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ΤOOL Format: Vinyl

Fear Inoculum (Limited Edition Vinyl)

    • Based on 7,226 reviews
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Availability: Only 2 left in stock, order soon!
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Arrives Wednesday, Nov 27
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Description

This is the long awaited limited edition vinyl package of Tool’s Grammy winning and critically acclaimed album, Fear Inoculum. This package features five 180 Gram BLACK vinyl discs, with album tracks featured on Side A, and unique etchings featured on Side B. The discs are packaged in a hard shell box with new album art, and a bound casebook holding the vinyl along with new imagery not previously seen. Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan. Disc 1, Side A Disc 2, Side C Disc 3, Side E Disc 4, Side G Disc 5, Side I


Product Dimensions ‏ : ‎ 11.81 x 0.39 x 11.81 inches; 7.05 Ounces


Manufacturer ‏ : ‎ RCA Records


Original Release Date ‏ : ‎ 2022


Date First Available ‏ : ‎ February 25, 2022


Label ‏ : ‎ RCA Records


Country of Origin ‏ : ‎ USA


Number of discs ‏ : ‎ 5


Best Sellers Rank: #321 in CDs & Vinyl (See Top 100 in CDs & Vinyl) #153 in Rock (CDs & Vinyl)


#153 in Rock (CDs & Vinyl):


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If you place your order now, the estimated arrival date for this product is: Wednesday, Nov 27

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Very decent
I could see people not liking this album, particularly people that really like the style of the older albums. To each their own. Fear Inoculum is the next evolution of Tool in a long progression of changes. And its amazing how far they have come. I love introspective tool and this album feels like disposition/reflection, but for a full album. It’s a very slow burn, which again I really like and for this moment in my life, this is exactly what I want. This is a deep and beautiful album. An album that I can put on and just sit there and think. Its like someone is messaging my brain and helping me work through the problems in my mind. That means a lot to me and I really dig it. As far as the transition songs go, I have deleted them. They just screw with the flow of the album and its long enough as it is without having to sit through random noise in-between great tracks. My digital album now reflects the physical release, which didn't bother including them either. Besides that, I think I love this album. ... show more
Reviewed in the United States on August 30, 2019 by Anonymous67
    • An Oasis in the Desert of Modern Music
Having heard my first song from Tool in 1994 they are the only band I can think of who's sound has aged like wine. It's never been trendy, it's always been what they wanted to produce and always evolved album to album. This is no exception. They posted the album for free. I don't think they need the money but I paid for it anyways. Each track is a carefully constructed piece of musical art. I've thought of many bars set by artists from the 1960's to now and feel like this album and their body of work has set it. ... show more
Reviewed in the United States on August 30, 2019 by Drekkor
    • It's alright
The single release of the song "Fear Inoculum" definitely got my hopes up as it's a very good song, much in the vein of their "10,000 Days" style. But overall I find myself to be somewhat let down. Pneuma has great moments, and 7empest is fantastic for the first 9 minutes or so (the rest of the 15+ minute playtime is just instrumental jam). But beyond that, nothing else is particularly memorable for me. It's really too bad they didn't capture more of the energy of 7empest across more of the album. Just seems like a bit of a lackluster affair for this long time fan. ... show more
Reviewed in the United States on August 30, 2019 by Zen
    • Hopefully it will grow on me, but I doubt it.
Am I OK with TOOL releasing an album that sounds very much like everything they've ever done? Absolutely; and that's what I was expecting. Some of their best work strongly reminds me of "something from their last album" and they've always been a great example of how arrangement of a song is important. But Fear Inoculum is easily the most repetitive album I've heard in years. Every song sounds the same. And I don't mean the same riffs over and over. I mean the same order of arrangement with slightly different riffs and very little imagination. It's an album that spends 60 minutes trying to be the same song over and over again, before it finally realizes that maybe it's time to write something good. I literally get half way through these songs and go "now they're going to do that riff they do where it's just 4 chords" and low and behold, "DUN dun DOOOOOOONE" Chocolate Chip Trip is Danny Carry fully utilizing his kit: something we haven't really seen from him outside of a live performance. But it ends before it takes off. 7empest is probably one of the best TOOL songs of all time and arguably Adam Jones' best work. It's a great example of TOOL sounding like TOOL. I guess what I'm trying to say is there's a difference between taking a song where the listener hopes it to go (with sometimes exceeding expectations) and taking every song to a safe destination. Fear Inoculum is good, but it's also very, very boring. ... show more
Reviewed in the United States on August 30, 2019 by C. Mitchell
    • If "10,000 Days" and "Lateralus" had a baby
If "10,000 Days" and "Lateralus" had a baby that was delivered by Dr. "AEnima" that baby's spirit name would be "Fear Inoculum". I'm not going to say something stupid like "OMFG !@@$ it was worth the 13 year wait!!" because having to wait 13 years -sucked-. However, this new album delivers on everything I want to hear from Tool. The album is full of long drawn out "Tool" music tracks with extended waves of sound crashing into a wall of pounding guitar, bass and Danny's drumming at the peak. All the progressive boxes are checked for me, and, I wouldn't call this some new direction or departure for Tool (who wants that anyway) the band definitely added some musical elements you have not heard from them before. Throughout the entire album, you hear the added ingredients of synthesizers and voice effects - all of which are perfectly placed. At the end of the day, I feel the band picked up beautifully where they left off and stuck to their stubborn guns of 'we will release something when it's *ready*'. As frustrated as I was with not having new music from the Tool in over a decade I am glad the band didn't release music [just] for the sake of pumping out music. If you're looking for Godsmack or Chevelle you're looking in the wrong place. If you're looking for the Pink Floyd of our time, (but, it's TOOL,) then this is the right place for you to be - welcome home. ... show more
Reviewed in the United States on August 30, 2019 by Jack Ruby Built The Pyramids
    • Almost all filler
I have been listening to Tool for 20 years and probably seen them 50 times live. Tempest is a sick song, but most of this record is just filler. We waited 13 years for this? please....
Reviewed in the United States on September 4, 2019 by Amazon Customer

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