Search  for anything...

KZ ZS10 Pro, Linsoul 4BA+1DD 5 Driver in-Ear HiFi Metal Earphones with Stainless Steel Faceplate, 2 Pin Detachable Cable (Without Mic, Black)

  • Based on 8,991 reviews
Condition: New
Checking for product changes
$49.99 Why this price?
Save $19.99 was $69.98

Buy Now, Pay Later


As low as $8.33 / mo
  • – 6-month term
  • – No impact on credit
  • – Instant approval decision
  • – Secure and straightforward checkout

Ready to go? Add this product to your cart and select a plan during checkout. Payment plans are offered through our trusted finance partners Klarna, PayTomorrow, Affirm, Afterpay, Apple Pay, and PayPal. No-credit-needed leasing options through Acima may also be available at checkout.

Learn more about financing & leasing here.

Selected Option

Free shipping on this product

This item is eligible for return within 30 days of receipt

To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.

To initiate a return, please visit our Returns Center.

View our full returns policy here.


Availability: In Stock.
Fulfilled by Amazon

Arrives Saturday, Sep 21
Order within 5 hours and 42 minutes
Available payment plans shown during checkout

Size: Without Mic


Color: Black


Features

  • Upgraded 4BA+1DD Hybrid Earphones&Magnetic Dynamic Unit. As an upgraded version of KZ ZS10, the Pro features self-customized balanced armatures which includes two 30095 drivers for high frequency, two 50060 drivers for mid frequency. With this configuration, the sound is transient, dynamic and bright in all respects. While maintaining the previous performance, the high frequency of this model is extended to beyond 40kHz. It also adopts the second generation Tesla double magnetic dynamic unit
  • Exquisite Craft. The faceplate is made of 304 stainless steel while the cavity is made from imported resin. The two different material not only presents an elegant look and shimmer but also be practical and durable. The detachable gold-plated 2 pin cable offers fully upgradability and the limit slot protection design greatly avoids the pin from breaking and prolongs the service life of the interface
  • PCB Frequency Dividing Board. The PCB board is added to give full play of all the drivers, displaying a smooth, sensible, detailed music experience. The ZS10 Pro overall has dynamic low frequency and bright resolution. It fully reflects the cohesion of balanced armatures
  • Ergonomic Design&Noise Canceling . The cavity is made based on large data of cochlea. Its scientifically molded to fit the ear like an customized earbuds. Even with vigorous exercise, it will still securely fit in the ear. Comfortable for long time wearing as well. Because of the special design, it can effectively isolate the noise to 26dB to offer a better experience while enjoying the music
  • What You Will Get? Linsoul Audio is the legal distributor for KZ products. All products are authentic and genuine. Please rest assured that we will stand behind our product with 1 year warranty and if you have any questions or concerns, please contact our 24 hours easy-to-reach customer service. Please note that the original cable is always the OFC cable in brown color.

Package Dimensions: 3.9 x 2.87 x 1.26 inches


Item Weight: 2.11 ounces


Item model number: KZ ZS10 PRO


Date First Available: April 11, 2019


Manufacturer: Linsoul


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, Sep 21

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

  • Klarna Financing
  • Affirm Pay in 4
  • Affirm Financing
  • Afterpay Financing
  • PayTomorrow Financing
  • Apple Pay Later
Leasing options through Acima may also be available during checkout.

Learn more about financing & leasing here.

