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Linsoul

Linsoul KZ ZS10 Pro 4BA+1DD 5 Driver in-Ear HiFi Metal Earphones with Stainless Steel Faceplate, 2 Pin Detachable Cable (with Mic, Blue)

    • Based on 8,496 reviews
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Availability: In Stock.
Fulfilled by Amazon
Arrives Wednesday, Nov 27
Order within 6 hours and 35 minutes
Available payment plans shown during checkout

Size: With Mic


Color: Blue


Features

  • Upgraded 4BA+1DD Hybrid Earphones &Magnetic Dynamic UnitAs an upgraded version of KZ ZS10, the Pro features self-customized balanced armatures which include two 30095 drivers for high frequency, two 50060 drivers for mid-frequency. With this configuration, the sound is transient, dynamic, and bright in all respects. While maintaining the previous performance, the high frequency of this model is extended beyond 40kHz. It also adopts the second-generation Tesla double magnetic dynamic unit
  • Exquisite CraftThe faceplate is made of 304 stainless steel while the cavity is made from imported resin. The two different material not only presents an elegant look and shimmer but also be practical and durable. The detachable gold-plated QDC cable offers fully upgradability and the limit slot protection design greatly avoids the pin from breaking and prolongs the service life of the interface
  • PCB Frequency Dividing BoardThe PCB board is added to give full play to all the drivers, displaying a smooth, sensible, detailed music experience. The ZS10 Pro overall has dynamic low frequency and bright resolution. It fully reflects the cohesion of balanced armatures
  • Ergonomic Design&Noise CancelingThe cavity is made based on large data of cochlea. Its scientifically molded to fit the ear like a customized in-ear Headphone. Even with vigorous exercise, it will still securely fit in the ear. Comfortable for a long time wearing as well. Because of the special design, it can effectively isolate the noise to 26dB to offer a better experience while enjoying the music
  • What You Will Get?Linsoul Audio is the legal distributor for KZ products. All products are authentic and genuine. Please rest assured that we will stand behind our product with 1-year warranty and if you have any questions or concerns, please contact our 24 hours easy-to-reach customer service.
  • Warm NoteFrom 2021 Sep 15th, there are 4 types of cables will be delivered at random. These versions share the same performance with ONLY APPEARENCE DIFFERENCE. Please understand. We suggest upgrading the cable to Tripowin cable to get a sound improment.

