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Nirvana Format: Vinyl

Nevermind

    • Based on 16,318 reviews
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Availability: Only 4 left in stock, order soon!
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Arrives Monday, Nov 25
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Format: Nevermind (Remastered)


Description

Limited 180gm vinyl pressing of this classic 1991 album from Kurt Cobain and the boys. Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, "Smells Like Teen Spirit". By January 1992, it had replaced Michael Jackson's album Dangerous at 1 on the Billboard 200 chart. The album also produced three other successful singles: "Come as You Are", "Lithium", and "In Bloom". The Recording Industry Association of America has certified the album Diamond (over 10 million copies shipped), and the album has sold over 30 million copies worldwide. Nevermind was responsible for bringing Alternative Rock to a large mainstream audience, and has been ranked highly on lists of the greatest albums of all time by publications such as Rolling Stone and Time.

Is Discontinued By Manufacturer ‏ : ‎ No


Language ‏ : ‎ English


Product Dimensions ‏ : ‎ 12.36 x 12.36 x 0.31 inches; 8.32 ounces


Manufacturer ‏ : ‎ Geffen / SubPop


Item model number ‏ : ‎ UM-4244251


Department ‏ : ‎ Music vinyl records


Original Release Date ‏ : ‎ 2013


Date First Available ‏ : ‎ January 29, 2007


Label ‏ : ‎ Geffen / SubPop


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If you place your order now, the estimated arrival date for this product is: Monday, Nov 25

