock.
Fulfilled by Amazon

Arrives Tuesday, Nov 26
Order within 17 hours and 39 minutes
Available payment plans shown during checkout

Style: 1-in/2-out with 76 Compressor


Pattern Name: Audio Interface


Features

  • Easily create music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone
  • Record vocals and instruments with rich, full sound using Vintage Mic Preamp mode
  • Add clarity with 76 Compressor based on UAs famed 1176
  • Produce with industry-leading software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more
  • Harness USB bus power for on-the-go recording with class-leading 24-bit/192 kHz audio conversion
  • Studio-quality headphone amp, MIDI connections, 48V phantom power, and Direct Monitoring for latency-free recording
  • 30-day Free Trial Subscription to UAD Spark, an ever expanding library of world-class plug-ins and instruments that run on Mac, no hardware required

Description

Desktop 1-in/2-out USB 2.0 audio interface with professional audio conversion, built-in Vintage Mic Preamp, 76 Compressor, and bus power for Mac, PC, iPad, and iPhone. From the Manufacturer Classic Studio Sound, Anywhere. Universal Audio created Volt 176 for singers, songwriters, musicians, livestreamers, and podcasters who want to easily record audio with big studio sound. This portable 1-in/2-out USB recording interface for Mac, PC, iPad, and iPhone features a built-in Vintage Mic Preamp mode, plus a classic analog compressor — ready to capture your inspiration with professional studio results.

Brand: Universal Audio


Compatible Devices: Personal Computer


Supported Software: Ableton, Melodyne, Virtual Drummer, Marshall, Ampeg


Connectivity Technology: USB


Number of Channels: 1


Item Weight: 1.44 pounds


Product Dimensions: 5.12 x 5.91 x 2.56 inches


Country of Origin: USA


Item model number: VOLT176


Date First Available: October 9, 2021


Compatible Devices: Personal Computer


Hardware Interface: USB 2.0


Supported Software: Ableton, Melodyne, Virtual Drummer, Marshall, Ampeg


Operating System: Windows, macOS


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Nov 26

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

  • Klarna Financing
  • Affirm Pay in 4
  • Affirm Financing
  • Afterpay Financing
  • PayTomorrow Financing
  • Financing through Apple Pay
Leasing options through Acima may also be available during checkout.

Learn more about financing & leasing here.

Top Amazon Reviews


  • Adjustable compressor! I love this! - VOLT 167 REVIEW
Style: 1-in/2-out with 76 Compressor Pattern Name: Audio Interface
Using this is a dream. One button press and I'm ready to record. Compressor: The compressor is killer! - It not only makes the vocals sound fuller and easier to understand, but it effectively works as a limiter too. So this means I can get extra loud or extra quite with my voice, or move closer and further from the mic - and not have to waste time in editing fixing the volume levels. Amazing for my uses and works far better than Elgato's attempt at this. None of the reviews I saw mentioned this but it's in the manual - you can adjust the compressor via the gain knob. - Basically the compressor sets the top limit and the harder you push your gain the more you push your quite stuff into the loud stuff. In other words, this thing is freakin fantastic. I can get compression that's extremely mild - all the way to pretty insane compression - depending on use/preference. Note: (Please note that while I'm very knowledgeable in audio and I've been working in audio/video for over a decade, I'm still not an expert audio engineer and I have not used a professional standalone compressor unit (other than software plugins, but there too I am not an expert). So I can't say for sure exactly how this stacks up to the big boy stuff and I have not compared them side by side.) Price: Price feels a little steep especially if you want multiple channels. But for a professional device this is worth every single penny. All my issues from my four previous interfaces have gone away. And this kicks the back side of any USB mic that I know of (except *maaaaaaaybe* the Rode NT1 5th gen but that doesn't fit my uses and of course it's limited to one built-in mic) Phantom power: Small complaint is that for my main mic (the insanely good Earthworks SR117) I have to switch on phantom power each time I use this interface. For example if the computer goes to sleep then the Volt might turn off for a few seconds and the phantom power resets to the off position. This IS good for safety with some rare mics that can be damaged by phantom power. On most modern mics this isn't an issue but it's a nice safety feature to have anyways. When it's on there's a pretty red light which is nice. But since the default is phantom power off every time, it's happened a couple times where I started troubleshooting my mic and cables etc before realizing this was the issue. But it's a single button press to turn on so as long as you're aware of this then it's hardly a problem. And anyways this only applies to powered mics. There's other quality of life things like the when enabling phantom power it goes silent for a few seconds so your mic doesn't cause a pop. Very nice! If I'm not mistaken all the other settings are remembered after power off. Most importantly all the gain and volume etc since those are physical knobs. I have the single input version of this Volt as that's all that was in stock at the time. Meters: The audio meters on this are better than all my previous interfaces but still not enough different levels for what most pros would want. But with the awesome compressor it's really not an issue because I can't peak anyways. - so for my uses I'm anyways adjusting based on how the compressor sounds and not based on any visual indication. If you don't need fancy effects running on your interface (other than the awesome compressor) then I don't know of anything better. Stunningly well made device. Alternatives: I was considering the Rode interface since it has a ton of effects and adjustments but looking at Amazon reviews there seems to be issues with the device failing so for now that's a no-go for me. And it's not exactly cheap (500 ish). Same for Lewitt's interface. Looks like they need to work on reliability. Conclusion: In conclusion. I love it. 100% recommended. And it's pretty too. Nice eye candy for the desk. The lights and buttons on it look exceptionally good! Not just cheap LEDs. Photo: Photographed in my desk drawer where it lives in front of my microphone switcher (which is both for testing/reviewing mics and for switching between different recording locations where I have different mics permanently set up). This keeps my desk clean and my devices safe from my cats. Compatibility notes: Mac: Works great on my Mac. Plug and play. Small issue is that with the compressor on it's a bit too quiet when recording into Final Cut. There's probably a solution to this but for now I just make it louder before publishing the video (which takes a few seconds to do). Camera: For use with a camera (which I do often) I can output from the headphones output of the Volt into the mic input of my camera, then plug in my headphones into the camera's own headphone output. This works great because the headphone volume knob on there volt works as an additional amplifier to adjust the output volume *after* the compression. This would have been nice to have for the USB output too, as mentioned above with Final Cut. The Volt has of power so I can set the camera's built-in gain to the lowest setting and then overpower the camera's noisy preamps to keep noise low. Playstation compatibility: ***(most people can ignore this)*** This interface is *not* compatible with the Playstation 5 in case anyone is trying to record videos on that. But even with interfaces that ended up being compatible (elgato Wave XLR, Shure X2U), the PS5 seems to record audio in a super low bitrate and it's totally unusable if you want something that sounds nice. So I've switched to just recording my screen with a camera - worse image but audio is x10 better which for me is much more important. Plus manually coping recordings off the PS5 is a huge pain if you need to do it often. I could do screen recording with a second computer but I don't want a second monitor on my desk. Another option might be some professional recorders like the Atomos ones but I don't want to spend money on that right now. ... show more
Reviewed in the United States on January 11, 2024 by Nitsan Simantov Nitsan Simantov

