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Tokina at-X PRO 12-24mm F4 DXII Lens - Canon AF Mount

  • Based on 53 reviews
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Availability: Only 2 left in stock, order soon!
Fulfilled by Willoughby's Established 1898

Arrives Feb 13 – Feb 15
Order within 17 hours and 4 minutes
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Features

  • 12-24mm focal length
  • f/4 to f/22 aperture
  • Multi-layer coatings
  • Rotary type zooming system
  • Designed for digital cameras with APS-C sized CMOS and CCD sensors (DX)

Description

Tokina Lens AT-X124ProDX Mark 2 (Canon) Tokina Lens AT-X124ProDX Mark 2 (Canon)The AT-X 124 AF PRO DX lens is Tokina's first lens designed for use exclusively on Canon and Nikon Digital SLR cameras having an APS-C sized sensor.This lens gives the Digital Photographer an ultra wide-angle zoom lens that has the equivalent of an 18-36mm zoom range on a 35mm film camera while maintaining a bright constant aperture of f/4.Specifcations:Focal range: 12-24mmMaximum aperture: F/4 Minimum aperture: F/22Optical construction: 13 elements in 11 groups Coatings; Multi layerAngle of view: 99 degrees - 61 degreesMinimum focus distance: 11.8 ins Magnification ratio: 1:8 Zoom system: Rotary type zoomAperture blades: 9Filter size: 77mmDimensions: 84mm diameterDimensions: 89.5mm lengthWeight: 540gLens hood included: BH-777 Star bayonetFeatures:Non-Rotating Filter ThreadNon-rotating 77mm filter threads mean special effect filters will not change when the lens' focus is changed. One Touch Focus ClutchFast internal focusing with Tokina's One-Touch focus clutch mechanism allows the lens to AF focus faster and switching between auto and manual focus is as easy as snapping the focus ring back and forth.Automatic Correcting of Aspherical Abberation2 sharp-cut aspherical elements accurately correct aspherical aberration usually associated with ultra-wide angle lenses.Wide ApertureBright, constant f/4 aperture allows plenty of light to enter the camera for shooting in a wide variety of photographic situations.Materials Chosen for Ease of UseChrome plated brass mount plate and all-metal zoom unit can stand up to regular use while advanced polycarbonate outer lens barrels reduce the weight of the lens.Tokina Optical TechnologyAspherical OpticsA standard lens is made up of a combination of spherical lens elements. Individual "lenses" within the lens are commonly referred to as "elements". A spherical element has an even curve to the surface of the glass. However, there can be problems with such elements; light entering the center of the lens and light entering at the edge may not be perfectly focused at the same point. This is called spherical aberration. More advanced computer assisted optical designs are creating lenses with more spherical elements. More spherical elements within a lens means a greater risk of spherical aberration having a negative impact on optical quality.Wide-angle zoom lenses and wide-angle lenses with large apertures are especially at risk for spherical aberration.To eliminate spherical aberration, Tokina employs aspherical all-glass elements in many of its optical designs to correct this problem. The aspherical shaped surface of the lens element focuses light rays entering both the center and edge of the element correctly at the film plane for an accurately focused image. In addition to correcting spherical aberration, these elements fully correct light quantity and distortion at the edge of the image and provide excellent results when used in combination with a floating element design.Through a close collaboration with Hoya Corporation, the world's largest optical glass manufacturer, Tokina has succeeded in producing high quality precision molded all glass elements with a greater aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.F&R AsphericalThis lens, the AT-X124 AF PRO DX encompasses Tokina's new F&R aspherical molded glass elements. These give outstanding performance with very even illumination in the corners and correction of spherical aberration across the image area.SD Super Low DispersionWhen standard optical glass is used in telephoto lenses, a phenomenon called chromatic aberration can occur. Chromatic aberration is the inherent tendency for glass to disperse (separate) a ray of light into the colors of the rainbow. The rainbow effect created by a glass prism is the most dramatic demonstration of chromatic aberration. In lenses, it is much less pronounced, but still creates slightly out of focus colors, akin to an "optical noise" that has a negative impact on the quality of the picture. To eliminate chromatic aberration, Tokina employs expensive, special glass material having super- low dispersion (SD) properties.Lenses in the Tokina line-up with the SD mark incorporate these Super-Low Dispersion glass elements, minimizing the secondary spectrum or optical noise caused by chromatic aberration.HLDTokina's wide-angle and standard zoom lenses feature a higher quality of optical glass known as Tokina HLD (High-refraction, Low Dispersion) glass. Having higher refractive index and lower dispersion properties, HLD glass is far less likely than standard optical glass to create lateral chromatic aberration, which is often a problem with conventionally designed wide-angle lenses.Multi-CoatingReflections off the surface of lens elements are the enemy to any photographer and to every lens manufacturer. They are reduced or eliminated by bonding multiple layers of a transparent anti-reflection chemical to the surface of the glass. Tokina has developed and perfected a unique coating technique for all of its optics so that they will maintain faithful color reproduction and render clean, sharp images.Mechanical TechnologyFloating Element SystemWhen designing a lens, Tokina calibrated its astigmatism at all points between minimum focus distance and infinity so that it will give the best image results at all settings. However, when there are large differences between the focus limits, effect calibration is not possible. A floating element system incorporates optical elements that move in proportion to the focus setting of the lens. This allows astigmatism to be corrected. Many Tokina lenses employ floating element systems to provide optimum correction of astigmatism from minimum focus distance to infinity. Internal Focus SystemThe two most used methods of focusing a lens are either the complete straight forward movement of lens elements (used mainly with single focal length lenses) or the rotation of the entire lens barrel group (used mainly with zoom lenses). The internal focusing system used by Tokina move each element group within the lens, but does not change the overall length of the lens. This is especially useful with telephoto designs.The internal focusing system has a number of advantages including;Faster focusingImproved handling due to fewer movements near the center of gravityMore compact lens designsSuperior use of filters because the barrel with the filter thread does not rotate.Focus Clutch MechanismTokina AT-X PRO series lenses all feature the patented "Focus Clutch" Mechanism for switching the lens between auto focus and manual focus modes.The manual focusing ring can move (be snapped) back and forth between an AF and MF position. When the focusing ring is forward in the AF position, it is not engaged to any of the internal focus gearing and will turn freely. Without the added weight of the metal ring the camera can auto focus the lens more quickly and smoothly.For manual focus, simply rotate the focus ring all the way to one side or the other on the focus travel, either infinity or it's closest focusing distance, then pull back (towards the mount plate) on the manual focus ring. While pulling back, rotate the ring from one side of the focus travel to the other. When the gears align, the focus ring will snap back into the MF position and the lens can be focused manually.


