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Nikon AF-S NIKKOR 35mm f/1.8G ED Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras

    • Based on 438 reviews
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Availability: Only 5 left in stock, order soon!
Fulfilled by Adorama
Arrives Saturday, Jan 4
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Features

  • Lens not zoomable; 35 millimeter focal length, Macro Focus Range : 0.25 meter
  • 52.5 millimeter equivalent focal length on DX Format cameras; F1.8 maximum aperture, F16 minimum
  • Ultrasonic type AF motor with full time manual focusing; 58 millimeter filters; Note: Refer the user manual before use
  • Note: This is an FX format F mount lens. FX and DX lenses can be mounted on all Nikon DSLR cameras. However, using a DX lens on an FX camera or an FX lens on a DX camera will result in a 1.5x crop factor
  • 35 millimeter focal length, macro focus range: 0.25 meter. Rear focusing system
  • 52.5 millimeter equivalent focal length on DX Format cameras
  • F1.8 maximum aperture, F16 minimum
  • Ultrasonic type AF motor with full time manual focusing
  • 58 millimeter filters
  • Note: Refer the User Manual before use
  • 35 millimeter focal length, Macro Focus Range : 0.25 meter
  • 52.5 millimeter equivalent focal length on DX Format cameras
  • F1.8 maximum aperture, F16 minimum
  • Ultrasonic type AF motor with full-time manual focusing
  • 58 millimeter filters
  • Note: Refer the User Manual before use

