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Canon

Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens

    • Based on 981 reviews
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Arrives Friday, Dec 27
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Style: Lens Only


Features

  • 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
  • F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
  • 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 feet
  • Image Stabilization : No. Focus adjustment: Inner focusing with USM. Diagonal angle of view: 84 - 34. Weight 1.7 pound
  • Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
  • Ring USM, high-speed CPU, and image ptimized AF algorithms for fast auto focusing.
  • Optimized lens coatings for exceptional color balance and minimal ghosting, florine coating on front and rear lens surfaces to reduce smears and fingerprints.
  • New optical design utilizes 1 Super UD lens element and 2 UD lens elements to minimize chromatic aberration in the outer area at wide- angle; as well as eliminates color blurring around the edges of the subject, for images with high resolution and contrast.
  • Combines 2 types of aspherical lenses to reduce spherical aberration, and achieve high image quality across the entire screen area and throughout the full zoom range.
  • Zoom lock lever locks the zoom position at the wide end for safe transporting

Description

Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Filter size: 82 mm, Closest Focusing Distance: 1.25 feet. Maximum magnification (x) - 0.21(at 70mm).

Specs & Other Info

SpecificationDetails
ManufacturerCanon
Zoom CapabilityWide-angle to mid-range
Lens ClassificationZoom lens
Supported Camera MountCanon EF mount
Lens Description70 months warranty coverage
Physical Dimensions113.3 x 88.9 x 88.9 mm
Weight0.8 kilograms
Model Number5175B002
Continued ProductionNo
Availability DateFebruary 2012
Manufacturing CountryJapan

Frequently asked questions

The aperture range of the Canon 24-70mm f/2.8L Lens goes from f/2.8 to f/22. The wide f/2.8 aperture is constant throughout the zoom range, which allows for great performance in low light conditions and the possibility to achieve a shallow depth of field.

The Canon 24-70mm f/2.8L Lens is compatible with Canon full-frame DSLRs as well as APS-C models. However, on APS-C cameras, it will have an effective focal length of approximately 38-112mm due to the crop factor.

No, the Canon 24-70mm f/2.8L II USM Lens does not come with built-in image stabilization. Users may need to use a tripod or a camera with in-body stabilization for steady shots at slower shutter speeds.

Yes, the Canon 24-70mm f/2.8L Lens features weather sealing which makes it resistant to dust and moisture. This allows photographers to use it in various challenging weather conditions.

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🚀 Abunda's Overview

This is our summary and key points to consider based on customer reviews.

The Canon EF 24-70mm f/2.8L II lens receives high praise from experienced photographers for its superb sharpness, contrast, and flare control, even though it is considered expensive. Users are impressed by the lens' performance in low light and its build quality, despite the lack of IS (Image Stabilization) and some noting that the lens is bulkier than expected. The versatility and image quality of the lens make it a favorite for many.

Pros

  • 🔍 Exceptional sharpness and image quality
  • 🎨 Excellent color reproduction and contrast
  • 🌞 Impressive flare control, even in challenging lighting
  • 🛠️ High-quality build and weather-sealed design
  • 🔒 Lens locking mechanism for secure travel
  • 🔄 Usable in diverse photography situations

Cons

  • 💲 High price point
  • ⚖️ Somewhat bulky and heavy
  • 🔄 Front section extends when zooming, lacking internal zooming mechanism
  • 🖼️ Visible vignetting at wide apertures
  • 🔎 Lacks Image Stabilization (IS)

Should I Buy It?

If you are looking for a versatile, high-quality lens that can handle a wide range of shooting conditions and deliver outstanding images, the Canon EF 24-70mm f/2.8L II is a strong contender, despite its high cost. If you can overlook the absence of IS and handle its bulkiness, it could be a terrific long-term investment for your photography needs.