Product Dimensions: 5 x 5 x 4 inches


Item Weight: 1.13 pounds


Item model number: ATX124DXIIC


Is Discontinued By Manufacturer: No


Date First Available: June 17, 2003


Manufacturer: Tokina


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Feb 13 – Feb 15

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • TOKINA 12-24MM WIDE ANGLE
Please let me be brief in my conclusions concerning the TOKINA 12-24MM F/4... This is the first TOKINA piece of glass that I have owned. My first impression was that in appearance it looks very much like a Nikon. It's handsome in appearance and build quality appears to be superb. I immediately got the feeling of holding a precision instrument and I like that. While some plastic is used, it can't be much judging by the weight of this lens, but it is not overly heavy. Fit-up when mounted to the camera (40D) is as good as anything I have from Canon. I found the zoom and manual focus rings to operate smoothly. As far as operation goes...this lens has no switch to change from manual to auto focus, you simply pull the focus ring back and manual focus engages without having to hunt for any precise spot. Return to Auto by pushing forward. It snaps smartly in and out. I like this arrangement on a wide angle because when using auto-focus on a lens with a wide field of view, sometimes your auto-focus will lock in on an area other than your intended subject and when this happens you can quickly and smoothly make the transition to manual and adjust without fumbling for switches or removing your eye from the viewfinder. I might add that this lens seems very easy to focus accurately in manual and I have found it a pleasure to use and on occasions I just left it in manual for the entire shoot. I really have no issues with the auto-focus. It is spot on at least 95% of the time and gets there quickly and smoothly. Low light performance may be a bit more sluggish but I think focus performance on anyone's lens in low light is dependent upon a lot of variables. Speaking of low light, I have not found the F/4.0 to be a great handicap for shooting in low light situations within reasonable limitations for this aperture (wide angles gather a lot of light), but you still can't defy the laws of physics which means if you have the need for speed, this is not your lens. With this lens' 77mm objective, and using standard rather than slim filters, and shooting wide open, I have seen no vignetting. Field curvature becomes mildly apparent down near 12mm but the lens does a good job of maintaining a rectilinear perspective (this lens is no fish-eye). Image quality is a paramount concern to me and I have not been disappointed. Center of frame is sharp as a tack most always (in fact, better than some of my L glass) and occasionally there is pronounced softness near the corners and at the extreme left and right sides of the frame. Some of this I view as typical of wide angles with a view as broad as this one and I have found that it is not always present in every shot (at least not to a high degree). Much (in regard to what this or any wide angles IQ is) is dependent upon variables that the user can learn to control (to some degree more/less) so as to achieve the desired effect. Concerns of distortions related to Chromatic aberrations and flare have been voiced about this lens and this is a tendency of this glass but maybe more-so than would be typical with other wide angles. I have (by experimentation) concluded that much of these can be reduced or eliminated by the use of good quality coated filters along with following basic rules of photography. I'm certain that I can make any lens I own flare if I tried hard enough, so don't shoot into the sun, think about your shot before you pull the trigger, and this lens will produce fine images for you. I have used Canon products since 1973 with few exceptions and have had wonderful results. Today, it's a new world that's filled with many smart people who have at their disposal superior manufacturing techniques and the finest materials ever. You have to step back and ask yourself, What do I really require to achieve my objective and what will I spend to do it? TOKINA has impressed me. I have had a lot of fun with this lens and have out-rightly been amazed with the quality of it's images. I hope to see them add more glass to their line because in a world of compromise, TOKINA'S 12-24mm is not in first place, but in my opinion they are damn well ahead of whoever is in second place and for a very reasonable price. ... show more
Reviewed in the United States 🇺🇸 on October 15, 2010 by Danny Danny

