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teenage engineering EP–133 K.O. II sampler, drum machine and sequencer with built-in microphone and effects

  • Based on 175 reviews
Condition: New
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Availability: In Stock.
Fulfilled by Amazon

Arrives Monday, Dec 30
Order within 21 hours and 27 minutes
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Color: gray


Features

  • the next evolution of the world's most sold sampler based on the legendary PO-33 K.O.!, the new EP133 K.O.II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0 effects. discover a workflow that lets you go from idea to track faster than ever.
  • fast workflow record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio you've got on your phone.sequence your samples and loops. use the curated selection of drums, bass and keys that come pre-loaded on your K.O.II. add stereo effects, compressor and next generation punch-in effects, tweak and automate filter, pitch and more...
  • high resolution sequencer the sequencer engine of the K.O.II provides an intuitive and fast way of building up beats and variations using 4 groups x 12 patterns. like most daws, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. the commit button helps you freeze a point in time and move on, adding a verse or a break, all in real time.
  • an impressive set of features sample using the line-in or built-in mic, listen to your beats with the built-in speaker or use the line-out. packed with melodic and drum samples, a four track sequencer with 6 stereo voices, or 12 mono, and 64 mb memory and 999 sample slots. play using vintage style keys with a modern touch, combining true tactility with pressure sensitivity. add 6x master fx and 12x punch-in fx, all controlled by the multifunctional fader. K.O.II is portable, powered by 4x AAA batteries, or via usb-c.
  • made to perform made for playing live, you can add stereo effects and next generation punch-in effects fast, using the multifunctional fader to control them all. play on-the-fly, tweak and automate things like filter, pitch and more.

Color: gray


Brand: teenage engineering


Material: Plastic


Model Name: EP 133


Item dimensions L x W x H: 7.01 x 1.06 x 9.53 inches


Item Weight: 0.79 Kilograms


Body Material: Bass Wood


Connector Type: USB


Included Components: Portable synthesizer and sampler, built-in microphone, speaker, and line-in


Manufacturer: Teenage Engineering


Item Weight: 1.74 pounds


Product Dimensions: 7.01 x 1.06 x 9.53 inches


Country of Origin: Spain


Item model number: TE032AS001


Date First Available: November 23, 2023


Color Name: gray


Material Type: Plastic


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Dec 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Solid
Color: gray
Great fun to use, chromatic octave in 12 keys is great for transpositions, keys are quick, with far less pressure than most minisynths. A joy to play with. The earlier hardware issues seem to be dealt with.
Reviewed in the United States on December 14, 2024 by NorthShore

  • Amazing!
Color: gray
Just received my EP 133 in the mail. It took about a week to deliver to South East US. I'll start by saying this is not my first TE product. I own a few Pocket Operators, an OG OP-1, and a TX-6. One thing you should know about TE, that even though "Engineering" is in their name, their products aren't always 100%, and this usually causes a lot of frustration with people. Including myself. With my OG OP-1, I had to return it 3 times because of keys re-triggering. Overall, it's a design flaw, and not a one-off issue. With the EP-133 I read many reviews stating the fader knob was delicate, and could come defective. Happy to report that is not the case with my unit. It works flawlessly. I've also seen people state putting the knobs on the fader is hard, honestly, it's not, and just be gentle squeezing it in. It's basically a LEGO piece with a star socket. Just don't jam it on there, wiggle it until it slides on. It's also not meant to go all the way in. There is a stopper on the protruding stick where the knob goes. The rest of the knobs are smooth and easy to install. Going to play with it for a bit and maybe update this review. But like all TE products, these are not for everyone. There's a niche, and most of their products require a certain level of organic creativity. Hope those reading this and make the decision to buy aren't burnt with defective units. Just be gentle. ... show more
Reviewed in the United States on December 7, 2023 by V.