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Top Amazon Reviews

    • Love this album from when we were teenagers!!
Plays well love the music miss Kurt Cobain
Reviewed in the United States on November 17, 2024 by RCR
    • Excelente
Excelente
Reviewed in the United States on October 11, 2024 by Piero Vincenzo Del Giudice
    • Nice record
Goog qty
Reviewed in the United States on October 6, 2024 by Diego C.
    • The Album That Changed Music
Those who argue that Nevermind is one of the greatest albums of all time do so on the basis that it changed and defined music, single handedly, for the first five years of the 1990s. You would be hard pressed to find a single album that has done so before or since. The impact that the ultimately doomed Seattle trio made, over just seven years, makes Nirvana one of rock’s most successful artists. Nevermind begins with Nirvana’s signature track: Smells Like Teen Spirit, which Rolling Stone Magazine ranks at #9 in its 500 Greatest Songs Of All Time for its influence and lyrics about the social pressures and anxieties faced in adolescence with a massive chorus: With the lights out, it’s less dangerous Here we are now, entertain us I feel stupid, and contagious Here we are now, entertain us! The aggressive, four powerchord opening echoed down the line of the early ‘90s, being sampled by many imitating artists. Nevermind was never meant to be as huge on the pop scene as it was. Kurt Cobain worried that his grunge credibility would be threatened. His gloom was increased when Smells Like Teen Spirit, which he didn’t feel was anywhere near his best lyrical effort, was demanded at concerts. Ultimately, Cobain’s fractured, unbearable youth would provide the lyrical structure for much of Nevermind: Smells Like Teen Spirit, the anti-judgemental Come As You Are, the chilling Polly, the characterised denial and confusion of On A Plain and the heartbreaking Something In The Way all have evidence of a troubled, anguished childhood and the terrible inner turmoil that was, sadly, never too far under the surface. However, not all of Nevermind is a collection of underlying teenage unrest by an alternatively brilliant, damaged young man. The frenzied shred of Breed and Territorial Pissings are music as a party drug, the latter being most enjoyable when control is thrown out the window, Cobain’s voice cracks and the song smashes through logical structure of music. In Bloom, with its blaring riff and murmured, boiling verses, would become a fan favourite and a radio staple, as would Come As You Are. Cobain loved Drain You, which is brash, faintly repulsive yet somehow un-put-down-able. The clean cut, cynical Lithium is Cobain’s lyric writing at its best on the album, with wry, almost funny one liners turning personal slights into rebound attacks: I’m so ugly?/ That’s OK, ‘cause so are you! Polly, an acoustic about the rape of a young girl, is hard to listen to too often, especially with the line Let me clip your dirty wings. Ultimately, what makes the album is the final track Something In The Way. After the pounding and thundering of the first eleven songs, its soft, quiet desperation stands out a mile. The depressing lyrics, about Cobain living under a bridge as a young man, are graceful and poignant, with a mournfully beautiful cello playing over the chorus. A stand out. Nevermind is difficult to fully judge. The music is more than a classic of its genre; it is the genre. The lyrics, while at times unpleasant, fit perfectly with the sound. The disillusion that Cobain felt following its success makes it tragic. If you look at it in a purely music relevance sense, it is a classic, and arguably the most influential album of all time. ... show more
Reviewed in the United States on October 9, 2017 by Carbona Not Glue
    • Grunge Rock
I love NIrvana, and this CD came in perfect condition.
Reviewed in the United States on August 13, 2024 by Richard E. Kuykendall
    • Great price great quality fast shipping
Great price great quality fast shipping
Reviewed in the United States on August 17, 2024 by David
    • Vinyl Sounds Great
Plays quiet and no issues. Very nice pressing, beautiful clarity and expanding sound. I still have the original CD which sounds great too, vinyl just sounds nice in a different way. It's kid of funny when I think back and remember asking my friends in high school if they heard this song from Nirvana called teen spirit or something like that and I kind of liked it. Oh! you heard it and liked it too? that's cool, I think I might get their CD this week and listen to the rest of what they have to offer. Well kids, they turned out to being a fairly popular band later, although my favorite song of theirs didn't come till later with In-Bloom. ... show more
Reviewed in the United States on February 5, 2024 by Invisible Space Hermit
    • Great Album! Terrible Remaster!!
I'm kinda torn on the rating here. Nirvana were my favorite band for many years, and still are easily in my top 10. This album was never my favorite from them. That honor has always gone to In Utero for me, but this is the classic that made that album possible, and there was a time where this was probably my 2nd favorite album of all time behind In Utero. I'm giving a 4 star rating, because anything under that seems ludicrous, judging the songs by themselves. I, however, agree with all the 1 star reviews complaining about the remaster, and if I wasn't worried about it impacting the rating of an all around fantastic piece of music, I would give it the same. I was ecstatic when this remaster was first announced. By the time it was announced, the original version of this album sounded dated to me. It didn't always sound this way to me, but by 2011 this album sounded most definitely like it came out in 1991 and no other year. It's a shame when over-production stops well written songs from being timeless. On this remaster, however, they went way, way, way overboard. Rather than fixing the 1991 polish to make it sound more like 21st century polish, they just cranked the volume up and ruined the 'loud, quiet, loud' aspects that made this album so great to begin with. Luckily, In Utero received the treatment it deserved, but this remaster destroys the dynamics of this entire album. I think the problem with this remaster was with the marketing team. They probably thought, "what made this album so popular? Oh, it was loud and abrasive, so if we make it louder we'll also make it more abrasive!" The strategy kinda makes sense to marketing teams who don't understand art, but it completely undermines the point of this album which made it so popular. Yes, it was partially that it was loud and abrasive in a time where most music was very pretty and glossy. Popular rock music in the 80's sucked, and this album was the perfect gut punch to get culture away from the dumb hair bands and pop songs that dominated the decade (not that all 80's music was bad... rock certainly was pretty bad, unless you were listening to hardcore punk, but some of the New Wave and Synth pop was quite excellent, and really paved the way for a lot of today's great Indie bands) However, the point of this album, and the thing that made it such a hit, was it's Pixies formula. It was the dynamics. Moments of hushed tones waiting to be shredded to bits by a roaring chorus. The song structures in this album are very basic pop, and not terribly impressive (though, melodically very impressive), but it was the dynamics of this album that made it a classic. Turning up the volume the way they did just butchers those dynamics, and ruins the album. The album itself gets a 4 star rating from me. It's not as good as In Utero. While I blame the production more than the song writing, this album does sound quite dated, even in it's louder form (almost worse because of it). I would, however, rate this remaster 0 stars, and would recommend against it. I wouldn't recommend the CD or MP3 of the original, non-remastered edition very much either. If you want to listen to and enjoy this album the way it should be enjoyed, I'd actually recommend the 180 grain vinyl edition. That doesn't sound as dated, it has the right and proper dynamics and would get a 5 star rating from me based on those merits. I hope that they do a 30th anniversary remaster and fix this crap so that I have something as enjoyable as this album deserves to remain in the 21st century. Oh, not sure if I mentioned it, but I would still strongly recommend In Utero's 20th Anniversary remaster. That album already had a timeless sound, and didn't really need the remaster, but somehow the remaster of that album made the dynamics even better. I'll do a separate review of that at another time, but having listened to the orignal and remastered In Utero side-by-side, they actually turned down the volume on some parts of it and made the loud-quiet-loud aspects much sharper, like I wish they did here. ... show more
Reviewed in the United States on March 25, 2016 by Colby C. Mauro

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