Top Amazon Reviews


  • A nice step up from the KBear KS2
Size: Without Mic Color: Dark Black
First impression is that this is a clear step up over the KBear KS2, which I used mainly previously. I don't have the terminology of an audiophile, so all I can really say is that it's got a fun sound that is roughly comparable to the aforementioned KS2. Right off the bat, I did not use the stock cable. Already had a better one, which I immediately went to after seeing the included one; it looks very thin and cheap. Whether or not that affects SQ I do not know. As I write this, I am using a silver-plated copper balance cable I bought for $20. I may yet try the stock cable and update the review accordingly, but I expect it won't make a difference anyway. Fit is the best I have had for an in-ear, very easy to seat snugly and get a good seal compared to my KS2 and my 7Hz Timeless. I would compare this to the timeless, but it being 4x the price already sets it far above this IEM (though I do have some issues with using it; gives me a headache without fail a couple minutes in, YMMV others have not reported it). I have no complaints about the included tips, I ran with what was already on them and have not had fit issues. Again, easy for me to get a good seal compared to my other in-ears. YMMV. Looks-wise, the earbuds themselves also look a good deal better than the KS2. The black plastic face-plate and the tinted, see-through housing both look just fine for the price point; nothing to complain about here. Unless you count the cable, which as I said looks very thin and cheap. The KS2 cable seemed much better, though it was pretty ugly as well it appeared nicer than this one. The following is an attempt to describe some of the aspects I have seen others describe, who are much more deep in this hobby than I am. First off, my most fair comparison is the KBear KS2 as I have mentioned already. Compared to that IEM, it is easier to pick out details with these to my ears. I suppose they call that instrument separation. It is quite good in that regard. As for sound stage, which is how supposedly wide-open it feels, it is perhaps slightly better than the KS2. Audio is forward sounding, as opposed to all around you. I barely even needed to adjust my volume plugging this into my BTR5, which tells me it is nearly identical to the KS2 in terms of the power it needs to be driven. Pretty standard for IEMs, they are always easy to drive. You should be fine with an apple dongle or similar. On to the terminology I am less sure about using. This IEM sounds like it is a pretty standard V-shaped tuning, as you get with a lot of the more fun sounding stuff. Punchy bass, ordinary mids, high treble. The quality of the sound is markedly improved, not just in instrument separation, but in the sound itself. I believe you would call that clarity. Guitars, high hats, cymbals, all sound a lot better with this compared to the KS2. The bass is punchy without being what I would describe as woofy. It doesn't sound distorted, and it doesn't appear to bleed much (if at all) into the mid-range. I can hear the actual bass instruments, as opposed to just hearing bass noise like with my car speakers. Mids seem just fine, not what I would call recessed; though I do not know if I am using that term correctly. Highs are where the big improvement comes to my ears, I feel like this is the area I usually get the most fatigue from longer listening sessions. Detail in the top end is very noticeably improved, I especially notice it in high hats and such. Much smoother sound, more detail. I am no critical listener by any means, but the difference between the high hats on a cheap pair of "gaming" headphones and something like my Meze Empyreans is astronomical; on the gaming headset they sound almost crunchy, the texture of the sound being completely mangled. There is an elemt of that to the KS2, and it is much better on these IEMs. Still obviously can't compete with the Empyrean, but that is a whole other class of audio equipment. High hats just sound much more natural. This enhanced SQ in the top end seems to be much less fatiguing for me. TL;DR: Overall, I wish I had sprung for these over the KS2 as I consider these a straight upgrade for my ears. Same fun sound signature, but with better instrument separation, better clarity, better fit, better looks. Bass is more detailed, treble as well. Decent sound stage, about what you expect for this form factor. Only real downside is that cheap looking stock cable; luckily, you can switch that out if you hate how it looks (or sounds, if your ears can hear the difference). ... show more
Reviewed in the United States on October 12, 2022 by Loki

