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Knopf Books for Young Readers

The Book Thief (Anniversary Edition)

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Format: Hardcover


Description

This anniversary edition of the extraordinary 1 New York Times bestseller features pages of bonus content, including marked-up manuscript pages, original sketches, and pages from the author's writing notebook. “Life- changing.” —The New York Times When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF. Read more


Publisher ‏ : ‎ Knopf Books for Young Readers; 10th Anniversary ed. edition (March 8, 2016)


Language ‏ : ‎ English


Hardcover ‏ : ‎ 592 pages


ISBN-10 ‏ : ‎ 1101934182


ISBN-13 ‏ : ‎ 80


Reading age ‏ : ‎ 10+ years, from customers


Lexile measure ‏ : ‎ 730L


Grade level ‏ : ‎ 7 - 9


Item Weight ‏ : ‎ 1.85 pounds


Dimensions ‏ : ‎ 6.19 x 1.86 x 9.31 inches


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Top Amazon Reviews

    • A Masterpiece - One of the best novels I have ever read!!
"The Book Thief " is one of the best novels I have read. Truly! Author Markus Zusak's storyline is both sad and wonderful, as it deals with Germany during WWII and the Holocaust. His memorable characters have tremendous depth, and the plot is extremely original. However, what makes this book so extraordinary is the author's writing, which, at times, is more poetry than prose. I frequently found myself reading passages of the elegantly written narrative aloud. Appropriately for the times, Death is our narrator and a major character. Death, the "gatherer of souls," writes of himself, "I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I really look like? I'll help you out. Find yourself a mirror while I continue." In the Prologue, Death states, "Here is a small fact: you are going to die. Does that worry you? I urge you - don't be afraid. I'm nothing if not fair." The figure describes himself as amiable, even affable, but warns, "don't ask me to be nice. 'Nice' has nothing to do with me.'" When the novel begins, Death is gearing up for mass production. It is 1939 and WWII has just begun. By 1945 the entire world will be at war. And it is Death who comments on man's inhumanity to mad, almost without emotion, in as objective a manner as possible. This inhumanity will cause it/him to work 24/7 in various places in the world at once. That's what I call multi-tasking. Nine year-old Liesel Meminger is our protagonist, "the book thief," although when we meet her, she is unschooled and cannot read very well. Liesel, her little brother Werner, and their mother are on a train to Munich. All three are skinny and pale, with sores on their lips. It is on the train that Death comes to claim young Werner's soul. Liesel and her mother despair. The boy is buried near the city, and one of the gravediggers, an apprentice, drops a black book as he walks away in the freezing winter weather. Liesel picks up the book, without calling out to notify the gravedigger of his loss. The book is titled, in silver letters, "The Gravedigger's Handbook." It is the first book she steals. So much has been taken from her, the grieving child feels like she settles part of the score when she commits the theft. In Munich the girl's mother bids her good-bye and turns her over to a foster care woman. The mother disappears, never to be seen again. Liesel and the woman make their way to a small town, Molching, on the outskirts of Munich, close to the Dachau death camp. They stop at a small house on Himmel Street, where her new foster parents, Hans and Rosa Hubermann, await the little girl. Hans is a kind and loving man who quickly takes to Liesel and visa versa. Rosa is also basically kind, although she puts up a front as a shrewish loudmouth. She is a laundress by trade and Hans is a house painter who loves to play the accordion. He is not a member of the Nazi Party. When he realizes he is losing customers because of his lack of enthusiasm for Hitler and the Nazis, he tries to join but his papers are on permanent hold. Their two children are grown and live away from home. Liesel has terrible nightmares and occasionally wets the bed. Hans, hearing her late night screams, sits with her and comforts her, sometimes until dawn. Occasionally he plays the accordion for her until Rosa yells at him to "shut up!" The empathetic, kindly man and the traumatized little girl form a close bond and Hans begins to teach Liesel to read, especially as she is fascinated by words. She believes that words have great power, after all, Hitler didn't need guns to persuade the German people to follow him and to hate Jews. He used words. When she begins school and the teacher realizes that the girl can't read, she is placed in a class with younger children. Most humiliating! It is during one of Liesel's frequent nightmares, that Hans begins to teach her to read. Since the Hubers have no books of their own, Hans uses Liesel's "The Gravedigger's Handbook." as a teaching tool. Then another book, a copy of "Mein Kampf," is acquired, one of the few available books which have not been burned. And yet another book, "The Shoulder Shrug." which Liesel snatches from a pile of burning books, is added to her collection. "Germans loved to burn things. Shops, synagogues, Reichstags, houses, personal items, books and of course, people." Eventually, Liesel acclimates to her new home and makes friends, especially with Rudy, the boy next door and her biggest fan. She never overcomes her nightmares, however, nor does she ever forget her mother and brother. It is at this time when she is forced to join Hitler Youth. Then Max Vandenberg, a German Jew in hiding, comes to ask Hans to fulfill a promise he made to his father, a comrade in arms who saved Hans' life during WWI. A Jew seeking refuge...what to do? Hans, an honorable man, feels obligated to keep his promise, even though it would mean death for Rosa and himself if Max were discovered in their home. Liesel is sworn to secrecy. The Hubers take the man in and set up living quarters for him in the basement. Max becomes part of the family and forms a close friendship with Liesel. She becomes his eyes and ears to the outside world. He eventually writes a book for her, "The Standover Man" - a simple, illustrated and haunting book about what it is like to be born Jewish in Hitler's Germany. Life goes on. Liesel learns to read and steals more books - fourteen in all. She and her friends adventure. Germany declares war on Russia. Death's work increases, especially on the eastern front and in the concentration camps. He/it feels overwhelmed by the souls to collect from the camps, gas chambers, battlefields, and causalities from air-raid bombings. Max begins to do crossword puzzles in the old newspapers Liesel occasionally finds for him. Rosa's and Han's workload diminishes significantly. Times are tough, rationing is strict, and people don't have money to send out their laundry or to have their houses painted. And, of course, Hans carries the stigma of not belonging to the Party. I don't want to include any spoilers, so I will stop my summary here. This is a powerful novel that kept me riveted throughout. As I wrote above, I sometimes stopped to read parts of the prose aloud. There is humor here also. One needs comic relief when reading a novel about such a heinous period in mankind's history. Markus Zusak's parents grew up in Nazi Germany and Austria. He frequently thought of writing about the things his parents had seen during the war. He says he thought about the "importance of words in that time, and what they were able to make people believe and do." The novel's last words belong to Death: "A LAST NOTE FROM YOUR NARRATOR: I am haunted by humans." Jana Perskie ... show more
