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Osee G7 7Inch New Version 3000 Nits Ultra Bright DSLR Camera Field HDR Monitor 1920×1200 3D LUT 3G SDI 4K HDMI in&Out Include Arm Trestle Dtap Cable V Mount Battery Plate Sunshade Pelican Case

    • Based on 84 reviews
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Availability: Only 4 left in stock, order soon!
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Arrives Friday, May 2
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Features

  • Ultra Bright Screen with Excellent Image QualityWith the super 3000 nits brightness, you may not even need a sun hood when shooting under strong daylight. Plus the 19201200 full HD resolution, 1200:1 contrast ratio and 16.77 million colors, G7 can present a sharp and accurate image from your camera. All G7 monitors are calibrated before shipping and have full manual calibration controls built in software for user adjustment.
  • Accurate Video Assisting ToolsWaveform, false color, focus assist, histogram, auto rotate, anamorphic etc. G7 has a full set of image assisting tools to help you nailing framing, exposure, focus and audio. It also has built-in SDR and HDR LUTs for realtime LUT preview when shooting LOG, you can add your favorite custom LUT via SD card as well.
  • Great Portability and Sturdiness7 inch is a great solution for satisfying the need for portability and detail viewing. G7s body weighs only 438g, reducing the overall burden for your camera setup. Meanwhile, with a built-in aluminum sheet and metal screw holes, its also steady and robust enough for varied on set environments.
  • Pro Kit with Accessories and A Hard CaseG7 has both Sony NP-F battery slot and DC in port, with the AC to DC power adaptor, v-mount battery plate and D-tap to lockable pole DC cable, you can power G7 through small/large capacity battery and AC power. The kit also includes a screw articulating arm wrestle, a sun hood and a pelican hard case that can protect the monitor and all accessories very well.
  • Convenient and Clean OperationG7s scene style UI allows user building up to 8 scenes containing different tools for various monitoring situation, after presetting these scenes, pretty much all you need to do on set is switching scenes. G7 uses one single joystick to navigate through menus, so you will have a clean screen, no need to constantly wipe fingerprints anymore.

Product Dimensions: 7.56 x 1.65 x 4.57 inches


Item Weight: 5.9 pounds


Item model number: G7 Kit


Date First Available: January 15, 2021


Manufacturer: osee


Country of Origin: China


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If you place your order now, the estimated arrival date for this product is: Friday, May 2

