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M-Audio

M-Audio USB C Audio Interface, XLR Condenser Microphone and Studio Headphones for Recording, Podcasting, Streaming with HD Sound - AIR192x4 VSPro

    • Based on 4,829 reviews
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Availability: In Stock.
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Arrives Wednesday, Nov 6
Order within 23 hours and 28 minutes
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Size: Air 192|4 VSP


Style: with mic & headphones


Features

  • Complete Recording Package - 2-In/2-Out 24/192 USB Audio Interface with Nova Black Condenser Microphone, Shockmount, XLR Cable and HDH40 Headphones
  • Capture Every Detail - Premium component selection and 24-bit/192kHz resolution for professional recording and monitoring to your Mac to PC
  • Low Latency - Hi-Speed USB / USB-C circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms; USB and USB-C connection cables included
  • Pristine Studio Grade Capture - Transparent Crystal preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
  • Connectivity - XLR+14 TRS combo input, (1) 14 instrument input, stereo 14 outs and 14 headphone out with independent level control
  • Feature Packed - Rugged metal chassis, large central volume control, VU LED meters and USB/Direct knob for zero latency monitoring
  • Pro Software - MPC Beats, Ableton Live Lite, Touch Loops, Creative FX Collection, Xpand!2, Mini Grand, and Revalver

Description

Studio Grade Production – Simplified! Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro—the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario. Premium Software Suite Included The AIR 192|4 comes complete with a software package that has everything to get you started including AKAI Professional's MPC Beats, Ableton Live Lite, AIR’s Creative FX Collection, Touch Loops, Xpand!2, Mini Grand, and Revalver. Crystal™ Preamps, & Premium Components AIR 192|4’s Crystal Preamps provide you with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. Pristine A/D Converters The AIR 192|4 incorporates pristine A/D converters for 24-bit resolution digital audio at class-leading sample rates of up to 192kHz guaranteeing explosive dynamic range that captures every nuance and subtlety of the performance. USB-C Ready AIR 192|4 truly is ready for any situation, guaranteeing seamless connectivity to your Mac or PC with its high speed USB connectivity with USB and USB-C connection cables included Premium Components The AIR 192|4 layout and component choices were carefully crafted by our American engineering team, you’re getting the best sound available.

Brand: M-Audio


Compatible Devices: Personal Computer


Supported Software: MPC Beats, Ableton Live Lite, Touch Loops, Creative FX Collection, Xpand!2, Mini Grand, and Revalver


Connectivity Technology: USB


Number of Channels: 2


Item Weight: 2.2 pounds


Product Dimensions: 8.04 x 6 x 2.76 inches


Country of Origin: China


Item model number: AIR 192|4 Vocal Studio Pro


Is Discontinued By Manufacturer: No


Date First Available: November 2, 2019


Compatible Devices: Personal Computer


Hardware Interface: USB


Supported Software: MPC Beats, Ableton Live Lite, Touch Loops, Creative FX Collection, Xpand!2, Mini Grand, and Revalver