Description

The AF-S Nikkor 35mm f/1.8G is a moderate wide angle prime for FX format SLRs. It uses a Silent Wave Motor for fast, quiet autofocus, and includes one ED and one aspheric element in its optical construction. It's not to be confused with the cheaper AF-S FX Nikkor 35mm f/1.8G, which is for FX format cameras only. Auto-focus troubleshooting: If desired, autofocus can be over-ridden by rotating the lens focus ring while the shutter-release button is pressed halfway (or, if the camera is equipped with an AF-ON button, while the AF-ON button is pressed). To refocus using autofocus, press the shutter- release button halfway or press the AF-ON button again. Unleash the power of your high-resolution Nikon HD-SLR. The AF-S NIKKOR 35mm f/1.8G ED draws maximum definition and image quality from Nikon's high-pixel-count image sensors for truly dazzling photos and HD videos. It brings the outstanding optical characteristics of AF-S NIKKOR 35mm f/1.4G to Nikon's f/1.8 FX-format prime lens collection, which includes 28mm, 50mm and 85mm versions. With 63° of coverage, ED and AS glass elements for outstanding contrast and minimal distortion, Nikon's innovative Silent Wave Motor for fast, quiet, precise autofocusing and a lightweight, compact design, the AF-S NIKKOR 35mm f/1.8G ED is an outstanding choice for your photo or HD video applications. On an FX- format Nikon camera, a 35mm lens approximates the angle of view we see with our eyes, an ideal perspective for so many photo and HD video applications. The AF-S NIKKOR 35mm f/1.8G ED combines that natural perspective (52.5mm equivalent on DX-format cameras) with an f/1.8 maximum aperture for outstanding depth of field control and low-light performance—all in a compact, lightweight design. Capture vibrant natural looking photos and HD videos with softly blurred backgrounds, even in low light. A great lens draws peak performance from a camera, and the AF-S NIKKOR 35mm f/1.8G ED is no exception. Impressive on Nikon's FX- and DX-format D-SLRs, it delivers consistent, superlative performance, even in tough shooting situations. Aspherical (AS) and Extra-low Dispersion (ED) glass elements combat sagittal flare at wide aperture settings. Super Integrated coatings (SIC) enhance contrast and color and nearly eliminate ghosting, even in backlit scenes. And Nikon's innovative Silent Wave Motor (SWM) uses ultrasonic waves for fast, accurate, quiet autofocusing. The AF-S NIKKOR 35mm f/1.8G ED completes Nikon's versatile collection of advanced f/1.8 FX-format prime lenses, joining the 28mm, 50mm and 85mm versions. All four lenses offer the latest Nikon advancements and optical design characteristics, providing consistent performance at each focal length: wide-angle, standard and medium telephoto. From the Manufacturer Compact, fast FX-format 35mm prime lens that excels on Nikon's high-resolution HD-SLRs.Unleash the power of your high-resolution Nikon HD-SLR. The AF-S NIKKOR 35mm f/1.8G ED draws maximum definition and image quality from Nikon's high-pixel-count image sensors for truly dazzling photos and HD videos. It brings the outstanding optical characteristics of AF-S NIKKOR 35mm f/1.4G to Nikon's f/1.8 FX-format prime lens collection, which includes 28mm, 50mm and 85mm versions. With 63° of coverage, ED and AS glass elements for outstanding contrast and minimal distortion, Nikon's innovative Silent Wave Motor for fast, quiet, precise autofocusing and a lightweight, compact design, the AF-S NIKKOR 35mm f/1.8G ED is an outstanding choice for your photo or HD video applications. Naturally beautiful photos and HD videosVersatile 35mm focal length with a fast f/1.8 apertureOn an FX-format Nikon camera, a 35mm lens approximates the angle of view we see with our eyes, an ideal perspective for so many photo and HD video applications. The AF-S NIKKOR 35mm f/1.8G ED combines that natural perspective (52.5mm equivalent on DX-format cameras) with an f/1.8 maximum aperture for outstanding depth of field control and low- light performance—all in a compact, lightweight design. Capture vibrant natural looking photos and HD videos with softly blurred backgrounds, even in low light.Unleash your camera's potentialOptimized for high-resolution Nikon FX-format HD-SLRsA great lens draws peak performance from a camera, and the AF-S NIKKOR 35mm f/1.8G ED is no exception. Impressive on Nikon's FX- and DX- format D-SLRs, it delivers consistent, superlative performance, even in tough shooting situations. Aspherical (AS) and Extra-low Dispersion (ED) glass elements combat sagittal flare at wide aperture settings. Super Integrated coatings (SIC) enhance contrast and color and nearly eliminate ghosting, even in backlit scenes. And Nikon's innovative Silent Wave Motor (SWM) uses ultrasonic waves for fast, accurate, quiet autofocusing.Build an exceptional fast prime lens systemThe final piece of Nikon's versatile f/1.8 FX-format prime lens collectionThe AF-S NIKKOR 35mm f/1.8G ED completes Nikon's versatile collection of advanced f/1.8 FX-format prime lenses, joining the 28mm, 50mm and 85mm versions. All four lenses offer the latest Nikon advancements and optical design characteristics, providing consistent performance at each focal length: wide-angle, standard and medium telephoto. Supplied AccessoriesHB-70 Bayonet Lens HoodLC-58 Snap-On Front Lens Cap 58mmLF-4 Rear Lens CapCL-0915 Soft Lens Case

Brand: Nikon


Focal Length Description: 35 mm


Lens Type: Wide Angle


Compatible Mountings: Nikon F (FX)


Camera Lens Description: 35 month


Product Dimensions: 2.83 x 2.83 x 2.83 inches


Item Weight: 10.8 ounces


Item model number: JAA137DA


Batteries: 1 Lithium Ion batteries required.


