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Sony 24-70mm f/4 Vario-Tessar T FE OSS Interchangeable Full Frame Zoom Lens

  • Based on 278 reviews
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Availability: Only 8 left in stock, order soon!
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Arrives Wednesday, Nov 27
Order within 4 hours and 9 minutes
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Style: Lens Only


Features

  • Angle of view (35mm): 84-34 ; E-mount Lenses
  • Minimum aperture (F): F22
  • Minimum Focus Distance : 1.32 ft (0.4 m), Maximum Magnification ratio : 0.20x, 7 aperture blades
  • Focal Length: 24mm - 70mm ; Focal Length (35mm) (APS-C) : 36-105mm
  • Maximum aperture (F): f/4
  • NOTE: User manual is attached - kindly refer it
  • ZEISS T anti-reflective coating minimises flare

Description

Sony Camera Lenses SEL2470Z This compact full-frame Carl Zeiss mid-range zoom lens covers a 24mm to 70mm range with a constant maximum aperture of F4, enabling consistent exposure settings at any focal length. This premium lens delivers superlative image quality with full-frame and APS-C E-mount cameras, and dust/moisture resistance means consistently reliable performance. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. From the Manufacturer Vario-Tessar T FE 24-70mm F4 ZA OSS Full-frame Zoom LensThis compact full-frame Carl Zeiss mid-range zoom lens covers a 24mm to 70mm range with a constant maximum aperture of F4, enabling consistent exposure settings at any focal length. This premium lens delivers superlative image quality with full-frame and APS-C E-mount cameras, and dust/moisture resistance means consistently reliable performance.TechnologyCircular ApertureWhen changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.ED (Extra-low Dispersion) glassAs focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.Aspherical lens elementsAspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.Carl Zeiss T (T-star) coatingCoated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality.Lens-based optical image stabilizationGyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high- quality movies as well as stills.Additional FeaturesInternal focusingOnly the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.All rights reserved. Sony, the Sony logo, (a) and Super SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.


Product Dimensions: 3.74 x 2.87 x 2.87 inches


Item Weight: 15 ounces


Item model number: SEL2470Z/T


Batteries: 1 Lithium Ion batteries required.


Is Discontinued By Manufacturer: No


Date First Available: October 15, 2013


Manufacturer: Sony


Country of Origin: Thailand


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, Nov 27

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Works well
Style: Lens Only
I primarily use this lens for event photography on a Sony A7S. The material quality is nice. It's a class act on a Sony A7 series camera. I would not say this lens is built like a tank, but rather built to a reasonably high quality while trying to be a small, light lens. In terms of size, this lens is very nicely sized for a Sony a7 series camera. It feels well balanced in hand. When I rest the camera and lens on my chest (when I'm writing down info about people I've just photo'd), and a flash attached, it has a little tendency to flop forward. I have an inexpensive 2 battery grip I might attach to remedy this, or I might not, it's not much of an issue. In comparison to a full frame mirror'd lens, this lens is small and light. I think the price on it is reasonable considering it's a 24-70 lens with stabilization. Some people worry about the image quality or the f/4 max aperture. I would say the image quality is "very adequate". When I use this lens for semi professional purposes, I don't feel like I'm wanting more. Does it compare to a $2,000 f/2.8 full frame lens? I would say no, the colors and contrast aren't quite there, but not off by much, certainly not enough to pay twice the price for a small gain in image quality or one extra stop of light. But then again, the price, weight and size of this lens is half. So, you get what you pay for. Is the f/4 a problem? Not really. F2.8 is nice to have, but the depth of field can be so narrow it can cause problems with group shots. So I shoot this lens wide open at f/4 without running into focusing or depth of field problems. Some people might wonder if this lens has distortion problems. I haven't noticed any, and seldom correct the lens for distortion in lightroom. Using this lens and the Sony A7S, I have found that I don't need to correct the photos at all in lightroom. With my previous Canon setup, I was always having to tweek the white balance, move several sliders around, minimize noise etc. With this camera / lens combo, I crop a little and that's it. Everything is perfect coming off this sensor. When I'm using flash, about 1 in 10 shots I might have to tweek the exposure level a little, to compensate for the flash. I have heard other reviewers say that same thing, but until I experienced it with the A7S and this lens combo, I would not have believed it . Great job Sony! In terms of lens stabilization, I don't really notice it lol (it is enabled). Maybe that's a good thing. So, I think this is a very good lens, and works well. Is it worth the extra $$$'s to buy the f/2.8 heavier lens? For me, no. Would I purchase this lens new or used? Yes, I would recommend it. It's fits the A7r series well and does a very adequate job for amateur, semi-professional and some professional use. Don't be worried, this lens is a good one to buy. You don't need to succumb to needless f/2.8 envy. lol. ... show more
Reviewed in the United States 🇺🇸 on September 29, 2018 by Tezza

