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Sennheiser

Sennheiser HD 800 S Over-the-Ear Audiophile Reference Headphones - Ring Radiator Drivers With Open-Back Earcups, Includes Balanced Cable, 2-Year Warranty (Black)

    • Based on 467 reviews
Condition: New
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This item's return window has been extended for the holiday season: Returnable until Jan 31, 2025

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Availability: Only 3 left in stock, order soon!
Fulfilled by Sennheiser Consumer Audio Direct
Arrives Dec 1 – Dec 4
Order within 23 hours and 7 minutes
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Features

  • Open back, around ear, reference class dynamic headphone
  • 56mm ring radiator transducers are the largest drivers ever used in dynamic headphones
  • Innovative absorber technology reduces unwanted frequency response peaks allowing all the music nuances to become audible
  • Unique ear cup design directs sound waves to the ear at a slight angle to create an impressively natural and spatial listening experience
  • Includes two connecting cables: single ended 1/4 inches And balanced 4. 4 mm Pentacon cable
  • Connectivity technology: Wired

Brand: Sennheiser


Color: Black


Ear Placement: Over Ear


Form Factor: Over Ear


Impedance: 300 Ohm


Is Discontinued By Manufacturer ‏ : ‎ No


Product Dimensions ‏ : ‎ 10.7 x 5.7 x 13.8 inches; 11.64 ounces


Item model number ‏ : ‎ HD 800 S


Batteries ‏ : ‎ 1 Lithium Ion batteries required.


Date First Available ‏ : ‎ January 25, 2016


Manufacturer ‏ : ‎ Sennheiser


Best Sellers Rank: #31,303 in Electronics (See Top 100 in Electronics) #1,220 in Over-Ear Headphones


#1,220 in Over-Ear Headphones:


Customer Reviews: 4.4 4.4 out of 5 stars 467 ratings


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Dec 1 – Dec 4

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

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Top Amazon Reviews

    • For Those Who Own HD650
Review Image by TP TP
Review Image by TP TP
Review Image by TP TP
I own Senn HD650 and the Audeze MX-4 together with some other common headphones in the mixing and mastering world of music. The MX-4 got bored after a while to me, while the HD650 is unbeatable. (If you have read to this point, you would easily know that I’m a musician, not a gamer, and I use these headphones for mixing and mastering music. Thus, I have NO idea how these cans work with XBox or Playstation. My review is for those who work with music. My apology, gamers). So, should I buy the HD800s? Is it a good upgrade from the HD650? Is it worth the price tag? Short answer: I fell in love with the HD800s right away. - Build quality: It’s German quality, so you can rest assure it will last long with you. These are also huge cans. They almost cover all of the sides of my face. - Design: It’s open-back, so your ears do not get hot after wearing these for some time. - Sound: My point of comparison is the HD650. These cans sound brighter, crispier, and clearer than the HD650 in the mid frequencies, but they do not make my ears fatigue. Since the HD650 sounds warmer, I have the feeling that the HD800s sounds thinner. But that’s my feeling. Different ears may feel different. The only cons that I have against the HD800s is the lack of bass. If you like bass, these cans may not make you happy. Now, what I said above is filtered by the EQ correction that I applied to the headphones. In the photos that I attached with this review, you’ll see the EQ curve for frequencies corrections of the HD800s. With this EQ curve, the headphones become completely flat and very suitable for mixing and mastering. So, people without this EQ correction will hear differently from these headphones. I found this EQ correction online and it is called Oratory 1990 EQ Correction. RME Audio uses these EQ curves to correct headphones that connect to their ADI-2 audio converters. I use Fabfilter Pro Q3 for this correction to the headphones I use for mixing and mastering and it works well for my purpose. I don’t have RME ADI-2 converter, though. In conclusion, is it a good upgrade? It is absolutely yes. Is it worth the money? Well, I would not pay the original price for these headphones. I got them during the sales, so it’s worth it. Will I buy it again? Yes I surely will. Should you buy it? If you mix and master using headphones, you should buy them. You won’t regret. That’s all I have to say. Thanks for reading my review. ... show more
Reviewed in the United States on April 6, 2024 by TP TP
    • Precision audio instrument
These headphones are precision machines created to enable hearing exactly what is in a recording. They are Zeiss cinema lenses for audio: Smooth, precise, effortless, free of distortion...they make phenomenal recordings/productions shine like you are in the studio listening to master tapes through the board, and they expose any and all defects in a mix/recording (or repro signal chain). Owning them is a real treat. IMO, they greatly benefit from using inline EQ (preferably 10 band or more), because they instantly expose the vast differences between the eq curves used by producers on recordings (not to mention digital quality/sampling/bit rates, mastering compression modes, microphone/room choice...). Since purchasing these, I have been making and saving custom 10 band eq curves via VLC for specific favorite albums to bring out the best in recordings for MY ears which, at 60 years of age, are still excellent but certainly do not have a "flat" response. Some recordings sound great "flat" but most are engineered to compensate for terrible car/home audio systems, or were mangled in the analog to digital mastering process during the early CD era...so these re-EQs can make a MASSIVE difference. The HD 800s headphones are made by the venerable Sennheiser corp, but could easily be a pro-NAGRA product - Swiss/German absolute precision. They are open backed, which I favor b/c they breathe and do not cut the listener off from the ambient environment...VERY comfortable for long listening sessions. I am currently running them via a simple inexpensive chain: Apple Mac playing back a variety of audio formats via the VLC player/EQ, into a Dragonfly Cobalt DAC, into an Apos Duoo TA-66 tube headphone amp...only $500 or so of equipment, but phenomenal quality**. The TA-66 puts out 200mw into 300 Ohms (the impedance of the HD 800s), and with the Mac volume setting at unity, and the TA-66 at 50% (12 o'clock), I am at/beyond my tolerance for loudness (suspect this is producing spl of ~ 95db peaks at my ears). So plenty of power. At this power level there is zero noise, zero clipping/artifacting, unbelievably precise dynamics (the speed with which these headphones can transition from max loudness to absolute silence or visa versa is hard to describe), a massive soundstage, complete transparency of human vocals and all musical instruments (from softest violins, to ridiculously saturated heavy metal guitars/drums such as in Rammstein's Deutschland). Santana's Europa from an old low-rez ripped CD file of the Moonflower album brought tears to my eyes...I could "see" Carlos' fingers moving to every fret/bend, hear every nuance of his pick interacting with the strings, all while the synth strings and drums surrounded him in massive perfectly detailed layers - the mental impression/vision was that I was Carlos looking down at my hands on the guitar and the band was behind, left and right of me -a pretty unique, nearly psychedelic "staging" compared to the thousands of other times I've listened to this recording on vinyl/cd. There is no doubt owning this set of headphones will make one want to upgrade ALL favorite recordings to lossless/remastered 24/96 (minimum) versions as they become available. In conclusion, these are headphones...they DO NOT reproduce the experience of incredible speakers moving huge amounts of air in a large well tuned listening room, but for close listening of audio recordings they are truly wonderful, emotionally engaging, reference instruments in the very top strata of headphone products... There may be "different" and there are certainly more expensive, but to say "better" requires personal/subjective interpretation of extraordinarily marginal diminishing returns. ** For reference, I'm a vintage Marantz tube preamp/amp owner (who has also owned a large list of other top tier tube and solid state signal chain components - Conrad Johnson, HK, Bryston, Crown, Macintosh, Audio Research...) who is used to driving LARGE speakers from the likes of B&W, JBL, Klipsch in large well proportioned listening rooms. As a musician who plays piano, guitars, drums/percussion, synths, etc., and has performed in live environments with orchestras, small ensembles, rock/fusion bands, jazz big bands) I know from experience what real instruments sound/feel like in all sorts of audio environments good/bad/ugly... ... show more
Reviewed in the United States on October 19, 2024 by S. Bové

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