Is Discontinued By Manufacturer: No


Date First Available: January 6, 2014


Manufacturer: Nikon


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Jan 4

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Wonderful lens.
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This is a fantastic lens to use for street photography. I recently used this lens in Salt Lake City, Utah, to get some street photos, and I was very impressed by the results. The focus is fast. The pictures are sharp. This lens is also one of the lightest lenses that I own. This is the kind of lens you can carry all day without any problems. I also use it with an UV filter (which I recommend to protect the lens). This lens convinced me that I will only buy Nikon-built lenses in the future instead of third-party lenses like Sigma. The focus motor is also quite quiet. ... show more
Reviewed in the United States on August 25, 2017 by Michael Gordon
    • Great 35mm lens for Nikon cameras!
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This lens is great. It's sharp, it's lightweight, it has good color, focusing is quiet, it's resistant to lens-flair, weather sealing is adequate enough to use in the rain, and it helps get great photos. If you're looking for a 35mm lens for a Nikon body, this is the one to get.
Reviewed in the United States on November 13, 2015 by Adam W.
    • Sweet Little 35mm!
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A small light weight 35mm lens. This light weight lens is perfect for wedding photographers who are shooting long days. Fast focusing even in low light. I have it paired with a D750 and just love it! Shooting two D750s one with this lens and the other with the 85 f1.8. The two make for a great wedding lens tandem. The Nikon f1.8 G series lens line-up has been great. Nikon is doing some great things right now. For me, price vs value when compared to the 35mm f1.4 is a no brainer. ... show more
Reviewed in the United States on March 2, 2015 by M. Romine
    • A must have for Nikon dx camera.
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Review Image by Bharat Adhikari Bharat Adhikari
Review Image by Bharat Adhikari Bharat Adhikari
Review Image by Bharat Adhikari Bharat Adhikari
For any dx camera like d7000 series (where 35mm becomes around 50mm),this is the must have lens. Nice pic quality, good blurry effects and best for functions and festivals. Don't buy 50mm lens before this lens. 50mm is good lens but is not versatile as this. 50mm is portrait for dx cameras (becomes 85mm) So you can't use it inside home conveniently. Furthermore I prefer this 35mm fx lens over 35mm dx lens because it has better built/pic quality and it's a good investment for future full frame camera (like d850). ... show more
Reviewed in the United States on June 16, 2019 by Bharat Adhikari Bharat Adhikari
    • Good lens!
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So in love with this 35mm. Been wanting to buy one for a while and finally broke down. Sharpness is great, autofocus and stability is excellent, and a very versatile lens for all types of shoots.
Reviewed in the United States on September 17, 2020 by Tori
    • My new 35mm lens of choice...
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I am a 35mm lens aficionado. Thirty-plus years of film shooting with Nikon SLRs and Leica rangefinder cameras has allowed me to explore many examples of this focal length in many generations from 1950s Leica models to that brand's more modern offerings, and the original f/2.8 Nikkor from the 1960s to the AIS version of the 35mm f/1.4 model. When I moved into Nikon auto focus in the late 1980s, the then new 35mm f/2.0 AF was the first lens that I bought for this new type of Nikon camera. That same lens (replaced several times) is what I have been using on my full frame D700 for several years now. I tried to use the 35mm f/1.4 AIS on the DSLR, but focus was hit-or-miss due to the screen which is less than optimal for manual focus, especially wide-open. So the little f/2.0 has been my go to 35mm lens for digital. I never had a complaint about the image quality of the 25 year old f/2.0 design. I'm sure that in some lab test, flaws can be measured, but when I come back and examine photos made in the real world, it was fine. FWIW, while I am aware of the 35mm f/1.4 AF-G Nikkor, it is too much of a jump in size, weight and cost to gain a stop of lens opening. I like prime lenses because of the size advantage over a high quality zoom, and I can be less obtrusive with a petite lens, so I never considered the f/1.4 for my needs. So, enter this new lens. I did buy the AF-S 35mm f/1.8G ED, with hopes of enjoying a more modern design, both optically and mechanically, over the f/2.0 lens. In a short statement, yes, I do like this new lens more than the older model. So I will compare this new lens to its closest Nikon alternative. Lens speed to me is pretty much a wash in actual use, as the variation from f/1.8 to f/2.0 is not dramatic enough to be a deal breaker, especially with a step-less shutter in aperture priority. More important is the question not of