  • The sound should be in a headphone, not an IEM
Size: With Mic Color: Black
I stumbled upon the KZ ZS10 Pro, as I saw a review of this brand on YouTube. In addition, I saw several different models, which various reviewers showed. I was surprised to hear about how great this brand was. Previously, I had never heard of KZ before. Not to mention, I was shocked by the price tag. I was also impressed by the presentation AND the specifications. I figured I would give these a try. DESIGN/FEATURES: The ZS10 Pro has 10mm double magnetic drivers, which is large for IEMs. The frequency response is 7-40,000hz, which is Hi-Res Audio. That is impressive, as most IEMs, earbuds, and some headphones are 20-20hz. Surprisingly, most headphones or sets do not have that kind of frequency response, such as 40,000hz. The sensitivity is 111 dB with an impedance of 30 ohms, which is high for such a small device. The ZS10 Pro comes with 10 (5x2) hybrid drivers, two 30095 BA (Balanced Armature) Drivers for high frequency. Then, two 50060 drivers for mid frequencies and a DD (Dual-Driver) for low frequency. The ZSX housing is made of zinc alloy. The ZS10 Pro housing has a shiny, mirror-like, 304 stainless steel faceplate. However, it is a fingerprint magnet. The body is made of a semi-transparent resin, which is clear enough for the driver and the “guts” to be seen. Included are four additional and interchangeable ear tips. The ear tips are made of silicone. There are medium ear tips on the IEMs by default. The ear tips fit snug inside my ears, along with the support of the OFC cable, covered by plastic, which can wrap around the ear. No worry about them slipping out. The bronze OFC cable is high-quality and detachable. There is a Y-splitter, which is made of rubber. Also, there are angled, gold-plated, 0.75mm IEM pin connections within a transparent resin. By default, the IEM connectors are not attached to the earpieces. Therefore, they will have to be installed. This can be tricky. I found out the hard way. I figured it out, however. First, look on the side of the transparent resin of IEM connectors for the L and R. However, the letters can be a bit hard to see because it is etched in a transparent material. Anyhow, make sure the L or R is facing outward. The R will be the cable with the mic. Then, connect the earpiece to the IEM connectors. The faceplate should also be facing outward. The ear tips should be at the bottom, facing the ear. Now, they will ready to listen to, properly. BASS/MID-BASS/SUB-BASS: Wow! I have never heard a more fun sound device. The bass of the ZS10 Pro is second-to-none. The bass is aggressive, clean, controlled, deep, fast, thunderous, tight, and very, VERY punchy. The punchiness of the bass is like hearing boxing gloves against a punching bag. Despite that, the bass remains clear, so it does not bleed into the mids. The bass is not muddy, either. Out of curiosity, I tested the performance of the ZS10 Pro while playing various shooters on PS4 Pro. The first test was done while playing Call Of Duty WWIII played. The most impressive thing was hearing how loud and clear the explosions were, nearby. Once, I used a Glide Bomb killstreak, which landed on top of an enemy close to my position. All I could hear was a loud and clean boom with a thunderous, sub-bass rumble. Hearing multiple explosions is heavenly to the ears. Once, a teammate used an Artillery Barrage killstreak. I was in awe of how the explosions of those artillery rounds landing on the ground, gave a surprisingly, clean, loud, and punchy, boom. The aftermath of the explosion made a nice, thunderous rumble. In other words, the sound is similar to the sound of a subwoofer. HIGHS/MIDS: The sound is bright and unbelievably superb. Sounds are crystal clear, clean and VERY balanced, overall. The treble highs are nice. No distortion. Very little sibilance on those high sounds. Playing Call Of Duty Black Ops 4 is a good test. Gunshots are loud but clear. Each time bullets hit, there a slapping sound, which follows with a loud, SQUISH, when a kill is achieved. I found having the volume high while hearing this sound can be harsh of the ears. Of course, not so much, with the volume at a normal level. Hearing the high end of female voices sound great. Hearing the female voices from characters in WWII was one thing. Hearing them on Call Of Duty Black Ops 4 is another. Hearing my character, Battery’s voice lines sound great. “Cluster grenade, enjoy!” “Splash!” “Dropped!” “All right, boom time.” “All talk!” “Doggone!” Those are some of my favorites voice lines. Once, Battery ran inside of an open-ended bay of the Summit map. Battery said a voice line, while outside of the bay. Then, her voice became magnified, as she entered the bay. Plus, there was an echo of Battery's voice. The authenticity of the echo was unbelievable and nearly, scary. This was a good example of a transition between mid to high sounds. IMAGING/SOUNDSTAGE: The ZS10 Pro has good imaging and soundstage. These handle directional sounds, exceptionally well. During matches, I could still, hear the dialogue of nearby teammates shouting out the location of enemies, and other random sounds, throughout the map to the left and right of me with precision and clarity. I knew what was going on around me and where the action was taking place on the map. It seems the sound magnifies when sounds are going on in a different direction. For example, each time my character looks in one direction, the sound increasingly amplifies in the direction, where things are going on, such as gunfire and explosions. Of course, I would hear less, where fewer actions were taking place. If my character, looks straight ahead, all sounds can be heard, equally. LOWS: The lows are great, as they pick up subtle sounds with no effort. I am hearing sounds, which I could barely hear with other headphones, such as the breaking of glass from afar, breakage of pottery, or bullet casings hitting the floor. Then, there are detailed sounds, such as the unbelievable sound of crunching, as my character was trampling through the deep snow, cracking of the ice or sounds of moving water, while swimming on the Icebreaker map. Of course, I am sure, some are wondering about footsteps. Well, the ZSX, picks up footsteps on Call Of Duty, quite nicely. There have been times, where I was able to hear footsteps of enemies coming after me. Then, as they got close, I was able to get in a good position to get the drop on them. MIC: The speaker for the mic is underneath a plastic, one-button remote. On PSN, I did a test for the adjust mic settings. I could hear my voice, crystal clear. During gameplay, my voice could be heard clearly. VERDICT: I am in awe of how great these sound. Considering these are Hi-Res, the price is not too bad. Not to mention, they can perform with some top headphones out there. Great for music and surprisingly, good for gaming. ... show more
Reviewed in the United States on August 30, 2019 by 1Dub79

Can't find a product?

Find it on Amazon first, then paste the link below.