  • Very cool lens
Owned lens for about a week, here are my initial thoughts: When shopping it was between this lens, Canon 10-22, Tokina 11-16 2.8, and the Sigma 10-20 f4-5.6. I really don't think I could have gone wrong with any of them, and it really comes down to price. I use a canon 60d, so cropped sensor. 12mm is plenty wide for interior shots and in tight spaces, and the 24 on the long end is pretty much distortion free/useable for portraits. Although 20mm seems close enough, those 4mm are noticeable, but its not a night and day difference. Build quality seems very good, although the manual focus push/pull mechanism is a little weird, and feels like it'll probably break if you switch back and forth too much or if you force the ring. It seems to have a 'sweet spot' where the clutch will go snag free from auto to manual focus. But if you're rotated off that sweet spot you'll have some resistance and the ring will move over a bit before it falls into place. Zoom is very smooth and controlled. While the constant f/4 is pretty cool, I don't think I'd miss it if I got the variable aperture Sigma f/4-5.6. I end up either stopped down a little bit, or cranking ISO indoors anyway. For indoors, the 11-16 f2.8 would have been beneficial, even with its limited range. I find colors to be accurate, there is obvious color fringing like all reviews point out. Its easy to ignore though, or correct in post. And also in line with reviews, the lens is sharp corner to corner. Moving close to objects at f4 will create smooth bokeh, but I've found it more distracting than useful in some instances. I thought the extra 4mm and constant aperture put this slightly ahead of the Sigma 10-20 in terms of useability, and the broad zoom range put it ahead of the 11-16. In practice, I find that 22mm is enough on the long end, although an extra 2mm would be beneficial on the short end (Sigma 10-20/Canon 10-22), and f4 really isn't that fast, leading to high ISO anyway (constant aperture benefits over the Sigma and Canon aren't really noticeable benefits, however the Tokina 2.8 would be great). The constant aperture benefit is definitely there if you do video and zoom in and out with your video. I tend to stay with a focal length and move around though. Focus is pretty quick (I use center point focus). Compared to my 50mm 1.8 its lightning fast! Focus is also pretty quiet. What finally made my decision was finding the 12-24 under 400 bucks. I was about to start flipping coins to make my decision... These UWAs are so close, and all the pros and cons offset each other. The Tokina's are sharp, but have CA, while the Sigma and Canon are softer, with better controlled CA. The 11-16 is the fastest, it also has the smallest range. The Canon has the perfect useable range (IMO) but costs a good 200 bucks more than the 12-24 and 10-20. The Sigma 10-20 and Tokina 12-24 are the compromise lenses, and honestly don't think you could go wrong with either. The internet complains of Sigma quality control though, but their customer service appears to be top notch. So whatever you end up doing, it won't be wrong, and good luck! ... show more
Reviewed in the United States 🇺🇸 on February 25, 2014 by Alex

  • Great Ultra Wide Choice
Prior to purchasing this lens I was torn between the Tokina 11-16mm f/2.8 & the extra range of their 12-24mm. The idea of having a f/2.8 vs this f/4 was certainly appealing, but being limited to only a 5mm zoom range caused me some concern. Either lens, while great in their own right, have their individual physical limitations. After mulling the options for a month or so, I chose to give up the 1mm wide & gain the 24mm range on the long end. There's no doubt that the Tokina 11-16 is a very fine lens, but this lens is amazingly sharp, solidly built and produces exquisite images on my Canon 60D. I'm certainly glad I opted for this lens & so far haven't missed the 1 extra stop. Under most circumstances this works well as a walkaround lens, but I wouldn't feel that way if not for the 12-24mm range. As terrific as this lens is, I can't imagine how the even more highly rated 11-16 could outperform this beauty. Fast accurate AF, beautiful saturation & very nice contrast...this truly is a great lens. ... show more
Reviewed in the United States 🇺🇸 on September 4, 2012 by Irish Mike

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