how fast the lens is, but can you actually use it at that aperture? The lens used at f/1.8 is more than usable, it is very good in terms of sharpness and contrast at full aperture. There is a very small amount of light fall-off, but it is only noticeable when you review two images shot at f/1.8 and then stopped down to about f/2.5 side by side. In comparison, the older f/2.0 lens was O.K. wide-open, but only in the center, with the edges not so good. In some situations this is not a problem, since when focusing centrally on a 3D subject in an environment, the edges would be lost to DOF anyway, but this is not good for flat subjects. The look from this new lens used wide-open is making me get a lot of use from my camera's 1/8000th of a second top shutter speed which allows me to isolate a subject from the background with a moderate wide angle look in good light. The physicality advantage of the two lenses would have to go to the older lens in terms of size. The f/2.0 with the proper HN-3 hood is much smaller than the f/1.8 lens with its hood mounted. However the weight is not an issue, and it didn't take long to ignore the larger size after a couple of decades with the smaller lens. The functionality advantage has to go to the newer model. It is so nice to be able to tweak focus instantly without having to find a switch and rotate it to manually adjust the focusing ring. Additionally, this same function means that I don't have to worry about keeping my fingers off of the focusing collar which I do with the f/2.0 model lest I prevent free movement of the mechanism. Without a way to scientifically measure, my feeling is that the older f/2.0 lens focused faster, but this might just be that I can hear and feel it as the screw-jack spins the collar very quickly and surely to the focus point. The new lens is silent and without any noticeable mechanical sensation. Even if the older lens is faster, the newer lens has never seemed slow, and I have caught some nice moving subject shots with it. So after many decades of use of the 35mm lens as my most used lens, the AF-S 35mm f/1.8G ED is now my lens of choice. The only thing I can't review here is longevity. I stayed with Nikon because I have 24 lenses in my collection and 95% of them function as well as the day they came out of the box. If this lens lasts ten years, that 600 Dollars will have put thousands of images on my hard drive. FWIW 2, My older f/2.0 lens now sits on my D7100. It gives me a nice normal lens for the crop sensor camera, and the lower quality edges fall outside of the capture area of the DX sensor. Edited on Nov 6, 2014: After many weeks of use now, I am still very happy with the optical quality of this lens. I have however found a weak point in the design that may or may not be important to you. The focus scale is very compressed, and the DOF marks are limited to one aperture. This makes zone-focusing pretty much impossible which is a shame, since a zone focused 35mm lens is the classic street shooter's tool of choice. With my old film era lenses, I could set a zone of say, 4ft to 11ft between the two aperture marks for a moderate aperture and then simply move to put a subject within that zone and shoot from the hip. I have used this technique for many years with great success, but this past weekend I employed this new lens for this task, only to find it impossible with the limited information on the distance scale... infinity comes on very quickly from any moderate distance. I like prime lenses over zooms because of the ability to use zone and hyper-focus setting via the scales on the lens, and this lens does not allow for this classic street-shooter trick. As a a work-around, I focused at an object 6 feet from from me, and then turned off the auto-focus. I set an aperture of f/8 and tried to keep my subjects within 5 to 10 feet. This was O.K., but I busted the zone much more than I use to with my old classic Nikkors with comprehensive DOF scales and a more moderate distance shift. ... show more
Reviewed in the United States on September 23, 2014 by Albert G. Smith Jr.
    • Excellent optical quality
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The difference between the f/1.8 and f/1.4 versions of this lens amounts to build quality. Both have high optical quality and both perform pretty much the same. If you treat your equipment harshly, if you are a professional who uses his gear daily, you might benefit from the f/1.4 version since it's built to take a lot of use and some abuse. If you're like me, someone who takes care of their gear and doesn't depend on it for their daily bread, you can save a lot of money by buying the 35/1.8 lens. ... show more
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I am a portrait photography and I love this lens! It's always on my camera. It's the perfect size, light weight, and takes sharp photos. It's the best for getting a tight shot in someone's home and I can also get close to my subjects and capture some amazing detail. Definitely recommend this lens and it's a great price! ... show more
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