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Warner Manufacturing

Batman: Return of the Caped Crusaders [Blu-ray]

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Description

Batman: Return of the Caped Crusaders (Blu-ray)POW! SOCK! BAM! BATMAN IS BACK! Holy mix-ups, Batman! Gotham City’s most vile Super-Villains - including The Joker, The Penguin, The Riddler and Catwoman - unleash a plan to take over the city and, ultimately, the world. Armed with the diabolical replica ray, the Super-Villains create a real who’s who for The Dynamic Duo. While it’s double trouble with Batman clones running around, the real Batman falls under a spell that turns him bad. Can Robin, The Boy Wonder – with a little help from the dubious Catwoman – set Batman straight and free Gotham City from the clutches of fiendish felony? Adam West, Burt Ward and Julie Newmar, this all-new DC Classic animated movie will have fans rushing to the Batcave!]]>


Is Discontinued By Manufacturer : No


MPAA rating : s_medPG PG (Parental Guidance Suggested)


Product Dimensions : 0.7 x 7.5 x 5.4 inches; 8.32 Ounces


Item model number : B01KYRX23U


Director : Rick Morales


Media Format : NTSC, Subtitled


Run time : 1 hour and 12 minutes


Release date : November 1, 2016


Actors : Adam West, Burt Ward, Julie Newmar


Subtitles: Spanish


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Top Amazon Reviews

    • Deliciously satisfying!
Review Image by Nightwing
Batfans, listen up … Batman: Return of the Caped Crusaders is deliciously satisfying! The characters, music, dialogue and trademark fight scenes are all here. Right from the opening credits, which cleverly intertwine the old 66 Batman television show with historic Batman comic book covers, one can immediately tell this animated film will not disappoint. The movie at its core is brilliant, using witty dialog and spectacular animation to entertain the viewer from start to finish. There are tons of Easter Eggs throughout that will satisfy the appetite of longtime fans. The Batcave’s decor is a great mix of Batman comics through the years and the tv show for which the film is based on. All items are woven together quite nicely. The story itself is not complex, but the manor it’s presented extremely creative. The voice acting is a nice mix of the classic actors themselves (which include Adam West, Burt Ward and Julie Newmar) along with others, which do a great job with the iconic characters. The true shining moment of this movie is the animation itself, which is pure eye candy! I’m amazed how incredible the lighting and colors burst on my HD screen. Why can’t all DC Animated films be this engaging? I highly recommend Batman: Return of the Caped Crusaders! FINAL GRADE = A ... show more
Reviewed in the United States on November 2, 2016 by Nightwing
    • The only things missing was the announcer saying at the end of the show, "Tune in next week. Same bat-time, same bat-channel."
Batman and Robin defeat the Joker, Penguin, Riddler, and Catwoman in campy, cheesy farfetched plot packed full of alliterations, deus ex machina jams, classic fight scenes, weapon gags, and bat-labels for the bat-computer, bat-sprays, and bat-boosters. The color schemes and stage direction of the original series are faithfully recreated. The only things missing was the announcer saying at the end of the show, "Tune in next week. Same bat-time, same bat-channel." ... show more
Reviewed in the United States on October 22, 2016 by James
    • Very disappointing
This had the potential of being a fun campy throwback to an era of Batman before it gets too dark and takes itself far too serious. When I initially heard of this project and saw some footage I thought it was going to very funny without mocking the memories of all those who grew up on the 60's series. It has a fair amount of nostalgic call backs but unfortunately the story is a mess and needed more focus and structure. It is the let's -throw-everything -at-the-wall-and-see-what-sticks approach and it just doesn't work. There a plot element to be found here (I won't spoil it) but it is a very funny premise and ought to have been what the entire film was built around and had lots of potential for some very funny jabs at all the other incarnations of Batman over the decades. I chuckled a few times but not enough to give it more than a two star rating. It is nice to hear Adam West and Burt Ward back in their iconic rolls but the fault lies with the writers and a very lacklustre script that meanders along. The other voice talent attempting to replicate Burgess Meredith, Frank Gorshin, Cesar Romero is a mixed bag of success. As for the animation it is passable. But I am very forgiving of budgetary limitations that might not produce the best product so long as there is a solid story to support this shortcoming. Even the Batman word splashes like POW and SPLAT are never made that clever. How about KEATON or CLOONEY or the worst SCHUMACHER!!!! So many opportunities wasted. I really wanted to like this. Adam West's passing was very sad. Another part of my childhood slips away. Currently watching Batman vs Two-Face and it is not going so well. ... show more
Reviewed in the United States on June 19, 2018 by Kindle Customer
    • Liked it... but didn't LOVE it...
