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Canon

Canon EF 50mm f/1.2L USM

    • Based on 513 reviews
Condition: New
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Availability: Only 3 left in stock, order soon!
Fulfilled by Adorama
Arrives Friday, Jan 17
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Features

  • Weather-resistant standard lens
  • Focal Length & Maximum Aperture-50mm F/1.2, Closest Focusing Distance - 1.48 ft. / 0.45m
  • AF with full-time manual focus, 72mm filter size
  • Ultrasonic Motor (USM), Lens not zoomable
  • Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible.

Description

What’s in the box: Canon Normal EF 50mm f/1.2L USM Autofocus Lens, E-72U 72mm Snap-On Lens Cap, Lens Dust Cap E (Rear), ES-78 Lens Hood, Lens Case LP1214, 1-year warranty. From the Manufacturer Canon EF 50mm f/1.2L USM lens.

Brand: Canon


Focal Length Description: 50 mm


Lens Type: Standard


Compatible Mountings: Canon EF


Camera Lens Description: 13


Product Dimensions: 2.6 x 3.39 x 3.39 inches


Item Weight: 1.28 pounds


Item model number: 1257B002


Is Discontinued By Manufacturer: No


Date First Available: October 2, 2001


Department: Lenses


Manufacturer: Canon Cameras US


Frequently asked questions

The Canon EF 50mm f/1.2 L USM lens is renowned for its exceptionally wide aperture of f/1.2, allowing for superior low-light performance and a very shallow depth of field. This feature, combined with its L-series designation, signifies premium build quality, superior optics, and enhanced durability, making it an excellent choice for professional photographers seeking a high-performance prime lens.

Yes, the Canon EF 50mm f/1.2 L USM lens is compatible with all Canon DSLR cameras. It's designed to fit perfectly on both full-frame and APS-C sensor Canon cameras, providing different field-of-view coverage, which becomes equivalent to an 80mm lens on APS-C cameras due to the crop factor.

Absolutely. The Canon EF 50mm f/1.2 L USM lens is not only excellent for photography but also highly suitable for video shooting. Its wide aperture allows for filming in low light conditions and achieving a cinematic depth of field. The Ultrasonic Motor (USM) provides swift and quiet autofocus, beneficial for video recording to minimize noise interference.

The build quality of the Canon EF 50mm f/1.2 L USM lens is top-notch, as it's part of Canon's luxury (L) series. These lenses are constructed to meet professional standards of durability and optical performance. It features weather-sealing to protect against dust and moisture, making it reliable in various shooting conditions. The high-quality glass and coatings also reduce chromatic aberrations and flaring, ensuring sharp, high-contrast images.

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🚀 Abunda's Overview

This is our summary and key points to consider based on customer reviews.

The Canon EF 50mm f/1.2 L USM Lens receives high praise from its users for its outstanding performance in low light situations and its ability to produce images with beautiful bokeh, making it a favorite among portrait photographers. However, it comes at a high price point and its hefty build requires some time to get used to. Reviewers noted its durability, with one mentioning surviving a hard fall without damage. Despite concerns about focusing issues, users report sharp and colorful images when using the correct techniques for wide aperture settings.

Pros

  • 📸 Great low-light performance
  • ✨ Beautiful bokeh and sharp images
  • 🛠 Solid and durable construction
  • 🖌 Excellent color rendition and contrast
  • 🔍 Fast and quiet autofocus

Cons

  • ⚖️ Heavy in hand
  • 💵 High price point
  • 🕰 Requires practice to master shooting wide open
  • 🔧 Some concerns about focusing issues, though not experienced by all

Should I Buy It?

If you are serious about photography and looking for a lens that excels in portrait and low-light situations, the Canon EF 50mm f/1.2 L USM is a worthwhile investment. Its build quality, image sharpness, and bokeh are unparalleled, making it a favorite amongst professionals. However, consider the price and the learning curve for best results at wide apertures.