Reviewed in the United States on May 15, 2009 by Jana L.Perskie
    • A fabulous peice of literature that doesn't belong in the Teen section
I purchased this book on my Kindle, which I totally love - but its one downside is that you can't pass a book along to somebody else when you're done with it. If I'd known how much I'd want to share this book, I would have bought a paper copy. I might actually go ahead buy a few copies just so I can share them. I heard the following explanation of why it's in the "Teen Literature" genre (I don't know if this explanation is correct, but it makes sense): It was originally published in Australia in the normal "Literature" genre, and was fully intended for an adult audience. When the publisher brought it to America, though, they decided that books in the Literature genre don't sell as well here and it would get more exposure in the "Young Adult" and "Teen" market, so they threw it in there to make more money. I think probably every teen SHOULD read this, in the same way they should all read The Diary of Anne Frank, but I doubt it will appeal to many of them. Certainly not to the same crowd of teens that's gone crazy recently over Twilight and Harry Potter before that. It's the (fictional, but very true-to-life) story of a young girl raised by foster parents in Germany during World War II. Her family is hiding a Jew, and so is in constant danger of being discovered by the Nazis. (In this way, it's reminiscent of The Diary of Anne Frank but told from a completely different perspective.) Interestingly, the story is actually narrated by Death. Death himself is very much a character in the book even though he takes no direct hand in the plot other than quietly and compassionately collecting souls when their time comes. He interjects his own opinions and notes throughout. (At first these interjections seemed distracting, but before long they became one of my favorite aspects of the book.) By tying such a narrator so closely to the story the author ensures that the right mood is maintained throughout. The author's concept of an personified Death is very different than the ones we are used to. In one parenthetical statement Death even alludes to his more classic personification when he comments, "I like this human idea of the grim reaper. I like the scythe. It amuses me." The main character of the book is Liesel. Everything she's ever had, even her family, has been taken from her, so early on in the book (the first chapter or two, if I recall), in attempt to have anything at all that is hers, she steals a book left accidentally on the ground by an apprentice grave digger just after the funeral of her younger brother. It's "The Gravedigger's Handbook". She can't read, and has no idea of what the book is - it's just one of the only things in the world that is hers now, so she hides it away like a treasure. When her foster father finds it, he realizes that she'd like to learn how to read. Being too poor to afford any other book, they use that one to teach her. He's hesitant about the subject matter but, in a wonderful illustration of the character's optimism in the face of even the most depressing situation he laughs and tells her as they get started, "Well, promise me one thing Liesel. If I die any time soon, you make sure they bury me right. No skipping chapter six or step four in chapter nine." The Gravedigger's Handbook becomes the first of several books that she steals, and the story tells how each one changes her life. This is the first fictional novel to ever actually make me cry. A few times throughout the book I realized I was about to let loose a tear, but I managed to get through those without actually crying. (Typical male: Just had to man-up, ya know?) But then, as I finished it, my face was literally wet. It's an amazingly moving book. In addition to the tears, it also made me laugh in a lot of places, made me happy and inspired in a lot of places, and just generally ran the gamut of human emotion. I've never had a book affect me like that, and certainly not one that I knew was fictional. (But just because it's fictional doesn't mean it isn't full of truth. It shows many of the horrors of war in such realistic terms that you'd swear it could only be written by somebody in Anne Frank's position.) I've always felt for the Jews who were persecuted during that war, but this book has given me a whole new appreciation for the few German citizens who were brave enough to protect some of these persecuted people, the ones who were wise enough to recognize the Nazi propaganda against the Jews for what it was, and who were human enough to risk their lives and families to do what they could do to help the oppressed. As far as actual objective quality of writing, I wouldn't go so far as to say that The Book Thief is written as well as a few others I've read. Pillars of the Earth by Ken Follett comes to mind as one with higher quality writing, as does The Archer's Tale by Bernard Cornwell. But the writing here is incredibly poetic in many places, and when it comes to grabbing your emotions and making you feel like you're living in the story, I've never seen another book as well-done. Because I'd heard it was in the Teen section of the bookstore, I started it very skeptically, and it took a while for me to get used to the very odd narrative style - but by the time I was a third of the way through I was completely hooked. Whoever it was at the publishing company who decided to call it "Teen Literature" needs to be strung up by the thumbs. I'll admit that if every teen read this book during their most impressionable years then it would probably make the world a better place because more of them would grow up into people who want to actively avoid war. But I doubt that many teens have the social maturity to really appreciate all that this book has to offer. I know there are many who do, and those that do have my complete respect, and I hope this book finds them. But the adult market is a far more appropriate venue for this book that I can only hope becomes regarded as a classic in years to come. ... show more
Reviewed in the United States on January 25, 2010 by Marshall G

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