Package Dimensions: 3.7 x 2.83 x 1.34 inches


Item Weight: 2.11 ounces


Item model number: KZ ZS10 PRO


Date First Available: April 11, 2019


Manufacturer: Linsoul


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, Nov 27

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • A nice step up from the KBear KS2
Size: Without Mic Color: Dark Black
First impression is that this is a clear step up over the KBear KS2, which I used mainly previously. I don't have the terminology of an audiophile, so all I can really say is that it's got a fun sound that is roughly comparable to the aforementioned KS2. Right off the bat, I did not use the stock cable. Already had a better one, which I immediately went to after seeing the included one; it looks very thin and cheap. Whether or not that affects SQ I do not know. As I write this, I am using a silver-plated copper balance cable I bought for $20. I may yet try the stock cable and update the review accordingly, but I expect it won't make a difference anyway. Fit is the best I have had for an in-ear, very easy to seat snugly and get a good seal compared to my KS2 and my 7Hz Timeless. I would compare this to the timeless, but it being 4x the price already sets it far above this IEM (though I do have some issues with using it; gives me a headache without fail a couple minutes in, YMMV others have not reported it). I have no complaints about the included tips, I ran with what was already on them and have not had fit issues. Again, easy for me to get a good seal compared to my other in-ears. YMMV. Looks-wise, the earbuds themselves also look a good deal better than the KS2. The black plastic face-plate and the tinted, see-through housing both look just fine for the price point; nothing to complain about here. Unless you count the cable, which as I said looks very thin and cheap. The KS2 cable seemed much better, though it was pretty ugly as well it appeared nicer than this one. The following is an attempt to describe some of the aspects I have seen others describe, who are much more deep in this hobby than I am. First off, my most fair comparison is the KBear KS2 as I have mentioned already. Compared to that IEM, it is easier to pick out details with these to my ears. I suppose they call that instrument separation. It is quite good in that regard. As for sound stage, which is how supposedly wide-open it feels, it is perhaps slightly better than the KS2. Audio is forward sounding, as opposed to all around you. I barely even needed to adjust my volume plugging this into my BTR5, which tells me it is nearly identical to the KS2 in terms of the power it needs to be driven. Pretty standard for IEMs, they are always easy to drive. You should be fine with an apple dongle or similar. On to the terminology I am less sure about using. This IEM sounds like it is a pretty standard V-shaped tuning, as you get with a lot of the more fun sounding stuff. Punchy bass, ordinary mids, high treble. The quality of the sound is markedly improved, not just in instrument separation, but in the sound itself. I believe you would call that clarity. Guitars, high hats, cymbals, all sound a lot better with this compared to the KS2. The bass is punchy without being what I would describe as woofy. It doesn't sound distorted, and it doesn't appear to bleed much (if at all) into the mid-range. I can hear the actual bass instruments, as opposed to just hearing bass noise like with my car speakers. Mids seem just fine, not what I would call recessed; though I do not know if I am using that term correctly. Highs are where the big improvement comes to my ears, I feel like this is the area I usually get the most fatigue from longer listening sessions. Detail in the top end is very noticeably improved, I especially notice it in high hats and such. Much smoother sound, more detail. I am no critical listener by any means, but the difference between the high hats on a cheap pair of "gaming" headphones and something like my Meze Empyreans is astronomical; on the gaming headset they sound almost crunchy, the texture of the sound being completely mangled. There is an elemt of that to the KS2, and it is much better on these IEMs. Still obviously can't compete with the Empyrean, but that is a whole other class of audio equipment. High hats just sound much more natural. This enhanced SQ in the top end seems to be much less fatiguing for me. TL;DR: Overall, I wish I had sprung for these over the KS2 as I consider these a straight upgrade for my ears. Same fun sound signature, but with better instrument separation, better clarity, better fit, better looks. Bass is more detailed, treble as well. Decent sound stage, about what you expect for this form factor. Only real downside is that cheap looking stock cable; luckily, you can switch that out if you hate how it looks (or sounds, if your ears can hear the difference). ... show more
Reviewed in the United States 🇺🇸 on October 12, 2022 by Loki
    • Quality Hi-Res sound with rich bass in an inexpensive package
Size: Without Mic Color: Black
Review Image by M-Tex M-Tex