  • Best bang for your buck
Style: 1-in/2-out Pattern Name: Audio Interface
Easy to set up, works great with my plug ins. Sounds good looks nice. Also, it uses phantom power via usb-c so I could literally record music in my backyard.
Reviewed in the United States on May 31, 2024 by Geoff_Chicago

  • well made
Style: 1-in/2-out with 76 Compressor Pattern Name: Audio Interface
I'll tell you the most important thing about this equipment, the sound is very similar, or practically the same as the Apollo, but for a small fraction of the price. It's worth every dollar invested.
Reviewed in the United States on June 17, 2024 by ANDROMEDA COMPANY

  • It’s AMAZING!! Sound quality is so GOOD
Style: 1-in/2-out Pattern Name: Audio Interface
Got this to see if it would improve the quality from the interface I was using (Kmise) with my Shure SM7db microphone, on Mac Mini M2, running Logic Pro and the sound quality is just perfect. It has the buttons to change the vocal tone which is kool and the knobs are solid and sensitive enough for that fine tuning I was looking for without any clipping or cracking or delay issues even with many plugins running on it at the same time. I haven’t tried any of the plugins or software that came with it yet but the interface itself is perfect for making the music I’ve always wanted to make. 10/10 would buy again. Thank you for creating this. ... show more
Reviewed in the United States on April 30, 2024 by Shane Crown

  • Your Perfect Audio Companion
Style: 4 Pre/4 Line with 76 Compressor Pattern Name: Audio Interface
TL;DR: This audio interface is your trusty companion for music production, live streaming, and podcasting. It delivers superb sound quality, and its durability is unmatched. Review: Let's talk about this audio interface – it's been a game-changer for my music production, livestreaming, and podcasting endeavors. Whatever your audio project, this interface has your back. What sets it apart is the Vintage Mic Preamp mode. It's like a secret sauce that gives your vocals and instruments that warm, professional touch. You'll fall in love with the character it brings to your recordings. And that analog compressor? It's like having a studio-grade tool right at your fingertips. You can fine-tune dynamics and make your audio shine with clarity and punch. But it's not just about performance; this interface is built to last. It feels solid, like it's designed to be your recording partner for years to come. Now, let's address the elephant in the room – the price. Yes, it's a bit steeper than some competitors. But believe me, the quality and reliability you get are worth every penny. If you're serious about your audio work, it's an investment you won't regret. In a nutshell, this audio interface is a fantastic all-rounder. It brings versatility, top-notch sound quality, and rugged build to your recording setup. Pros: Versatile, perfect for music production, livestreaming, and podcasting. Vintage Mic Preamp mode for that pro touch. Analog compressor to enhance your audio. Built to withstand the test of time. Cons: It comes with a higher price tag, but the quality justifies the cost. And yes, it's a significant upgrade from my trusty Focusrite 2i2, especially for recording vocals and guitars. ... show more
Reviewed in the United States on October 14, 2023 by iHaveaProblem

  • Great!! Been using it for 6 months :)
Style: 1-in/2-out Pattern Name: Audio Interface
Been using this interface for 6 months now: Great quality, reliable, sleek, and simple. Low noise, fine latency, amazing vintage pre-amp, and gets the job done right for a single-person band who records everything on their own, one track at a time. Also the plugins that this comes with are amazing and definitely a steal! The only thing that is the slightest bit annoying is the lack of an input mix knob, but most interfaces at this size only have a direct monitoring button, so I make it work fine. Honestly don’t see myself using anything else, and if I need more inputs in the future, I’ll be reaching back here! ps: it’s so much sexier looking in personnn ... show more
Reviewed in the United States on October 13, 2023 by Rufino Peraza

Can't find a product?

Find it on Amazon first, then paste the link below.