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Sigma 16-28 mm F2.8 DG DN Lens for Sony E Mount

  • Based on 90 reviews
Condition: New
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$871.13 Why this price?

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Availability: Only 1 left in stock, order soon!
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Arrives Saturday, Nov 30
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Features

  • Sony E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • Five FLD Elements
  • Four Aspherical Elements

Description

Sigma’s award winning 16-28mm F2.8 is an ultra-wide-angle, wide-aperture zoom for full-frame mirrorless cameras. Combining outstanding optical performance with a constant F2.8 aperture, the lens is perfect for landscape, wedding, interior and architectural photography. Weighing in at 450g and measuring just 100.6mm in length, the lens is exceptionally portable, so is an attractive option for photographers wanting to travel light without compromising on optical quality. Optimised with the latest optical design technology, the 16-28mm is a high-performance optic that delivers exceptional sharpness across the frame with very little in the way of unwanted aberrations. An internal zoom mechanism keeps the overall length of the lens consistent throughout the entire zoom range, so that the lens’ centre of gravity stays fairly constant. This is perfect for gimbal use as it would not need adjusting when the focal length is changed. A filter thread around the front element makes attaching filters easy. The quality of this lens was recognised at the TIPA Awards and the AP Awards in 2023, where it won the Best Wide-Angle Zoom Lens and the Wide-Angle Zoom Lens of the Year awards respectively.

Brand: Sigma


Focal Length Description: 16-28 millimeters


Lens Type: Wide Angle


Compatible Mountings: Sony E


Camera Lens Description: 9


Product Dimensions: 3.94 x 2.76 x 2.76 inches


Item Weight: 15.9 ounces


Item model number: 9


Date First Available: June 1, 2022


Manufacturer: Sigma


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Nov 30

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Worth every penny
Style: SONY E/FE
Fantastic piece of kit to have in your bag. It’s lightweight and tack sharp. Would certainly recommend for anyone that does real estate shots.
Reviewed in the United States on July 26, 2024 by Kybe

  • Weird distortion at the end and far end.
Style: SONY E/FE
The media could not be loaded. Really good lens for the weight at f2.8. It weighs very light and really good sharp image both ends which the competitor tamron is lagging at the far end. Tamron start to lose sharpness at 28mm and only stays sharp at 17mm. But this sigma lens stays consistent throughout but definitely pretty bad distortions at 16 and at 28 the walls curves the opposite direction. Overall good value, portability, and quality. ... show more
Reviewed in the United States on May 11, 2023 by Bao Le

  • Great lens for the money
Style: SONY E/FE
I am using this lens on a Sony a7iv. Overall, great lens for the money. The crispness isn't quite to the level of my Sony G (20mm F1.8), but it's pretty close. For most applications, this is a great lens. If you are doing architectural photography professionally and need your work to be extra crispy, I think paying for the Sony lens is worth it. ... show more
Reviewed in the United States on November 7, 2023 by High Expectations

  • Sharp lens wit
Style: SONY E/FE
Very sharp lens for this price range, even at wide open. The lens is light enough that can be attached to the camera all the time. Distortion is very obvious if correction is turned off, but that should not be a problem(this is also fairly common for a ultra wide angle zoomed lens) since on-camera live correction works flawlessly and there is already correction profile on Adobe Camera Raw. I was also looking at 16-35GM before purchasing this lens. The performance at 35mm of 16-35GM is lottery, which worries me a little bit. As for Sigma 16-28, I do lose the extra reach from 28mm to 35mm. But since I am using it on A7R4, the missing focal length can be compensated with cropping if I really need it. Note that although the front filter thread of this lens is 72mm, you still need something larger than 72mm filters if you would like to stack CPL and ND ... show more
Reviewed in the United States on July 21, 2022 by Vian Vian

  • Very good for landscape and astrophotography
Style: SONY E/FE
The colors are well managed. It handles well ghosting and contrast. This is my 3rd favorite lens after the sony 24mm GM and the Sigma 100-400mm Contemporary. The only reason it is not my favorite lens is the small vignetting and the details. I heard that the 14-24 art has better details but for the price, you cannot go wrong with this one. It is sharper than the Tamron 17-28 and attain its peak of sharpness during golden hour. ... show more
Reviewed in the United States on March 7, 2023 by Miachaël Razafiarison Miachaël Razafiarison

  • Awesome Wide Angle
Style: SONY E/FE
I use it for real estate shoots. Its perfect.
Reviewed in the United States on May 17, 2023 by Amazon Customer

  • Vignette is AWFUL at 16mm
Style: SONY E/FE
For landscape photos this lens is solid at 16mm and is capable of some basic portraits at 28mm. In regards to video, the vignetting is actually unusable at 16mm. It made all corners of my video dark and caused weird effects due to this. All my videos turned out darker than they actually should have been. At the same time, it’s a lens with a 72mm filter thread. Finding variable ND filters that have low vignette like the Peter McKinnon filters were impossible and a nightmare. They actually made the vignette worse in most circumstances. For video this lens was actually a nightmare and cost me more in returns than anything. Would not recommend for video, especially vlogging, but can recommend for photo ! Going to go for the Tamron 17-28mm instead now for the better video capabilities with low / impossible to see vignette. ... show more
Reviewed in the United States on July 10, 2022 by timothy

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