  • Looking at this lens from a different perspective
Style: Lens Only
I got this lens because I wanted an everyday zoom lens for my a7, but I did not want to go with the kit lens. So I decided to step-it-up to this newly released Zeiss. Like some of my other reviews on photography equipment, I'll try to provide a different perspective on my experience with this lens, rather than give you the typical review of its technical pro's and con's. I've always had a special admiration for Zeiss lenses, I owned a couple of them before and there is something different about the way photographs are reproduced by a Zeiss. They just look special, unique, different. I wish I could better explain it, but after years of doing photography, and owning A LOT of lenses and cameras, I can honestly say that Zeiss lenses stand out when it comes to build, feel, look, and image quality. Having said that, I don't particularly think that this Zeiss lens is one of the best ones I've used. Nope, this is perhaps my least favorite Zeiss lens. Why? well, it has all the ingredients that make a Zeiss, except there are a couple of things that do not allow me to give this lens a 5 star rating. Here are MY reasons why I like and dislike this lens: But wait, before I begin I want to caveat something: as you read these, keep in mind that these are MY reasons and MY opinion, and you are likely reading this as part of your research to help you make a purchase decision. I've been doing photography for a very long time and I like to know technical details, but I think of photography as an art rather than than a science. Keep that in mind if you plan to comment and/or disagree with what I say... Why I like it: +Awesome build, feel, and look +Smooth and responsive zoom ring as well as focus ring +Perfect walk-around range for a full-frame +Great image quality, color reproduction, (that "Zeiss" look) very little chromatic aberration, even in extreme back-light situations +Nice Bokeh Why it did not get 5 stars: -Rather too big/heavy for a compact-size a7/r. I wish the lens was smaller/lighter to better balance and match the small body of the a7/r -Not as sharp as I expected for a high-end Zeiss. I have other zoom lenses for different cameras at the same price range, and the sharpness of this lens is NOT up-to-par -Focus speed greatly degrades when shooting in low light. Understand that I did not do extensive technical tests, this review is based on my experience with the lens over the past 30 days or so (as of 18-APR-2041) though I do consider my self a pixel-peeper, and I pay great attention to detail when it comes to image quality. Overall I think the lens is a good lens, but I wish it was faster (f2.8 would have been awesome) and sharp throughout the entire frame, not just the center; and throughout the entire range. I know lens copies vary, I believe I got a cood copy, and I will keep it. However, when comparing it to other lenses of the same focal range, and same price point, I would say this lens falls short in sharpness and speed. I have NOT used the kit lens, so I cannot compare it. But I do have the cannon 24-105 f4L, and the AMAZING Panasonic G Vario 12-35mm F2.8 for M43 cameras, and both of those lenses are superior in sharpness and focus speed. So wait, does this mean that this is a bad deal? NO! I actually like this lens because it produces special images that may not be a sharp as others, but have a special look and feel that only Zeiss lenses have. Again, I wish I could explain. That's the reason why I cannot give this product any less than a 4 star rating. Despite of its shortcomings, I think this lens is good value at this price point for its built and overall image quality. Like any piece of photography equipment, if used properly, and creatively, this lens is capable of producing some amazing photographs when paired with my a7. I hope this helps you make a more informed purchase decision. Happy shooting! ... show more
Reviewed in the United States 🇺🇸 on April 18, 2014 by Uncle J

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