    • Stellar lens
Style: Lens Only
This is a really beautiful piece of kit. I read the reviews here and on the various web fora and was obviously worried about the oft mentioned "back focusing" issue, but went ahead and bought one back in October 2009. My thinking was that I simply loved my Canon EF 50mm f/1.4 USM and, as it was the lens that was most often on my camera, I really wanted the best possible in this class, especially as I do like to shoot wide open around the home and indoors using natural light rather than flash. Needless to say, the lens is a bit of a beast in terms of size and weight when compared to the other 50mm lenses Canon makes (I have owned the 1.8, 2.5 and 1.4 at some stage over the last few years). But I love the stability that weight gives to you when you hold it in your hands. Shooting wide open does take a lot of getting used to given the razor thin DoF, and I have made sure to use the centre point on my 5DMkII and 50D for best results. The results in portraits can be beautiful though with a slightly soft dreamy effect wide open (which has been improved with practice). The lens gets nicely sharp around 2.0 and tack sharp at 2.8. However, the whole deal with sharpness to me is second to the ability to be able to get the shot in the first place. That's where the 1.2 excels. Regarding the "back focus issue" I went through the process of microadjusting all my lenses using this relatively easy yet effective method explained here: [...]. It turned out my 50mm 1.4 was focusing much more than my 1.2. I think the 50mm 1.4 was something like -15 and the 50mm 1.2 was -3. It seemed to be a consistent issue with my primes (though to varying degrees). My zooms were all pretty much spot-on. Simply must be to do with the wide apertures of the primes as DoF becomes thinner and thinner. 1.2 is as wide as it gets these days. For sample images, please feel free to check out these pics: h[...] The biggest caveat with this lens is, of course, the price. For that reason, I would say the best deal in terms of picture quality, low light ability, etc. is the Canon EF 50mm 1.4 USM. I still love that lens and have kept it for back-up and for whenever I need to travel. It really is a great piece of glass for the price. The 1.2 L is just that bit better though and, for my business, that's what I need to have. Pros: Great low-light ability at lower ISOs Fast focus Amazing build quality Contrast and colours are beautiful Bokeh is gorgeous even when stopped down (with nicely rounded aperture blades) Feels nice and solid in your hands when shooting in low light without tripod 1/2 stop faster than the Canon EF 50mm 1.4 USM Cons: Heavy Expensive Takes some time to master using wide open Canon EF 50mm f/1.4 USM offers comparable image quality (though half a stop slower and less well built). ... show more
Reviewed in the United States on March 20, 2010 by Joe Payne
    • Favorite Lens
Style: Lens Only
I toyed for months over buying this lens. I was very happy with my 50 1.4, and was leery over purchasing this lens because of various focusing issues and mixed reviews I've read. One day, however, I decided to take the plunge and am so happy that I did. Hands down, this lens is my favorite lens and is absolutely fantastic. I've now owned this lens for 8 months and it is on my camera 90% of the time (that title was perviously held by my 35 1.4L). Using this lens at 1.2 is amazing; it allows you to really hone in on a certain subject which makes the image really strong and powerful; not to mention, delicious creamy bokeh and super sharpness. I am a wedding and senior portrait photographer and when I use 1.2 for a single subject face close-up, eyes are super sharp and colorful. Most of the time I use the lens at either 2.0 or 2.2, and images at those apertures are super colorful and sharp (much more so than the 50 1.4). With this lens, images seem to come to life and look super sharp, yet creamy and smooth at the same time. It's definitely brought my portraits up to a new level, and playing with the 1.2 this lens has is really fun! Construction is beautiful! It's solid and heavy, as every L lens should be. I once (gasp!) dropped this lens VERY hard on concrete while trying (and apparently failing) to do a quick lens change. It fell face down, without a filter, and I was devastated to pick it up and inspect the damage. I was SO happy and relieved to see it survived the fall without any damages to the external structure or internal function. Believe me, I did several focus tests to make sure the focus was still accurate and nothing was "bumped" out of place for the fall, but have not noticed any changes in focusing speed, color, or sharpness since the fall 7 months ago. I have not experienced the infamous focusing issues reported on some other reviews. I'm not sure if it was just my luck with a good copy, but it has not had any focusing issues on my 5D or 5D MK II. Focus was tack-sharp straight out of the box, and have not experienced any focusing issues since. Focus zips into place both quickly, and quietly. Overall, this is a fantastic lens and is worth every penny. Image quality and lens durability is more than worth the price. I only wish I would have bought this lens sooner! ... show more
Reviewed in the United States on August 18, 2010 by E

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