It's difficult to decide exactly how to rate this. On the one hand, there is a conscious attempt in the story at making some sort of meta-commentary about 'campy, fun Caped Crusader' Batman versus 'grim and gritty, Dark Knight' Batman, and I'm still undecided about whether the story does a good job of achieving that. I dithered between a 3-star or a 4-star rating on this - if I could have given it 3 1/2 stars, I would have. I would say I liked it, but I didn't LOVE it, as an animated sequel to the 1966 television series. Whether or not they had the legal rights to use the likenesses of the original (and now deceased) actors who portrayed Alfred, Aunt Harriet, Commissioner Gordon, and Chief O'Hara is questionable in my mind, as the animated versions don't really look like those characters as originally portrayed on the TV series. It's possible they were aware that the vocal characterizations of the new actors portraying the characters weren't really close enough to fool anyone, so they sought to distance the characters visually as well, or maybe they just didn't have rights to all the supporting actors' likenesses. One thing I found disappointing is that there was no attempt to copy the standing sets of the live action series. The Batcave doesn't really LOOK like the Batcave from the 1966 series, or Wayne Manor (except for the props of the Shakespeare bust and Batphone hotline), or Commissioner Gordon's office, and why they chose to redesign those sets when they could have easily copied the actual set designs in animation background paintings is puzzling. There are some other things that seem a little off as well, like a space station that looks slightly futuristic (certainly not possible by late 1960s technology, and there's no indication that there's been any significant passage of time since the end of the series) instead of something that looks like it would have credibly fit with live action series' prop and set designs. It's notable when comparing something like the new Bat-Rocket, which DOES look like it fits within the stylistic design of the late-1960s series. Mind you, I mean that the space station looks futuristic by current standards, not by the retro-futuristic design standards of late-1960s television -- it would have fit better with Star Trek: The Next Generation than with the original Star Trek TV series (and that was set a couple of hundred years in the future of 1966). In yet another scene, we have a brief appearance by the Bat-Copter, which does NOT look like the one introduced in the 1966 feature film (and subsequently seen in later TV episodes). Then later on, we see the Whirly-Bats, looking almost exactly as designed in the comics from the late 1950s to early 1960s. It almost seems like the animation design is waffling between being faithful to the original series, and taking their own flyer on original designs that don't fit consistently with the look and feel of the live action show. Similarly, there's an inconsistency in the scoring of the film (by DC Animated Universe scoring veterans Lolita Ritmanis, Michael McCuistion, and Kristopher Carter of BATMAN THE ANIMATED SERIES, BATMAN BEYOND, SUPERMAN THE ANIMATED SERIES, JUSTICE LEAGUE, JUSTICE LEAGUE UNLIMITED, etc. -- collectively known as Dynamic Music Partners). While the music itself is very good and professional, it waffles between being evocative of the original scoring sound design of Neal Hefti's theme, and the background music score of composers Nelson Riddle and Billy May (and when it hews in this direction, it's very good), but also seems to want to segue back and forth to the same kind of dramatic music score cues we're familiar with from previous DC Universe animated series and original features. Both groups of music cues are of the usual high standards of Dynamic Music Partners, but they don't feel homogeneous, as if they're all part of an organic whole. It may have been that the idea was to contrast "good guy" Batman '66 against "a Batman gone bad man", but the two parts don't mesh as 'dark by 1960s standard' music cues. I'm left with a feeling that the producers of this feature were hedging their bets, as though they didn't feel confident that they could completely rely of an audience of viewers steeped in the nostalgia of the original TV show, and had to expand beyond that to try to overlap in some way with the audience of viewers traditionally expected for DC Original Animated Movies, trying to straddle the two camps (no pun intended). For those intimately familiar with the 1966 Batman TV series, there are many points and small details in the movie that seem jarring, and spoil the illusion. Nevertheless, relatively speaking, this release represents a substantial improvement in quality over most WB/DC DTV releases of recent years (basically, every film they've released BATMAN: THE DARK KNIGHT RETURNS). There is enough promise shown here that I wouldn't mind seeing Batman '66 turned into its own series of DTV features. Any of the various comics miniseries like Batman '66 Meets the Green Hornet, Batman '66 Meets The Man Frpm U.N.C.L.E., or the upcoming Batman '66 Meets Wonder Woman '77 would seem ripe (assuming they could clear the rights for Hornet and U.N.C.L.E.) for an animated adaptation of the story, and an animated feature based on Wonder Woman '77 isn't a bad idea either. The one suggestion I would have is to get Jeff Parker, writer of the Batman '66 comic, involved in developing the animated features, and perhaps get comic artist Mike Allred to design character models, vehicles and props. ... show more
Reviewed in the United States on December 26, 2016 by Dennis M. Roy

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