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Canon

Canon EF 16-35mm f/4L is USM Lens - 9518B002, Black

    • Based on 469 reviews
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Availability: Only 2 left in stock, order soon!
Fulfilled by Wholesale Photo
Arrives Tuesday, Nov 26
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Style: Lens Only


Features

  • Full-time manual focus permits critical focusing precision, even in AF mode. Help provide excellent color balance
  • Rounded 9-Blade Diaphragm
  • Dual Pixel CMOS AF covers Approx. 100% Area with 1,053 AF Areas

Description

Delivering the ultimate combination of wide-angle, low- light performance, L-series optics and compact construction, the Canon EF 16-35mm f/4.0L IS USM Lens is a phenomenal complement to any EOS SLR Camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and 2 UD lens elements to minimize aberrations throughout the zoom range, plus optimized coatings to help minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16-35mm f/4.0L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 feet/0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16-35mm f/4.0L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere. Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR Camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and 2 UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 feet/0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere. Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and two UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere. From the Manufacturer EF 16–35mm f/4L IS USMDelivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and two UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere.SpecificationsFocal Length & Maximum Aperture: 16–35mm 1:4.0Lens Construction: 16 elements in 12 groupsDiagonal Angle of View: 108°10' – 63°Focus Adjustment: Inner focus system Closest Focusing Distance: 0.92 ft. / 0.28mFilter Size: 77mm diameter Max Diameter x Length, Weight: 3.3 x 4.4 inches, approx. 21.7 oz. / 82.6 x 112.8mm, approx. 615gMTF Charts

Brand: Canon


Focal Length Description: Wide Angle 16 to 35 millimeters


Lens Type: Wide Angle


Compatible Mountings: Canon EF


Camera Lens Description: 9


Real Angle Of View: 80.5 Degrees


Maximum Aperture: 4 f


Minimum Aperture: 22


Image stabilization: up to four stops


Compatible Camera Models: Canon EOS Rebel T8i, Canon EOS Digital Rebel XSi, Canon EOS Kiss X9, Canon EOS Rebel T4i, Canon EOS Kiss Digital X, Canon EOS 1100D, Canon EOS Kiss X8i, Canon EOS Kiss X4, Canon EOS Kiss X5, Canon EOS Kiss X2, Canon EOS-1D, Canon EOS Kiss X3, Canon EOS 3000D, Canon EOS 500D, Canon EOS 750D, Canon EOS Kiss Digital N, Canon EOS Rebel SL1, Canon EOS Rebel SL2, Canon EOS 350D, Canon EOS Rebel SL3, Canon EOS 2000D, Canon EOS 20D, Canon EOS 100D, Canon EOS 60D, Canon EOS 40D, Canon EOS-1Ds Mark II, Canon EOS Rebel T5i, Canon EOS 80D, Canon EOS Rebel T1i, Canon EOS-1Ds Mark III, Canon EOS 1200D, Canon EOS Kiss F, Canon EOS 7D Mark II, Canon EOS-1D Mark II N, Canon EOS 7D, Canon EOS-1D Mark III, Canon EOS Kiss X7i, Canon EOS 650D, Canon EOS-1D Mark IV, Canon EOS 5DS R, Canon EOS 250D, Canon EOS Kiss X50, Canon EOS 800D, Canon EOS Kiss X10, Canon EOS 77D, Canon EOS 400D, Canon EOS 4000D, Canon EOS-1Ds, Canon EOS 6D Mark II, Canon EOS Rebel T6i, Canon EOS Rebel T2i, Canon EOS 1300D, Canon EOS Rebel T6s, Canon EOS 6D, Canon EOS Kiss X6i, Canon EOS C100 Mark II, Canon EOS 760D, Canon EOS D60, Canon EOS Digital Rebel XT, Canon EOS Digital Rebel XS, Canon EOS Rebel T7, Canon EOS Rebel T6, Canon EOS 550D, Canon EOS Rebel T3, Canon EOS-1D X, Canon EOS 30D, Canon EOS 700D, Canon EOS Rebel T5, Canon EOS 5DS, Canon EOS 10D, Canon EOS 300D, Canon EOS 70D, Canon EOS 50D, Canon EOS Rebel T7i, Canon EOS Digital Rebel XTi, Canon EOS 90D, Canon EOS 1000D, Canon EOS Rebel T3i, Canon EOS-1D X Mark II, Canon EOS Kiss X9i, Canon EOS 5D Mark II, Canon EOS 850D, Canon EOS 5D, Canon EOS 5D Mark IV, Canon EOS-1D X Mark III, Canon EOS 8000D, Canon EOS Kiss X70, Canon EOS 5D Mark III, Canon EOS 60Da, Canon EOS 450D, Canon EOS D30, Canon EOS 200D, Canon EOS 600D