Short version – the KZ ZS10 Pros provide great listening with rich bass, embracing vocals and notable highs. Using the iFi Audio Hip-Dac and Apple Music I choose these over my Shure SE-535s, the HD660S and Sundara, KZ-AS12 and Sony MDR-1AM2. Most of the time. The provided cable is a bit short and tends to tangle. I’ll replace it when it becomes more important than just listening. Not an audiophile, or any kind of expert or specialist when it comes to headphones or to music. I like particular music genres more than others and am really not a heavy listener. When lossless came out on Apple Music it was the metrics of what was being offered that drew my attention. What possible difference could Hi-Resolution Lossless using 24 bit at 192 kHz make? Why would I even care? I mainly listen while biking, running, flying or exercising and am more concerned with not shorting out my earbuds with sweat or dropping them onto the street when the wind really blasts. If you’re on the move the value of lossless will be apparent, but it’s not that critical to extract everything you can from the lossless encoding and the headphone specs. The jump from the CD-ripped music at 320kbps and iTunes 256kbps songs that make up my library to Apple Music and lossless has been dramatic. (My entire stored library is now archived to a backup drive and everything in all my playlists comes from Apple Music’s lossless cloud of songs). Even without what I can now hear with lossless, the massive music library provided by Apple Music is worth the subscription. With lossless, the music is transformed. These relatively inexpensive KX ZS10 Pros are outstanding for me. I only bought them at under $50 to try out because of their great Frequency Response spec and the solid Amazon reviews. They have become my go-to headphones, and the baseline I use to compare with anything else. The frequency response from the specs is stated as 7Hz-40kHz. Regardless of any analysis about human ears being stuck in the range of 20Hz to 20kHz I enjoy the sound of those with wider range, and by a lot. I find that the bass seems more deep and rich, the highs more detailed and realistic. So, the range on these is excellent. Others in my listening adventures include the KZ-AS12, Sennheiser HD660S, HiFiMan Sundara, Shure SE-535, and Sony MDR-1AM2. Also a bunch of other much less expensive earbuds and headphones, but comparison isn’t really useful with this collection. I’ll also watch Joshua Valour, ABYSS Headphones, DMS and Darko Audio on YouTube and check out the breadth of opinions about headphones on Reddit. Mainly to learn more and to figure out what I may be missing. And continue the quest for a next level listening experience. (Have not approached an Abyss Diana or one of the Audeze LCDs. …yet). I personally find that IEMs, earbuds, are my favorite way to listen to music. So far none of the over-ear headphones has dissuaded me of this view. These KX ZS10 Pros have a really nice fit for me. Using memory foam earbud tips these seat and seal nicely and I’m barely aware that I’m wearing them. And I can easily wear them for hours. All of the over-ear headphones mentioned are comfortable, but they all do tend to become less comfortable over time, mainly due to heat. To net out my experience, these KZ ZS10 Pros blow away the Shure SE-535 (my up to now favorites, and my long-time traveling companions) and the KZ-AS12s. Better and richer bass, more lively engagement with the music. The HD660S and Sundara are both excellent, but I did not find them enough different from the KZ ZS10 Pros to warrant spending so much more or dealing with my own comfort preference for IEMs. The Sony MDR-1AM2 has a frequency response of 3HZ to 100,000kHz, which I do notice. They do not have quite the same overall quality of sound as I found with the HD660S and the Sundara, but the Sony’s are clean and consistent. Most of my listening uses Apple Music on my iMac and I use the Acoustic preset in the Equalizer to deepen the bass and accentuate the vocals. The MDR-1AM2 with the balanced cable also offers me a great listening experience, just a bit less in comfort than the in-ear KZ ZS10 Pro. Exploiting lossless tracks requires more than the built-in DAC on my iPhone or iMac. My choice was the iFi Audio Hip-Dac Portable USB DAC and Headphone Amplifier. It has the power to drive all of the headphones and IEMs I’ve tried, has a “bass boost”, excellent volume control, and includes a balanced 4.4mm headphone jack (which is great for the MDR-1AM2s). Also, battery powered for mobile use although it pretty much spends its whole life connected to the iMac. For me, so far, this little DAC/AMP is outstanding. (Although I keep looking at adding more options and more power … but I keep reminding myself that I really don’t listen all that much). As I said, my listening is somewhat limited. The songs that have really accentuated what lossless can provide and how these KZ ZS10 Pros perform include Eyes of the World and Bleed to Love Her by Fleetwood Mac (two of their songs I had never listened to until engaging with lossless on Apple Music and exploring these headphones), Enough of the Night by Jackson Browne, Knee Deep by Zac Brown Band with Jimmy Buffett, Keith Don’t Go by Nils Lofgren (who I don’t really listen to, but the acoustic opening for this song puts the guitar inside my head), and 4ware by deadmau5 (added to my list because of a lossless headphone review site that tests using it …). Elvis With The Royal Philharmonic Orchestra offers an entirely different level of appreciation for Elvis with this remix album, in lossless. Lossless Lionel Richie (Sail On, Ballerina Girl, Stuck on You …) offer both delicate guitar and rich vocals. The Killers, The Weeknd, Uncle Kracker and sometimes Mat Kearney become over saturated using the Equalizer settings, but lossless versus 256kbps offers a significant difference in listening experience. ... show more
Reviewed in the United States 🇺🇸 on October 9, 2021 by M-Tex M-Tex

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