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Nevermind

  • Based on 16,606 reviews
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Availability: Only 4 left in stock, order soon!
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Arrives Thursday, Mar 6
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Format: Nevermind (Remastered)


Description

Limited 180gm vinyl pressing of this classic 1991 album from Kurt Cobain and the boys. Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, "Smells Like Teen Spirit". By January 1992, it had replaced Michael Jackson's album Dangerous at 1 on the Billboard 200 chart. The album also produced three other successful singles: "Come as You Are", "Lithium", and "In Bloom". The Recording Industry Association of America has certified the album Diamond (over 10 million copies shipped), and the album has sold over 30 million copies worldwide. Nevermind was responsible for bringing Alternative Rock to a large mainstream audience, and has been ranked highly on lists of the greatest albums of all time by publications such as Rolling Stone and Time.

Is Discontinued By Manufacturer ‏ : ‎ No


Language ‏ : ‎ English


Product Dimensions ‏ : ‎ 12.36 x 12.36 x 0.31 inches; 8.32 ounces


Manufacturer ‏ : ‎ Geffen / SubPop


Item model number ‏ : ‎ UM-4244251


Department ‏ : ‎ Music vinyl records


Original Release Date ‏ : ‎ 2013


Date First Available ‏ : ‎ January 29, 2007


Label ‏ : ‎ Geffen / SubPop


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If you place your order now, the estimated arrival date for this product is: Thursday, Mar 6

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Top Amazon Reviews


  • Nirvana - Nevermind (Vinyl Review)
Nevermind. The word alone evokes images of ripped jeans, flannel shirts, and the raw, unfiltered energy of a generation. More than just an album, it’s a cultural artifact, a touchstone for the 90s and a testament to the power of genuine, angsty rock. Listening to it on vinyl, more than three decades later, is a singular experience that both rekindles nostalgia and reveals new nuances. The Sound: This is where the vinyl experience truly shines. While digital versions can sound crisp, Nevermind on vinyl possesses a warmth and depth that’s hard to replicate. The opening riff of “Smells Like Teen Spirit” hits with a satisfying crunch, the drums feel heavier and more resonant, and the bassline in “Come As You Are” thrums with a visceral presence. The dynamic range of the vinyl allows the quiet moments, like the verses of “Lithium,” to truly breathe before exploding into the explosive choruses. The overall experience feels more organic, less compressed, and more engaging. It's not necessarily "better" than digital, but it's definitely different, offering a more nuanced and textured listening experience. The Experience: Beyond the sound, the act of physically handling the vinyl is part of the appeal. Carefully removing the record from the sleeve, placing it on the turntable, and dropping the needle is a ritual that encourages active listening. You're not just passively consuming music; you're participating in a process. The crackles and pops inherent in vinyl add a certain character, a sense of history that you don't get with digital streams. It’s a more deliberate and immersive way to engage with the album. Flipping the record halfway through acts as a natural break, prompting you to reflect on what you’ve heard and anticipate the rest. The Packaging: The album art for Nevermind is iconic in its own right, and holding the full-sized sleeve in your hands is a treat. The baby in the pool feels both innocent and unsettling, perfectly encapsulating the themes of the album. Examining the liner notes, credits, and artwork up close allows you to appreciate the details that get lost on smaller digital screens. It's a physical artifact that feels substantial and worthy of its place in music history. Minor Considerations: Cost: Vinyl records, especially newer pressings, can be more expensive than their digital counterparts. This is a factor worth considering. Equipment: Obviously, a record player is necessary to enjoy this format. Surface Noise: Depending on the condition of the record and the quality of your equipment, you might experience some surface noise (pops and crackles). This is part of the vinyl experience for some, but can be a deterrent for others. Overall: Nevermind on vinyl is more than just a listening experience; it’s a journey. It's a chance to connect with this iconic album in a tangible and visceral way. The warmth of the sound, the ritual of playing the record, and the tangible nature of the packaging all contribute to a uniquely rewarding experience. While the cost and potential for surface noise are factors to consider, for any fan of Nirvana, or even just anyone looking to explore a classic album in a different way, the Nevermind vinyl is a worthwhile investment. It’s a reminder of why this record continues to resonate with generations of listeners – not just for its music, but for the feeling it evokes. It's a piece of rock history you can hold in your hands and truly experience. Highly Recommended for: Die-hard Nirvana fans Vinyl enthusiasts Anyone looking for a more engaging and immersive listening experience Those seeking to connect with the music on a deeper, more tangible level Not Recommended for: Those strictly seeking convenience and portability Listeners who are easily annoyed by surface noise Those on a tight budget Hopefully, this review gives you a comprehensive overview of what it's like to experience Nevermind on vinyl! ... show more
Reviewed in the United States on January 29, 2025 by Alex Alex