Size: Air 192|4 VSP


Operating System: Mac


Power Source: Corded Electric


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, Nov 6

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • You cannot go wrong with this audio interface
Size: Air 192|4 Style: Interface only
I bought this interface in January 2021. I have used it for for guitars plugged directly into the interface, and I have used it with Shure SM57 and SM58 microphones. I have been very happy with the sound quality, the ease of use, the reliability, and pretty much everything else about this interface. I have moved it all over my house and taken a few places in my backpack with no problems. I bought this interface because I wanted something that would be easy to adjust while playing a guitar or keys in low lighting. The Air interface has a giant knob to control the monitor volume, and the input knobs are easy to see and far enough apart that I can grab one without bumping the other. Everything is very spread out, and I can do what I need to do without thinking too much about the interface. I am going to upgrade to an interface with two mic inputs in the next few months. I have looked at the Air 192|6, which has two mic inputs, but am still undecided. I have been happy with the 192|4, but the new Focusrite 2i2 has some cool features and the UA Volt comes with a lot of good plugins. The Air interfaces come with some nice plugins, but they are the same ones you get for free with pretty much every other MIDI controller: MPC Beats (always free), Ableton Live Lite, Mini Grand, DB33, etc. I'd be way more excited if their interfaces came with a choice of a free plugin, because Air makes a lot of amazing effects and instruments. On a side note, if you a just getting into music production and MIDI controllers, I can't recommend Ableton Live Lite enough. It's a great choice for newbies, because there are so many how-to videos on YouTube. TLDR: this a very solid interface that does everything well ... show more
Reviewed in the United States on November 25, 2023 by GeoffTex
    • Everything I wanted
Size: Air 192|14 Style: Interface only
Review Image by James Langston James Langston
I used to use an M-Audio Profire 610 from ~2009 and it still works to this day. However, in that time I have transitioned from a mac user to a Windows user, and having only firewire connectivity is limiting for me. Since my Profire has served me so well for so long, I wanted to stick with M-Audio instead of jumping on tp similar Focusrite products. Some of the reviews here were a tad limited or negative from my perspective as a potential customer, but I still thought it was worth a try to see how M-Audio's quality has stood the test of time. So right off the bat, I was all excited to start using it and in a rush I downloaded the 192 | 4 driver instead of the 192 | 14 driver like a dumb muppet, and was wondering why the app said no hardware was connected. After I got that sorted, everything else integrated smoothly. I like how the headphone outputs can drive my 300 ohm Sennheiser HD 800s with ease. If you turn the knob to 3 o'clock, it's loud enough that you'll feel your hair follicles vibrating. The mic quality and latency is sublime with my MXL 990 condenser. While the VU meters do work well indicating the volume levels of my turntable, I found that they are not very helpful when plugging in my mic. It's better to rely on your DAW in this case. I am very happy with the guitar inputs and really enjoyed noodling around with Guitar Rig and experimenting with different audio formats and sample rates. I suppose that thing that stood out to me about this device is how much it can do. I can route my vinyl to it, use a mic, have my monitors bumping, plug in two sets of headphones, jam along with my guitar, poke notes on my midi keyboard with my nose, all while listening for any notifications that may come through on my computer. I like that. One thing I miss that the Profire 610 had was a more robust computer interface. I could name my tracks for inputs and outputs, and I could control it on my computer. However, that device only had two gain knobs, two headphone audio knobs, and a master knob. I suppose it's nice to have a more physical interface and it takes me back to my guitar pedal collector days. As far as build and feel go, I am pretty happy. It looks very appealing and the metal chassis seems indestructible. My two slight complaints would be that I wish the main volume potentiometer had a little more resistance when I am turning it. It is super smooth. Also, the right side where the power goes in can get quite hot. I found that at a 192000 kHz sample rate it was much hotter than at 44.1 kHz and it kinda worried me about the longevity of the device if I were to be always running it that hot. When it comes to using it as a media device, I have been using it in conjunction with Voicemeeter Banana and Light Host. This allows me to have a lot of control over the inputs and outputs and I can also patch in VSTs if desired. All in all, I suppose my needs are a little odd, but this does the job at a reasonable price. Hopefully, this M-Audio interface will last me 11+ years as well. ... show more
Reviewed in the United States on June 14, 2020 by James Langston James Langston
    • Works great, love the form factor
Size: Air 192|6 Style: Interface only
This thing has flat out worked and done everything I've asked of it perfectly. I has all the features I want for a small interface. -2 mic pre-amps so duets can be recorded simultaneously -MIDI in/out for inputting virtual instruments/drums using my old MIDI keyboard -low noise floor for clean recording -adequate gain for gain hungry mics (Shure SB7-B) -very low latency I love the form factor. It's not tiny. But that means I get big knobs on the top of the interface that are easy to adjust accurately. No tiny knobs on the front of a tiny interface that almost require tweezers to adjust. I use this interface on my desk and it mostly stays on my desk. If you constantly move your interface, there are smaller ones available. But I still like the features and ease of use of this form factor so would move this slightly bigger interface. I like the VU LED meters with multiple levels. Much preferred over just "Signal" and "Clip" indicators. I can more easily tell when my gain levels are where I want them to be. I love the USB/Direct knob for mixing how much direct (zero latency) sound feed and how much USB sound feed you get back from your computer. It helps to nail vocal takes while still being able to hear the track you are building on from your DAW. Much better than a switch between 100% direct or 100% USB like others interfaces have. As for 'popping' and noise mentioned in other reviews, I've not experienced this at all... EXCEPT when someone used a low quality mic or instrument cable. Good cables and solid connections gave perfect pop free sound every time. I use Reaper as my DAW so had no need for the 'lite' versions of DAWs that came with the interface. But those DAWs could certainly get you started. But Reaper @ $60 is almost free and it's way better than what's included in the box. (Even the Reaper "demo" is a fully functional version you can use as long as you wish... although they will nag you to buy.) Included are some really good VST FX plugins that can be used in most DAWs. There are also some great virtual instruments and drum machine plugins. Plus 2GB of samples and loop tracks. All these are worth the price you pay for the whole interface. If I had any wishes, it would be for 'pad' switches on the channels to drop down the input level of hot instruments, but this can be handled easily enough with the gain knobs. I highly recommend this interface. ... show more
Reviewed in the United States on December 30, 2020 by C. Pearson

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