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Top Amazon Reviews

    • Well balanced, high-speed field monitor with a great look
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
Review Image by Eric Guideng Eric Guideng
The media could not be loaded. UPDATE: I used the G7 to "wash" an HDMI line running into a switcher. The switcher wouldn't recognize the HDMI cable, so I ran the cable into the Osee G7 first, then used the G7 HDMI output to run it back into the ATEM swiitcher. Boom. It worked. Usualy, I use the Atomos Shogun 7" to "wash" HDMI signals, but I'm glad to see Osee G7 can do this as well. I’ve already invested in and have done hundreds of hours of production field use on my trusty Shogun 7” which is arguably The standard swiss-army-knife of all on-camera, external, general-purpose monitors. At the upper echelon, SmallHD monitors dominate as it is what is available thanks to their tight integration with Teradek (same company), availability among rental houses, and familiarity of it with freelance DP/AC’s. All this gives me an idea of how to macro-evaluate the Osee G7 besides evaluating it as a stand alone product. I love the Shogun 7”. It just solves so many problems and it adapts to what is needed. The screen is great even in the brightest of days, the menu system is a joy to navigate, and it just works. Whenever I have trouble with HDMI or SDI connections with any other product, I take out my Shogun as it often connects when others fail. This tells me Shogun engineers actually proactively looked at connection issues and spent extra silicone and/or firmware engineering hours to address them. These are a pretty solid baseline to compare and contrast with the Osee G7. So there I am perfectly happy using my Shogun on in-house productions and SmallHD when I freelance for bigger productions. I also own a couple big Osee monitors for use as Director’s monitor or as client review monitors in video village. These are my monitors of choice professionally where I spend a lot of time as a Digitech for high-caliber still photoshoots. It’s literally my job to take the image tethered to me from the camera and present it to the client or VIP for approval. The workday can be a total train wreck -- camera issues, bad weather, terrible talent, etc, etc -- but if I can get the thumbs up and image approval from the client, then the universe is a-ok. The production lives another day, get's paid another day. So yes, I know perfectly well how crucial it is to have a good and reliable monitor for the sake of production financial health. At the end of the day, what I really want is not so much just a good monitor but a monitor that’ll help me get the thumbs up from the client. Now to the G7. I’ve been eyeballing the G7 as the Shogun wasn’t always the ideal tool. It’s comparatively heavy. When you are shouldering or flying a rig, it feels like the weight doubles every minute you are hand holding it. So every gram that can be shaved off is indeed welcomed. Also the Shogun chews through batteries like no other. It’s basically a computer packed into a tiny frame. It’s not inaccurate to call the Shogun a laptop squeezed into a fat envelope. I love how it can compute anything I can throw at it, but the electricity it uses and the heat it spits out is glutinous. The weight and frequency of battery swaps is often more than what’s needed. Many times, I can make do WITHOUT all it’s capable of and just need a good, bright, solid monitor image. As a pro though, it’s hard to step down on standards when you’re used to a certain standard. So far, the Osee G7 has filled in well in this regard. I want-want-want the big bright 7” viewing space. That’s about as big as it can get before becoming impractical for handheld use. It’s 3000nits which is actually more than needed. High-end monitors like Red’s Touch Monitor and SmallHD’s high end offerings could easily match nits but they know it’s more then needed. HOWEVER, I absolutely like gear that has headroom. I like to use gear at 50% of capacity. Batteries last longer, and the electronics which would be rated for higher capacity can work at a less stressful level which is good to have when working in stressful environments like really hot weather. Make no mistake, like the Shogun and any other monitor, the Osee G7 gets hot. It’s nice that it is over-engineered at a higher capacity so I don’t have to drive it at full throttle at its upper limits. Its power source is rated 36 watts but the G7 operates in the “<18w” range and I find it’s default brightness (5 out of 10) is fine, especially with the hood installed. At 5 out of 10, it’s using 11.1 watts. At full brightness of 10 out of 10, it pulls 21.2 watts. At full brightness, it’ll also create more heat. Like I said, it gets hot just like any other monitor, high end or not. Physics is physics, there’s no way around it with current technology. The fan speed can be adjusted by setting the temp it should kick in. That's new. So if I’m in a hurry and need to just go go go, I can slap on the monitor and max out the brightness. Ideally though, take 10 seconds and throw on the hood, set the monitor to half brightness, and not stress just the battery supply but it also mitigates (maybe?) the overheating issues. It’s also nice that the G7 has a built in accelerometer. This is the same thing on your phone that tells it which way is up or down and flips your screen accordingly. On the Shogun, currently and arguably the most advanced monitor out there, whenever I needed to flip the image, I had to dig into the menus and do so manually. So it’s nice that G7 just knows which way is up or down. I want-want-want the dense DPI. I want to be able to pixel peep it like I do my iPhone where I can hold it in front of my nose and not be able to see individual pixels. I will pay extra for this. The included hood is nice, but the rubber loop it uses to mount is questionable for long term commercial use, I give it a year or two, if not a few months, before the rubber loop breaks. I'd like to see another version where the rubber is user replacable with common expendable blank rubber bands, then just keep extra rubber bands on hand. I want-want-want ARRI locating pins. These are extra pins that keep the monitor from inadvertently spinning on it’s mount. This is often not needed, but when you need it, you really need it. In filming action scenes that require the camera to be handheld in a run-n-gun fashion, nothing is more annoying than a monitor that gets spun left or right on it’s screw mount. This is because on a regular screw mount, there’s only one point of connection, the screw itself. So it can inadvertently be spun with enough inadvertent force. With the ARRI locating pin, two more pins, hence two more points of contact, are used to mount the monitor. Like a tripod, this is much more firm and solves the spin issue. This option is often only found on higher-end monitors. A work around is to put the monitor in a cage, but that’s just adding more weight. A room for improvement although a bit nit-picky is the mounting arm included with the Osee G7. It’s cute, i’ll use it in a pinch, but I’d like to see Osee commit to using only locating-pin-style accessories. This would indeed be a commitment to excellence. I want-want-want an on-the-fly interface. I want to be able to jump into the menu system and navigate quickly using only muscle memory. The stick control panel is cool. I’m growing to like it. It (me) was an awkward mess at first since I’m used to the touch