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Canon

Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed

    • Based on 5,133 reviews
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$349.00 Why this price?
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Availability: Only 1 left in stock, order soon!
Fulfilled by iPro Photo
Arrives Tuesday, Sep 24
Order within 10 hours and 11 minutes
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Style: Lens Only


Pattern: Single


Features

  • Standard focal length 50 millimeter lens is effective in a multitude of shooting situations and ideal for day-to-day shooting
  • Elements, Groups: 7 by 6, Diaphragm: Blades 8, Filter Thread: Font 58 millimeter. Minimum focusing distance: 17.8 inch
  • An f 1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
  • Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
  • 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
  • This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture
  • Lens construction: 8 elements in 6 groups, Filter size: 77 millimeter
  • Optimized for Digital super multi-layer coating minimizes flare and ghosting a common problem of digital cameras
  • The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations, including coma aberration, resulting in superior optical performance
  • The Hypersonic Motor (HSM) ensures silent, high speed auto-focusing as well as full time manual focusing capability

Description

Standard lens Featuring superb quality and portability. 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Filter size: 58 mm, Closest Focusing Distance: 1.5 feet. The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with 2 high- refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. Specifications. The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with two high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty. what's in the box Canon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. Specifications Focal length: 50mm Maximum aperture: f/1.4L Lens construction: 7 elements in 6 groups Angle of view: 46 degrees Focus adjustment: Overall linear extension system with USM Closest focusing distance: 1.5 feet Filter size: 58mm Dimensions: 2.9 inches in diameter and 2 inches long Weight: 10.2 ounces Warranty: 1 year

Brand: Canon


Focal Length Description: 50mm


Lens Type: Telephoto


Compatible Mountings: Canon EF


Camera Lens Description: 50 mm


Product Dimensions: 2.01 x 2.91 x 2.91 inches


Item Weight: 10.2 ounces


Item model number: 2515A003


Is Discontinued By Manufacturer: No


Date First Available: March 22, 2006


Department: Default Category


Manufacturer: Canon Cameras US


Language: English


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Sep 24

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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View our full returns policy here.

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Top Amazon Reviews

    • Undeniable Results
Style: Lens Only Pattern: Single
At this point, this lens has such a strong backing that I'm just another voice in the wind. *If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.* Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet. It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!* It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock. It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography. It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother. And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur. Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's. The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's. The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies. Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open. So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed. ... show more
Reviewed in the United States on July 13, 2013 by Marcus Okun
    • Unequal perfection
Style: Lens Only Pattern: Single
I bought this lens after reading several reviews and trying to decide if the 1.8 vs the 1.4. I also decided to borrow a 1.8 and almost immediately I could see the difference. Using an aperture of 2.0 is clearly the best for sharp pictures. I have almost started to use this lens exclusively. I have taken some pictures that amaze me when reviewing on the computer. This lens is an absolute must for anyone armature or professional. This lens should be the first purchase when upgrading to new lenses. The essential addition to your kit. Pro: - Blohke is amazing. The aperture blades make wonderful octagons out of light and makes blurred water look incredible. - Sharp Focus is best at F2.0 but awesome at most f-stops. I cannot complain but I definitely keep it at 2.0 more often than not. - Quiet autofocus. This does not seem like much until you change out to another lens. Holy cow is it quiet. This can be a major advantage while taking video with your DSLR. - Cost (Pro and Con) is low for what you get. The quality of this lens from build to optics is definitely worth the price. It just feels solid compared to the 1.8. If you think that 300 is high for a lens then you will view this as a con but if you think of a lens as a long term investment into your profession or hobby then the 300 will pay off end dividends. Cons: - Autofocus can be touchy at lower f-stops and may require very very minor manual adjustments. It can be agrivating if you do not pay attention to where you want the focus but you should be able to adjust easily. - Cost but if this is a con for you then you are not investing in your photography. Overall: This lense is surpassed by none and should be in your camera bag. It's going to last you far beyond your normal lenses. It is going to be more reliable and better quality than any stock lens. Also remember that this is an EF lens and will be able to go from camera to camera unlike the EF-S lenses. If you ever move to a full frame from a cropped frame camera you will be able to use the lens and long lose your investment. ... show more
Reviewed in the United States on May 24, 2013 by Andrea & Anthony

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