Photo Filter Size: 77 Millimeters


Lens Mount: Canon EF


Number of Diaphragm Blades: 9


Minimum Focal Length: 16 Millimeters


Lens Design: Zoom


Focus Type: Ring-type ultrasonic


Lens Fixed Focal Length: 35 Millimeters


Lens Coating Description: Fluorine Coating


Focal Length Description: Wide Angle 16 to 35 millimeters


Lens: Wide Angle


Compatible Camera Mount: Canon EF


Maximum Focal Length: 35 Millimeters


Global Trade Identification Number: 34


Model Name: 9518B002


UPC: 839228011716 013803240634


Brand: Canon


Camera Lens: 9


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Nov 26

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Amazing lens at a great price
Style: Lens Only
For me this is the perfect wide angle zoom. While it's still a decent sized lens it's light and small compared to it's 2.8 counterpart. The IS works amazingly well and it's even pretty damn sharp wide open.
Reviewed in the United States on July 12, 2024 by Keith Phillips
    • An ultra-wide zoom lens that is fantastic for landscapes
Style: Lens Only
I have owned and used the 16-35mm f/2.8L II lens for several years now. While it is a fantastic lens, I was never thrilled with its performance in the corners for landscapes, which for me was the primary reason for owning the lens. I switched to using the TS-E 17mm f/4L for landscapes and my 16-35mm f/2.8 usually just stayed in my bag - in fact I didn't even bring it along on my last photo trip. Now with the release of this new 16-35mm f/4L IS, my camera bag will always contain an ultra-wide angle zoom lens. I plan on making it my go-to landscape lens, and probably will only use the TS-E 17mm lens when I actually need the tilt or shift. This lens plus a 70-200mm f/4L IS will likely be the only two zoom lenses I carry for photo trips. The image quality is nearly prime like - I see little to no difference in the corners between this lens and the TS-E 17mm (without tilt or shift), even wide-open at f/4. Image quality in the center is fantastic, but the center was never a problem with any of Canon's ultra-wide zoom lens. Corner quality in their other ultra-wide zoom lenses have always disappointed, but this lens reverses that trend, delivering excellent image quality across the frame. Photos are sharp and contrasty, in the center and in the corners. If you are familiar with Canon's other recently released zoom lenses, such as the 70-200mm f/2.8L IS II or 24-70mm f/2.8L II, you can expect similar results from this lens - fantastic. Like most zoom lenses, there is some distortion at the extreme ends of the range - slight barrel distortion at 16mm and pincushion at 35mm, while there is almost none around 24mm. The amount of distortion appears to be similar to the 16-35mm f/2.8L II. Generally I have not found distortion to be a problem photographing landscapes with the f/2.8 lens, so this lens should perform similarly. Distortion can be fixed in software, but usually comes at the cost of a slight crop along with some loss of image quality. The 16-35mm f/4L IS has a 9-bladed aperture, which will result in 18-point stars from specular highlights (such as the sun) when using narrow apertures. The 16-35mm f/2.8L II has a 7-bladed aperture, which results in 14-point stars. Which is preferred is subjective, but generally I prefer more points on specular highlights. More blades on the aperture also improves bokeh ball look when stopped down, but on such a wide angle lens, only photos at the closest focusing distance have a chance of producing any sort of significant bokeh, and will be even less likely when stopped down. As most of my landscape photos are taken from a tripod, since I often take long exposures or multiple exposures for HDR, the IS will likely not benefit many of my photos. However, I will be glad to have IS when hiking and stopping to take a quick photo. For any single exposures, a tripod will no longer be needed. Build-quality of this lens is typical of most L lenses - excellent. It is very similar in look and feel to the 24-70mm f/2.8L II or 24-70mm f/4L IS. The body is plastic instead of metal, but it has a very solid feel and likely allows the lens to be a little lighter and cheaper vs. using a light metal such as magnesium. Like other recent Canon L lenses, it the hood features a