    • I have waited a long time for this lens to come out and finally it is here
Style: Lens Only
Review Image by AReviewer.of.online.Products AReviewer.of.online.Products
Review Image by AReviewer.of.online.Products AReviewer.of.online.Products
Review Image by AReviewer.of.online.Products AReviewer.of.online.Products
I purchased this lens in 2013 and have waited to get some really good use out of it before posting this review. I use this lens on my Canon 7D and my Canon Mark 5D Mark lll. This is the greatest lens I've ever used... challenged only by the Canon 70-200mm L IS II. It is unbelievably sharp throughout the zoom range. I've taken shots that would rival the most expensive primes. Focusing is almost instantaneous. You target it, and it focuses... . The build is solid and strong. It is not nearly as heavy though as the previous model. This EF lens features a zoom lock which prevents the barrel from zooming out while hanging from the neckstrap and also has full-time manual focusing (like most Canon lenses). The lens diameter is 82mm which is the same as my EF 16-35mm f/2.8L II USM so IF I wanted to use a filter, it would interchange between these two lenses. This is my workhorse lens in my Fashion businesses. I shoot mostly indoors with a Canon 5D Mark lll. This lens works perfectly on this camera. I use the f/2.8 more than any other f/stop on the lens and it gives me great indoor shots that my business requires. Coupled with the Speedlite 600EX-RT they are a team that works well together. The lens has been redesigned and the main result is improved sharpness throughout. The lens is very fast to focus and works well in all lighting circumstances. It is now more water and dust proof. It is built to last. The hood is a short wing design PROS: - Build quality - feels solid but not as heavy as it's predecessor. Zoom and focus rings are a bit snug but they both rotate smoothly. - AF performance - on the 5D Mk III it locks focus quickly. It SEEMS like it's faster than the original which I have only used one time. - Image quality - Sharp and beyond belief. This lens produces super sharp images of high resolution and produces photos as good as any prime lens. Cons: The only con to this lens is no IS. I was hoping that they were going to release an IS version of this lens but in speaking to Canon at the last Professional Photography Imaging Convention, they have no plans at that time to release this lens with IS, mainly because it would add quite a bit of weight to the lens. I won't say cost is a con. You get what you pay for and if you have chosen this lens you are now enjoying the sharpness and quality build of one of the best if not the best lens Canon offers so no conplaint on the price since anyone using this chose to purchase it at that price. I have shot people, landscape, waterscape, fashion, sunsets and sunrises and birds with this lens in RAW and JPEG. It is definitely over the top for quality photos especially on my Canon 5D Mark lll. ... show more
Reviewed in the United States on January 20, 2016 by AReviewer.of.online.Products AReviewer.of.online.Products
    • Sharp enough to cut ya! UPDATES
Style: Lens Only
Review Image by hotdog12 hotdog12
Review Image by hotdog12 hotdog12
Review Image by hotdog12 hotdog12
Review Image by hotdog12 hotdog12
Review Image by hotdog12 hotdog12
I'm a career photojournalist and bought the Canon EF 24-70mm f/2.8L II lens to fill that yawning gap between my 16-35 f/2.8 and 70-200 f/2.8. I've used this lens to shoot a variety of editorial, business, PR and party assignments. My impressions: 1. Dang, this sucker is expensive! I coughed up about $2200 with tax. 2. As everyone says, too bad it doesn't have IS. 3. Somewhat chunky, but anyone who handles pro gear will hardly notice. One disappointment is that the front section slides forward 1-1/2 inches when zooming from 24mm to 70mm. I'm surprised this Canon upgrade didn't incorporate an internal zooming mechanism like the 16-35 and 70-200. This weather-sealed lens uses a latch to lock at 24mm for travel and running around. 4. The lens analysis in DPreview.com is dead on: you see significant vignetting at f/2.8, but it settles down at f/4.0 and nearly disappears by f/5.6. Some minor barrel distortion. 5. Superb sharpness and contrast even at f/2.8, comparable to the legendary 70-200 f/2.8! Excellent color. 6. Truly superior lens flare control, even when shooting directly into light sources! Locking lens hood (included) is shallower than I prefer for optimal protection of that massive 82mm front element. My lens came with a standard snap-on lens cap; I replaced the Canon cap with a Fotodiox 05CAPT82x1 82mm Inner Pinch Lens Cap and it works nicely. 7. Close focusing is okay. Not macro quality, but close-ups at 70mm are acceptable, even at f/2.8. Conclusion: this is a real workhorse that will remain attached to one of my full frame bodies from now on. Horribly expensive, Canon is charging all the market will bear. But since I will probably use it for the next decade, I'm not complaining--too much! LOW LIGHT UPDATE: last week I had an assignment to shoot stills on the slasher/suspense movie set "Killing Mr. Right." I used this lens to shoot handheld existing light at f/2.8 the whole time. I was blown away with the razor sharp images! I was tap dancing right at the edge of usable existing light, but the photos turned out great! Yeah, I wish it had IS, but this lens is sharp enough to cut ya! UPDATE 2: I've been using this lens for two years now. It is my "go-to" lens that usually remains glued to one of my 5D III bodies. Optically it as good as or superior to almost all fixed focal length lenses. ... show more
Reviewed in the United States on March 7, 2013 by hotdog12 hotdog12

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