screen on the Atomos, but surprisingly it’s intuitive. I can see myself becoming fast at this and doing what I need to do with but a mere few flicks and clicks. It’s comparable to the stick system found on professional DSLR cameras. Whenever I pick up any other DSLR cameras without a stick control, it’s like a slap in the face indicator that it is a consumer camera which immediately makes me want to wash my hands. This is a personal feeling but I have a feeling others may feel the same. I actually prefer a tactile, clicky interface instead of a touchscreen. That’s why professional DSLR cameras can be used with hot sweaty fingers or cold, gloved fingers. Try doing the same on a touchscreen. Also, the Osee G7 menu is all programmable at the first level. No need to dig into the menus. You can literally program the functions you want at the top level. That’s how fast the stick system can be, a double flick or so in the blink of an eye can activate a function. Cool. I want-want-want a versatile power system. The Osee G7 by default is powered by standard Sony NPF battery. Osee also includes a vmount adapter to screw on top of the NPF mount so that vmount batteries could be used. Vmount batteries are preferred in Asia and Europe so I prefer them as there’s a larger ecosystem for it. However, in the US, goldmount batteries are just as prevalent and can’t be ignored. An improvement would be to also include a goldmount adapter and not just a vmount adapter. That would indeed be a commitment to excellence, at least to the US market. I like and expect the Dtap to locking barrel pin. Not just that, but they’re both right angle. Though unneeded, it’s a nice nod to us pros working in the field. Also, another nitpick that really doesn’t affect the performance of the G7 but would be nice, it’s a right angle barrel pin for the power supply. It’s done for the dtap battery cable, why not the main power cable? That’s a low hanging fruit that’s actually not necessary, but it’s one of those things pros see that would give a positive nod towards, reputation wise. Crew pros are weird like that. There’s no pass through power out from the monitor to power other preperhials. Then again, I’m ok with that function not being included and shaving the cost, because it’s not really a function that I find I use much at all in my rig. I want-want-want a fly pack. I have shelves of Pelican-type hard cases of “rental kits”. I like my gear organized, accounted for, and with “everything having a place and a place for everything.” When it’s time to go, I like a nice sturdy case to just grab and go. I want it so an assistant, who has never seen this thing before, can open it up and intuitively figure out how to rig it up. Then at the end of the day, it can be packed and with a quick glance, can be inventoried. It’s nice that Osee packed this into a “rental kit” package. I’m sure there’s lots more to talk about, but I think this will do for now. I covered mainly the functionality that I really wanted. All else is just nice to have to me. The G7 can actually do alot more, but me personally, I’d rather those functionalities be pushed up the work chain like to the DIT. The G7, unlike the T7, has SDI and is meant for a professional workflow. SDI is much more robust and can take connect-disconnect-repeat-again-and-again. HDMI on the other hand, it was not originally engineered for repetitive plugging and unplugging. HDMI is engineered to be plugged in and stay plugged in. In that sense, it’s actually more technologically advanced than SDI at a mass consumer level. However, unless you don’t mind replacing your HDMI port every 2-3 years, *cough* or even sooner if you have Blackmagic ATEM switches *cough*, then investing in SDI must be given thought. That’s if this is what you do dayin, dayout. If you only use your gear once in a while, that’s probably not enough to wear it out. If you're serious about going pro and doing this on a daily basis however, invest in gear that’ll do what you need it to do. Osee is new to the US market. I know first hand that a serious investment in setting up a local US support infrastructure is being committed to. I dig that. I remember jumping from Canon Pro Services to Sony Pro services. Sony was big in Asia/Europe but didn’t have the same level of support in the US. Until they committed to doing so and launched their Sony Pro Services. That wasn’t even that long ago. Osee is in the same boat. Before I invested in Osee, I’ve heard of export issues hindering transport of Osee parts and supplies at the border. That was my biggest concern when I first invested in my Osee monitors. I’m happy to report that I haven’t myself experienced those issues after having used Osee monitors for over two years now. Knock on wood. I have found that the online community of Osee users, though small, is active and vibrant with Osee staff quick to chime in whenever needed. I like that I have been able to give direct recommendations for improvement and air concerns directly to Osee, and I love seeing how other owners apply their monitors into their everyday gigs. ... show more
Reviewed in the United States on October 23, 2022 by Eric Guideng Eric Guideng
    • Bright and lightweight
Review Image by ObiJuanKenobi ObiJuanKenobi
Review Image by ObiJuanKenobi ObiJuanKenobi
Review Image by ObiJuanKenobi ObiJuanKenobi
TLDR: great 7" monitor for cameras with SDI output, would recommend I use the G7 as onboard monitor for my Ursa Mini's and it's worked flawlessly so far. The SDI input is solid, the screen is plenty bright to view under sunlight, colors are accurate enough to gauge lighting with, it's not too heavy or bulky to stick on a camera, and the monitor seems fairly easy on battery. The menu system is pretty easy to navigate. I was a little concerned about the lack of touchscreen before I actually used the G7, but the joystick works just fine and I don't feel the need for touchscreen. My cameras are all SDI so I haven't tested HDMI functionality, I imagine it should work fine. For the price, I'm very happy with what I get out of this monitor. ... show more
Reviewed in the United States on December 17, 2021 by ObiJuanKenobi ObiJuanKenobi
    • Best Monitor for DPs
Review Image by T Williams T Williams
Review Image by T Williams T Williams
Review Image by T Williams T Williams
When I purchased my Red Komodo, I was looking for a reliable, bright, and accurate monitor. There were other options on the market, but they seemed to consistently have problems, with also being between $2-3k. I first was recommended this monitor on a group dedicated to Red Komodo users. Every review was spectacular, so that's when I purchased it. The Osee G7 is the best monitor that I have used, having used other brands throughout my years as a DP. It is also the most brightest, reliable, and accurate monitor I have used to date. I have no problem seeing the monitor in direct sunlight - it is also comfortable to view the monitor in direct sunlight. I have taken this monitor in the hot Florida sun, operating all day, with no problems all day at FULL brightness. The reliability of this monitor has been consistently great. My AC's along with my camera rentals are also always impressed by this monitor as it makes our jobs very easy. Osee's customer service is also fantastic and are ready to assist you with any questions you might have about the monitor. ... show more
Reviewed in the United States on November 29, 2022 by T Williams T Williams

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