finish that is less likely to show scratches and has a lock to ensure the hood cannot accidentally rotate. The hood on the 16-35mm f/2.8L II was very wide and took up a lot of bag space, so I often found myself leaving it at home. The hood on the 16-35mm f/4L IS is narrower, more like the hood that comes with the 24-70mm f/2.8L II. I predict I will actually be using the hood that comes with this lens. The fluorine coating on the front element will be a welcome addition to those that prefer not to use filters. Water and dirt wipe off much easier compared to lenses without a fluorine coating. I usually carry some Zeiss alcohol wipes to keep my gear clean. Remember that a filter is required to complete the dust and water resistance, so be sure to use a protection filter when using the lens in dusty or moist conditions. Those looking to stop motion, such as event photographers, may still want to buy the 16-35mm f/2.8L II, since IS is not going to replace that f/2.8 aperture. Otherwise the 16-35mm f/4L IS has better image quality, image stabilization, and costs less, so there's little reason to consider the 16-35mm f/2.8L II. The 17-40mm f/4L lens is cheaper than this lens, but lacks IS and also suffers from poor corner performance and vignetting. While the focal lengths are similar, I would also prefer having the extra 1mm at the wide-end (which is significant at wide focal lengths) over the extra 5mm at the tele-end. If you can afford it, buy the 16-35mm f/4L IS. I have long felt that an ultra-wide angle zoom lens that was fantastic for landscapes was missing from Canon's lineup of lenses. I am happy to say with the release of this lens, that is no longer the case. ... show more
Reviewed in the United States on July 1, 2014 by Trowski
    • So many good things to say, but I'll try to summarize
Style: Lens Only
I have used this lens on a bunch of jobs including a small bathroom and I love this lens. My only complaint is that at 16mm the angle is so wide I have a hard time hiding my lights! The chromatic aberration control is fantastic! the best I've seen—not that I've seen every lens for every system—, but this lens is really an interior/landscape photographers dream. The transition between extreme contrast situations like sun beaming through a window is controlled incredibly well. It is a sharp lens and it is sharp all the way to the corners, getting only a little softer in the corners. And the distortion is well controlled as well with some barrel distortion at 16mm and some pin cushion at 35mm, but very reasonable. It has the more standard 77mm diameter which means you can swap filters with your other "L" series lenses. It feels well built, it should be, it is an "L" lens. The hood is awesome too. So much easier and more elegant than other hoods that I have for other "L" lenses, seems like a small thing, but why didn't Canon do this before? I can't explain why I like the button feature on the hood so much, but I do, it just goes on so smoothly and then it locks into place, love it! This lens is a bit expensive compared to some other competitive lenses, but if you care about the things I mention above, paying an extra $400–$500 is well worth it. If you're just getting into wide angle, landscape or interior photography you might want to look at some of the less expensive lenses out there. There are some with a lot of fanfare which I seriously considered, but after using many other wide angle lenses including Canon's 14mm prime I settled on this one. There are some primes out there that are better than this lens, but primes should be better, although I didn't love the 14mm as much as I thought I would. I wanted the zoom for that little bit of flexibility that it offers. In interior photography there are only so many places to set up your tripod and gear and being able to zoom in or out just a little is well worth the trade off. Also the fact that you can use filters on a lens this wide is a huge bonus. I like this lens a lot, but it's not for everybody. I think that Canon priced this lens fairly, although I would like it better if it was around $900. I'm very happy with this lens and would highly recommend it! ... show more
Reviewed in the United States on December 8, 2014 by Julius Caesar

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