  • My new favorite toy!(with an important message)
Color: gray
Let me preface this by saying I sympathize with everyone who received a faulty unit or damaged the fader when installing the cap. Teenage Engineering cannot sell a product with such a glaring design problem and poor quality control. At the very least they should have the fader cap preinstalled. Now despite that intro, I'm about to do a complete 180 and gush about this little machine. Having received it completely undamaged and opting to use a Lego pumpkin for the fader cap, I have felt nothing but overwhelming joy in the short time I've used the KO II. Having no experience with music production outside of playing around with FL Studio and my OP 1, the KO II is welcoming in its approach to beat-making and anyone can put together a solid track in no time. The illuminated icons and 8-segment display give me all the info I need without needlessly clunky menus, making the musical process feel intuitive. The preloaded sounds feel punchy and the onboard effects, while a little limited, have a lot to offer and don't even get me started on its sampling capabilities. The actual body of the device feels solid in the hand and all the buttons, dials, and slider have a good feel to them(assuming the unit passed QA before shipping). My only real complaint is that the onboard speaker is kind of faint, especially on the lower frequencies but I assume most of you are probably going to use headphones or some other audio output. In conclusion, I have high hopes for the KO II. According to the TE, this is the start of their new "EP" series and from what I've seen on the body it looks like there are Lego peg holes on both sides of the unit which leads me to believe there will be more of versions that can be connected to make an entire EP panel, but I'm getting ahead of myself. In an ideal world, I'd give this my full recommendation to anyone even slightly interested in music production. But the truth of the matter is it wouldn't be fair to everyone who was promised this magically little device and got a hunk of malfunctioning plastic instead. I hope this review does reach TE because I think its message resonates with the community; We love the idea but we're disappointed with its execution. ... show more
Reviewed in the United States on January 16, 2024 by Amazon Customer

  • Tight Package Looks Good… Bad Fader
Color: gray
After debating weather to get the original K.O., I recently discovered the K.O. II and started to look into it some more as I had been interested in a proper sampler and not just use my Casio SK-1 or Yamaha VSS-200. After reading about the complaints regarding the fade slider having issues, I decided to bite the bullet. The price wasn’t terrible and I figured I’d get it because my electronic capabilities would be sufficient to replace the slider if needed. I got the sampler and I have to say that the packaging looks great. It instantly invokes the thought of a record LP. My wife was even surprised at the packaging, as it did not look like a synth package. Opening the package was a challenge. That thing is in there extremely snug. There are finger holes to remove the sampler but if you tug too hard you will probably rip the outside sleeve. I gently shook it out on my bed with my finger guiding it. So far my biggest complaint stems from the packaging. While beautiful and extremely functional, it may be too functional. Like an IKEA box, no space was wasted, and this led to the curiosity of why Teenage Engineering shipped this without the knobs attached on the slider and pot. Not attaching the knobs only saves about 1/4” of space and they surely could have made the box bigger to account for such dimensions. I would think this might alleviate some of the issues people have had with the knobs, as I have read it may stem from people attaching them to firmly but as I opened the box, I also noticed marks on the inside where the packaging rubbed against the knob less pots and slider. I am sure that any good hit or jostling could potentially cause some damage, like when you ship a Faberge egg with zero packing peanuts. I followed some YouTube video suggestions carefully, such as gently attaching the knobs and when it came to the slider, not pushing it all the way down and attach the knob while the slider is positioned all the way up or down. I did notice the knob on the slider was a bit harder to get on than the volume or BPM knobs. The unit itself feels well built and while the buttons are plastic, the tapping seemed alright and played into the retro aesthetic. The lights and display are very intuitive and the inner packaging has a quick start cheat sheet. I wish there was a heavier duty instruction manual but I knew going in that probably wasn’t going to happen knowing Teenage Engineering. I was able to start making my own sound bank within 5 minutes. So overall, I feel this thing is worth the money. Who knows. Firmware updates in the future may resolve some issues and if they do a revision on packaging or components you might be able to get this one at a good price, although I doubt it as their products seem to hold value really well. …and after a thorough testing the fader is broken out of the box. Does not respond one bit. Looks like this will be returned and while the sampling and use seemed easy out of the box, what good is it if this is faulty from the beginning?! ... show more
Reviewed in the United States on January 18, 2024 by Kevin Kelley Kevin Kelley

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