  • Unplugged
Loved the concert Nirvana had. Love this recording
Reviewed in the United States on February 15, 2025 by Katc

  • Sounds great
Love Nirvana. We recently bought a record player and it really does sound better than digital.
Reviewed in the United States on January 21, 2025 by Sarah

  • Nervana
Who doesn’t like Nervana? Great product great music.
Reviewed in the United States on January 19, 2025 by Susan M

  • Totally worth the money.
It’s in perfect condition, it wasn’t hard to open, and it looks great in my room.
Reviewed in the United States on January 5, 2025 by Wise

  • Record
Granddaughter enjoyef
Reviewed in the United States on January 14, 2025 by Cynthia Homan

  • Good
Great quality
Reviewed in the United States on December 25, 2024 by Jennifer R. Rogers

  • Great Album! Terrible Remaster!!
I'm kinda torn on the rating here. Nirvana were my favorite band for many years, and still are easily in my top 10. This album was never my favorite from them. That honor has always gone to In Utero for me, but this is the classic that made that album possible, and there was a time where this was probably my 2nd favorite album of all time behind In Utero. I'm giving a 4 star rating, because anything under that seems ludicrous, judging the songs by themselves. I, however, agree with all the 1 star reviews complaining about the remaster, and if I wasn't worried about it impacting the rating of an all around fantastic piece of music, I would give it the same. I was ecstatic when this remaster was first announced. By the time it was announced, the original version of this album sounded dated to me. It didn't always sound this way to me, but by 2011 this album sounded most definitely like it came out in 1991 and no other year. It's a shame when over-production stops well written songs from being timeless. On this remaster, however, they went way, way, way overboard. Rather than fixing the 1991 polish to make it sound more like 21st century polish, they just cranked the volume up and ruined the 'loud, quiet, loud' aspects that made this album so great to begin with. Luckily, In Utero received the treatment it deserved, but this remaster destroys the dynamics of this entire album. I think the problem with this remaster was with the marketing team. They probably thought, "what made this album so popular? Oh, it was loud and abrasive, so if we make it louder we'll also make it more abrasive!" The strategy kinda makes sense to marketing teams who don't understand art, but it completely undermines the point of this album which made it so popular. Yes, it was partially that it was loud and abrasive in a time where most music was very pretty and glossy. Popular rock music in the 80's sucked, and this album was the perfect gut punch to get culture away from the dumb hair bands and pop songs that dominated the decade (not that all 80's music was bad... rock certainly was pretty bad, unless you were listening to hardcore punk, but some of the New Wave and Synth pop was quite excellent, and really paved the way for a lot of today's great Indie bands) However, the point of this album, and the thing that made it such a hit, was it's Pixies formula. It was the dynamics. Moments of hushed tones waiting to be shredded to bits by a roaring chorus. The song structures in this album are very basic pop, and not terribly impressive (though, melodically very impressive), but it was the dynamics of this album that made it a classic. Turning up the volume the way they did just butchers those dynamics, and ruins the album. The album itself gets a 4 star rating from me. It's not as good as In Utero. While I blame the production more than the song writing, this album does sound quite dated, even in it's louder form (almost worse because of it). I would, however, rate this remaster 0 stars, and would recommend against it. I wouldn't recommend the CD or MP3 of the original, non-remastered edition very much either. If you want to listen to and enjoy this album the way it should be enjoyed, I'd actually recommend the 180 grain vinyl edition. That doesn't sound as dated, it has the right and proper dynamics and would get a 5 star rating from me based on those merits. I hope that they do a 30th anniversary remaster and fix this crap so that I have something as enjoyable as this album deserves to remain in the 21st century. Oh, not sure if I mentioned it, but I would still strongly recommend In Utero's 20th Anniversary remaster. That album already had a timeless sound, and didn't really need the remaster, but somehow the remaster of that album made the dynamics even better. I'll do a separate review of that at another time, but having listened to the orignal and remastered In Utero side-by-side, they actually turned down the volume on some parts of it and made the loud-quiet-loud aspects much sharper, like I wish they did here. ... show more
Reviewed in the United States on March 25, 2016 by Colby C. Mauro

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