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Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Nikkor Zoom Lens Bulk packaging (White box, New)

    • Based on 4,305 reviews
Condition: New
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Availability: Only 5 left in stock, order soon!
Fulfilled by Global Camera USA
Arrives Feb 3 – Feb 6
Order within 21 hours and 10 minutes
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Features

  • 55-200mm zoom Nikon lens with f/4-5.6 maximum aperture for Nikon digital SLR cameras
  • 2 extra-low-dispersion (ED) glass elements for minimized chromatic aberration and superior optics
  • Silent Wave Motor produces quick and quiet high-speed autofocusing; weighs 9 ounces
  • Measures 2.7 inches in diameter and 3.1 inches long; 1-year warranty
  • White box(bulk packaging)

Description

Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Zoom Nikkor Lens. What’s in the box: Nikon AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED Lens, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses and 1-Year Warranty.

Brand: Nikon


Focal Length Description: F= 4 ~5.6 f=55 ~ 200 mm


Lens Type: Telephoto


Compatible Mountings: Nikon F (DX)


Camera Lens Description: 200 millimetres


Product Dimensions: 3.94 x 2.87 x 2.87 inches


Item Weight: 11.8 ounces


Item model number: 2166


Batteries: 1 Lithium Ion batteries required.


Is Discontinued By Manufacturer: No


Date First Available: June 17, 2003


Manufacturer: Nikon


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Feb 3 – Feb 6

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • A versatile, cheap telephoto. It works splendidly for a general-purpose lens.
*: black
There are faster, longer, and higher-quality lenses on the market. That's a no-brainer. You can find lenses that beat the humble 55-200mm f/4-5.6G in every possible respect. But that doesn't make this lens any less valuable in a startling lineup of lenses. It's an excellent performer all around at rock-bottom prices. It makes an amazing second lens for a beginning DSLR user, with no two doubts about it. Here's the breakdown. PROS + It's thoroughly manageable to carry. This lens is ridiculously light and reasonably compact for a telephoto zoom. If you get a chance to handle its bulkier cousins, the 55-300mm and the 70-300mm (or third party equivalents), you'll appreciate just how little the plastic 55-200mm weighs. It also takes up next to no space in just about any gear bag, whether you bought it or improvised. You know what they say about the best camera, right? Same goes with lenses-- if you didn't carry it with you, it's not doing you any good! Even with the hood, it's compact. + Versatile zoom range. The 55-200mm reach gives you the ability to take shots while walking around without trouble. The wide end (55mm) is a medium telephoto in DX terms, but you can still be reasonably close in before having trouble fitting something in the frame. 200mm isn't going to get you near exotic wildlife, but you'd be surprised at how well you can grab birds or other small creatures with "just" 200mm. With the increasingly high-resolution sensors DSLRs are fitted with, you're also likely able to crop inwards a bit further if needbe. + Quiet. Focusing and vibration reduction are both very discreet, enough so that I'm more than comfortable using this lens during events. Audible? Sure, but not enough to bug anyone more than your standard shutter. Speaking of vibration reduction though... + Vibration reduction. It works. And it's completely worth it. You must remember that you're still going to get subject blur at lower shutter speeds, but for all intents and purposes I've been able to forget about handheld shake for daily shooting with this lens. It's really quite remarkable. On the other hand, don't think you're going to be doing much shooting during a car chase or anything. + Image quality is excellent. The lens is sharp with no particularly nasty characteristics, and no distortion that can't be fixed by your average post-processing RAW developer (or indeed, in-camera JPEG correction). + Beautiful compliment to the 18-55mm kit. Its aperture at the wide end (f/4) handily beats the kit lens' f/5.6, which can give you a little more breathing room if you need it without overlapping enough to make the kit lens superfluous. + Precise build and functional, tactile controls. The zoom ring is well damped, not prone to creeping, and turns with a great degree of precision for such a cheap lens. Sure, the manual focusing ring is tiny, but if you do need to use it I've found it works just fine (although a bit on the looser side). Infinitely better than the kit 18-55mm's ring, in my opinion. + Internal focusing. The lens doesn't extend unless you want it to, and the filter ring doesn't mess about if you're into polarizers or graduated ND filters. + 52mm filter size. This makes it a great companion to the kit lens (you can swap filters), and it's a common size that's easy to provide for. + Autofocus doesn't mess around. The lens isn't any more prone to hunting than you'd expect, and usually locks on quickly and silently. CONS - Focusing ring is a bit slim. If you do really want to take advantage of manual focus, you'd be better served by a lens that's ergonomically designed for it. In a similar fashion, - Dedicated manual/autofocus modes. Nikon's more expensive lenses (or their newer primes) generally have a M/A mode which allows you to override the autofocus by simply grabbing the focus ring and turning. This lens requires that you switch the lens into manual before you make such adjustments (at the risk of damaging the lens otherwise). - 200mm maximum reach means that more distant subjects may leave you wishing for "just a little more." That said, take this with a grain of salt-- I upgraded to a 300mm lens recently, and while I appreciate the additional range it's hardly a revolutionary change. - Slower speeds. It's an f/4-5.6 lens, so it's not going to be pretty if you're shooting indoors or at night. Your camera will need to have a solid higher ISO performance if you want these kinds of shots; even with vibration reduction, you'll either hit the VR system's limits or run into subject blur unless you can shoot at at least ISO 800/1600. This lens was my second, and while I've moved on since I will miss it dearly. Amazing lens and a wonderful, wonderful place to start with photography. ... show more
Reviewed in the United States on June 26, 2014 by Gale Lee
    • Best performing lens for its price
*: black
Obviously, I did not give a rating of 5 because this lens is the best lens ever, but because it's quite a deal for its price. If I could, I'd give it a 4.5. If you bought a Nikon D40/40x/60 with an 18-55mm lens, this should logically be your next choice. First, here are the cons: 1. Painfully slow (aperture of 4) 2. Slow AF - it takes just a slight but noticeable second longer to auto focus compared to an average lens (55-200 is not exactly ideal for shooting sports, especially if you're using it with D40/D40x/D60). 3. Build quality - the first impression of this lens is that it feels and weighs super cheap... probably because it is. Light weight is not necessarily a bad thing, though it does take away the enthusiasm when you wait a week for your lens to come to find out that it feels and looks cheap. But on the bright side, with all else being equal, lighter is (almost always) better and convenient. The only real annoying problem out of the three is the aperture, so my advise: get a flash. This obviously isn't a complete "solution" but hey, if you don't have one, you need one anyways. If you have one, then you shouldn't have problems exposing the pictures correctly despite the low aperture. If you have a problem with slow AF and cheap build quality, just live with it. AF isn't all that slow. Besides from these problems, everything else is great - I really didn't expect such a great quality from a 200 dollar lens. Barrel distortion is negligible, pictures are sharp (especially around the center), bokeh is beautiful, and I haven't noticed much chromatic aberrations or vignetting. It's got Vibration reduction that allows me to shoot about 2 stops lower (may be add another 1/3 more), it's got IF which is somewhat useless but cool to have because the size of the lens doesn't change as you focus. I mean, for 200 dollars, what more do you want? If you want to look for other options, you're probably looking at 18-200mm VR (about $650). Now, in my opinion, 18-200mm isn't all that great because it has a lot of distortion at 18mm, it's not very sharp around the edges and you may become annoyed with the lack of friction as you carry it around. Although there's no way to beat the convenience of 18-200mm, I would argue that the quality of 55-200 is better, at about 1/3 the cost ($210). If you're lazy or if you want to backpack in Europe with minimal equipment, then 18-200 would be your choice. But if you you want better pictures at lower cost, 55-200mm is the way to go. If you have money to burn? then well, you're a lucky bastard. 70-200mm is in a league that is completely different than 55-200, so it's not even worth mentioning. The 70-300mm VR ($479) seems like a good choice, especially if you bought the 18-70mm ($310)lens to begin with. But since I have yet to use a 70-300mm, I shall not compare it to the 55-200mm. CONCLUSION: great, great lens for its price. It's even better if you just bought an 18-55mm and you're looking for your first zoom lens. ... show more
Reviewed in the United States on June 5, 2008 by F. Paik
    • Versatile lens
*: black
Purchased this lens due to a recommendation from a photographer who has the same Nikon camera that I have. Very satisfied with my purchase and have already taken many awesome pictures. Looking forward to many years of using this lens for numerous occasions.
Reviewed in the United States on June 13, 2024 by Shelley

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